Real Country Lyrics Volume 14


Book Description

Welcome to Real Country Lyrics Volume Fourteen (songs #7251 - 7500) If you want to get back to real country music, you have to start with Real Country Lyrics. The kind that was sung by Sons of the Pioneers, Roy Acuff, Patsy Cline, Hank Williams Sr, Bob Wills and His Texas Playboys and a host of other pioneers of Country, Cowboy and Western music. This collection brings back the kind of classic and vintage songs written in the middle of the 1900's when country music was established.




Journal of Latin American Theology, Volume 14, Number 2


Book Description

This volume of the Journal of Latin American Theology and the spring 2020 volume are dedicated to providing an up-to-date analysis of Christianity in current Latin American societies. This issue focuses on Mexico, Central America, and parts of the Caribbean (Puerto Rico and Haiti). An excellent array of Christian leaders representing these regions have risen to the task. First, they situate readers in the contemporary political and social context of their country. Next, they describe contemporary Christianity in their nation, both Protestant and Catholic, as the respective churches respond to their national challenges. Then they explore what followers of Jesus in their countries would want to share with the larger worldwide church and what Christians in their nations need to learn from Christian sisters and brothers from around the globe. Mexico is covered by Rebeca Montemayor and Javier Ulloa; Guatemala by Miguel Reyes; Honduras by Enrique Martinez; El Salvador by Miguel Reyes; Nicaragua by Freddy Mendez; Costa Rica by Dorothy and Fernando Bullon; Puerto Rico by Wilmer Estrada-Carrasquillo; and Haiti by Dieumeme Noelliste. This volume together with the upcoming spring issue will make an excellent textbook in universities and seminaries for all who want to understand Latin American Christianity today. We pray that these country studies will lead readers to prayers of solidarity and reflection upon how God is walking among us in our various contexts.







Country Music


Book Description

A comprehensive reference source on the history, impact, and current state of country music, offering portraits of figures in the country music world.




Encyclopedia of Great Popular Song Recordings


Book Description

Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording




Music with Expressive Power


Book Description

People worldwide love to enjoy their preferred lifestyle. Music is a powerful lifestyle choice. It helps people shape and share their experiences. Music evolves, as does technology, culture and the music business. This book helps the reader to understand the changes to music and audio reproduction. Enabling them to make informed choices about music and the audio equipment they use. Thereby gaining richer musical experiences. This book explains why high-quality reproduction of music is hard. It identifies some factors that influence the quality of reproduction such as careful listening. Often discussions about music and audio ignore the role of the listener. Yet a person’s disposition, sensory awareness and attention, affect how they perceive music and what they experience from it. As well as music students, teachers, and musicologists, the book will appeal to those with a passion for quality music and the quality reproduction of music.




The Olive & the Grape


Book Description




Taking Popular Music Seriously


Book Description

As a sociologist Simon Frith takes the starting point that music is the result of the play of social forces, whether as an idea, an experience or an activity. The essays in this important collection address these forces, recognising that music is an effect of a continuous process of negotiation, dispute and agreement between the individual actors who make up a music world. The emphasis is always on discourse, on the way in which people talk and write about music, and the part this plays in the social construction of musical meaning and value. The collection includes nineteen essays, some of which have had a major impact on the field, along with an autobiographical introduction.




Lost in Music


Book Description

This collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.




Translation and Music


Book Description

Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done for the opera. Yet the intersection of translation and music can be a fascinating field to explore, and one which can enrich our understanding of what translation is and how it relates to other forms of expression. This special issue is an attempt to open up the field of translation and music to a wider audience within translation studies, and to an extent, within musicology and cultural studies. The volume includes contributions from a wide range of musical genres and languages: from those that investigate translation and code-switching in North African rap and rai, and the intertextual and intersemiotic translations revolving around Mahler's lieder in Chinese, to the appropriation and after-life of Kurdish folk songs in Turkish, and the emergence of rock'n roll in Russian. Other papers examine the reception of Anglo-American stage musicals and musical films in Italy and Spain, the concept of 'singability' with examples from Scandinavian languages, and the French dubbing of musical episodes of TV series. The volume also offers an annotated bibliography on opera translation and a general bibliography on translation and music.




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