Across the River and Into the Trees


Book Description

In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”




Reading Hemingway's Across the River and Into the Trees


Book Description

With this novel, Hemingway is at his most allusive and opaque, and Cirino unpacks Hemingway's vaunted iceberg theory, in which the majority of a text's substance remains submerged, unspoken, and invisible. Hemingway makes constant references to his own life, friends, and families; other artistic works; the history, politics, and culture of Venice and America; and he draws from his more celebrated works of fiction. Cirino traces the complex web that left many of the novel's readers confused. In Across the River and into the Trees, the classic Hemingway themes emerge: the soldier after the war and the function of love amid the bloody twentieth century. We learn about the conflicting roles of the soldier and the artist in society and the way a man can struggle to be human and humane to those around him. Reading Hemingway's Across the River and into the Trees is the premier work devoted to the novel.




Autumn in Venice


Book Description

The illuminating story of writer and muse—which also examines the cost to a young woman of her association with a larger-than-life literary celebrity—Autumn in Venice is an intimate look at Hemingway’s final years. In the fall of 1948, Ernest Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called “absolutely god-damned wonderful.” A year shy of his fiftieth birthday, Hemingway hadn’t published a novel in nearly a decade when he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Here Andrea di Robilant re-creates with sparkling clarity this surprising, years-long relationship, during which Adriana inspired a man thirty years her senior to complete his great final work. Hemingway used Adriana as the model for Renata in Across the River and into the Trees, and continued to visit Venice to see her; when the Ivanciches traveled to Cuba, Adriana was there as he wrote The Old Man and the Sea.




The Old Man and the Sea


Book Description

DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




Reading Hemingway's To Have and Have Not


Book Description

"A line-by-line examination of an important but neglected Hemingway novel."--




The Torrents of Spring


Book Description

"In The Torrents of Spring, Ernest Hemingway crafted his disillusions into a comedic satire aimed at Sherwood Anderson's Dark Laughter as well as other great writers of the day"--




Hemingway on Hunting


Book Description

Ernest Hemingway’s lifelong zeal for hunting is reflected in his masterful works of fiction, from his famous account of an African safari in “The Short Happy Life of Francis Macomber” to passages about duck hunting in Across the River and into the Trees. For Hemingway, hunting was more than just a passion; it was a means through which to explore our humanity and man’s relationship to nature. Courage, awe, respect, precision, patience—these were the virtues that Hemingway honored in the hunter, and his ability to translate these qualities into prose has produced some of the strongest accounts of hunting of all time. Hemingway on Hunting offers the full range of Hemingway’s writing about the hunting life. With selections from his best-loved novels and stories, along with journalistic pieces from such magazines as Esquire and Vogue, this spectacular collection is a must-have for anyone who has ever tasted the thrill of the hunt—in person or on the page.




Reading Hemingway's Winner Take Nothing


Book Description

A compelling and authoritative reading of Hemingway's final collection of short stories Written in 1933 and one of Hemingway's lesser-known books, Winner Take Nothing was his third and final collection of short stories. These stories are about loners and losers and misfits and ne'er-do-wells. Its characters are ill, tortured, maligned, and frustrated by Hemingway's world. Like the characters it depicts, Winner Take Nothing is likewise a misfit in Hemingway's career, a volume of short stories that, as of this writing, is not even in print. Its more popular predecessors, In Our Time (1925) and Men without Women (1927), are held up as iconic collections in the American short story tradition. The grotesqueries of these 14 stories are outcasts in Hemingway's corpus and have been neglected virtually from the beginning. Editors Cirino and Vandagriff recover an underrated work that still reflects contemporary concerns. Through line-by-line annotations and accompanying commentary, this book weaves together the biographical, historical, and cultural threads of one of Hemingway's more overlooked works, thus providing much needed guidance for Hemingway scholars and general readers alike. Included in this Collection: Introduction--Mark Cirino and Susan Vandagriff "After the Storm"--Kirk Curnutt "A Clean Well-Lighted Place"--Alberto Lena "The Light of the World"--Bryan Giemza "God Rest You Merry, Gentlemen"--Suzanne del Gizzo "The Sea Change"--Carl Eby "A Way You'll Never Be"--Mark Cirino "The Mother of a Queen"--Krista Quesenberry "One Reader Writes"--Robert W. Trogdon "Homage to Switzerland"--Boris Vejdovsky "A Day's Wait"--Verna Kale "A Natural History of the Dead"--Ryan Hediger "Wine of Wyoming"--Susan Vandagriff "The Gambler, the Nun, and the Radio"--Nicole J. Camastra "Fathers and Sons"--Donald A. Daiker




One True Sentence


Book Description

A selection of the greatest sentences by the master, Ernest Hemingway. Sentences that can take a reader's breath away and are not easily forgotten. Each sentence has been selected and examined by authors such as Elizabeth Strout, Sherman Alexie, Paula McLain, and Russell Banks; filmmakers Ken Burns and Lynn Novick; Seán Hemingway, A. Scott Berg, and many others in this celebration and conversation between Hemingway and some of his most perceptive and interesting readers. "All you have to do is write one true sentence," Hemingway wrote in his memoir, A Moveable Feast. "Write the truest sentence that you know." If that is the secret to Hemingway's enduring power, what sentences continue to live in readers' minds? And why do they resonant? The host and producer of the One True Podcast have gathered the best of their program (heard by thousands of listeners) and added entirely new material for this collection of conversations about Hemingway's truest words. From the long, whole-story-in-a-sentence line, "I have seen the one-legged streetwalker who works the Boulevard Madeleine between the Rue Cambon and Bernheim Jeunes' limping along the pavement through the crowd on a rainy night with a beefy red faced episcopal clergyman holding an umbrella over her.", to the short, pithy line that closes The Sun Also Rises, "Isn't it pretty to think so?", this is a collection full of delights, surprises, and insight. "All good books are alike in that they are truer than if they had really happened," wrote Hemingway. "And after you're finished reading one, you will feel that all that happened to you and afterwards, it all belongs to you." For readers of American literature, One True Sentence is full of remembrances--of words you read and the feelings they gave you. For writers, this is an inspiring view of an element of craft--a single sentence--that can make a good story come alive and become a great story.




The Fifth Column


Book Description

Featuring Hemingway's only full-length play, The Fifth Column and Four Stories of the Spanish Civil War brilliantly evokes the tumultuous Spain of the 1930s. These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it. He provides unique insight into how the city itself and the people within it functioned during this time of war. Through love, hate, fear, and brutality, Hemingway explores the complexities that times of war contain in his famed powerful prose.