Religious Identities in Henry VIII's England


Book Description

Henry VIII's decision to declare himself supreme head of the church in England, and thereby set himself in opposition to the authority of the papacy, had momentous consequences for the country and his subjects. At a stroke people were forced to reconsider assumptions about their identity and loyalties, in rapidly shifting political and theological circumstances. Whilst many studies have investigated Catholic and Protestant identities during the reigns of Elizabeth and Mary, much less is understood about the processes of religious identity-formation during Henry's reign.




Heretics and Believers


Book Description

A sumptuously written people’s history and a major retelling and reinterpretation of the story of the English Reformation Centuries on, what the Reformation was and what it accomplished remain deeply contentious. Peter Marshall’s sweeping new history—the first major overview for general readers in a generation—argues that sixteenth-century England was a society neither desperate for nor allergic to change, but one open to ideas of “reform” in various competing guises. King Henry VIII wanted an orderly, uniform Reformation, but his actions opened a Pandora’s Box from which pluralism and diversity flowed and rooted themselves in English life. With sensitivity to individual experience as well as masterfully synthesizing historical and institutional developments, Marshall frames the perceptions and actions of people great and small, from monarchs and bishops to ordinary families and ecclesiastics, against a backdrop of profound change that altered the meanings of “religion” itself. This engaging history reveals what was really at stake in the overthrow of Catholic culture and the reshaping of the English Church.




The Gospel and Henry VIII


Book Description

The last years of Henry VIII's life, 1539-47, have conventionally been seen as a time when the king persecuted Protestants. This book argues that Henry's policies were much more ambiguous; that he continued to give support to Protestantism and that many accordingly also remained loyal to him. It also examines why the Protestants eventually adopted a more radical, oppositional stance, and argues that English Protestantism's eventual identity was determined during these years.




Six: The Musical - Vocal Selections


Book Description

(Vocal Selections). Six has received rave reviews around the world for its modern take on the stories of the six wives of Henry VIII and it's finally opening on Broadway! From Tudor queens to pop princesses, the six wives take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power! Songs include: All You Wanna Do * Don't Lose Ur Head * Ex-Wives * Get Down * Haus of Holbein * Heart of Stone * I Don't Need Your Love * No Way * Six.




The Private Life of Thomas Cromwell


Book Description

Thomas Cromwell was King Henry VIII’s most faithful servant, the only man the king ever openly regretted executing. But Thomas Cromwell came to royal prominence late in life, and had 45 years of family, friends and experiences behind him before catching Henry’s eye. Born a common boy at a time of significant change in England in 1485, Cromwell grew up in a happy, close-knit family, before heading to Europe for dramatic adventures. Returning to England a decade later, Cromwell emerged with the skills of a lawyer and merchant, with the European language skills and connections to match. Marriage, children, friends, family and manor homes all furnished Cromwell’s life, a man happy and settled in London. But more beckoned for the Italian-Englishman, when a special friendship with Cardinal Thomas Wolsey grew, along with the attention of the king. Tragic personal loss affected Cromwell, hidden behind the more-recorded professional accolades. But friendships remained throughout time, changes in allegiance and even religion. Men who had met the young Cromwell stuck close to him through the years, and Cromwell never forgot a single loyal friend. Cromwell’s desire to support his son saw Gregory become brother-in-law to the king himself, only for more tragedy to harm the ever-growing Cromwell family. Far from the seemingly dour, black-clad, serious man, Cromwell lavished those around him with gifts, parties, extravagant games, entertainments, animals and outfits. But the glamour and beauty of Cromwell’s life would come to a sudden end, leaving a trail of devastated men and women, and an extraordinary manor home, Austin Friars, scattered to the wind. Using a wide variety of primary material, this exciting biography weaves a new narrative on the indefatigable Thomas Cromwell, illustrating him more vividly than we've known him before.




Church Music and Protestantism in Post-Reformation England


Book Description

'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.




The Oxford Handbook of Early Modern English Literature and Religion


Book Description

This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period. The sixteenth and seventeenth centuries were the most turbulent times in the history of the British church and, perhaps as a result, produced some of the greatest devotional poetry, sermons, polemics, and epics of literature in English. The early-modern interaction of rhetoric and faith is addressed in thirty-nine chapters of original research, divided into five sections. The first analyses the changes within the church from the Reformation to the establishment of the Church of England, the phenomenon of puritanism and the rise of non-conformity. The second section discusses ten genres in which faith was explored, including poetry, prophecy, drama, sermons, satire, and autobiographical writings. The middle section focuses on selected individual authors, among them Thomas More, Christopher Marlowe, John Donne, Lucy Hutchinson, and John Milton. Since authors never write in isolation, the fourth section examines a range of communities in which writers interpreted their faith: lay and religious households, sectarian groups including the Quakers, clusters of religious exiles, Jewish and Islamic communities, and those who settled in the new world. Finally, the fifth section considers some key topics and debates in early modern religious literature, ranging from ideas of authority and the relationship of body and soul, to death, judgment, and eternity. The Handbook is framed by a succinct introduction, a chronology of religious and literary landmarks, a guide for new researchers in this field, and a full bibliography of primary and secondary texts relating to early modern English literature and religion.




A Brief History of Britain 1485-1660


Book Description

Praise for the author:: 'For anyone researching the subject, this is the book you've been waiting for.' Washington Post From the death of Richard III on Bosworth Field in 1485 to the execution of Charles I after the Civil Wars of 1642-48, England was transformed by two dynasties. First, the Tudors, who had won the crown on the battlefield, changed both the nature of kingship and the nation itself. England became Protestant and began to establish itself as a trading power; facing down seemingly impossible odds, it defeated its enemies on land and sea. But after a century, Elizabeth I died with no heir and the crown was passed to the Stuarts, who sought to remould the kingdom in their own image. Leading authority on the history of the British Isles in the sixteenth and seventeenth centuries, Ronald Hutton brilliantly recreates the political landscape of this early modern period and shows how the modern nation was forged in these febrile, transformative years. Combining skilful pen portraits of the leading figures of the day with descriptions of its culture, economics and vivid accounts of everyday life, Hutton provides telling insights into this critical period on Britain's national history. This the second book in the landmark four-volume Brief History of Britain which brings together leading historians to tell Britain's story, from the Norman Conquest of 1066 to the present day. Combining the latest research with accessible and entertaining story-telling, the series is the ideal introduction for students and general readers.




Roger Ascham’s Themata Theologica


Book Description

Roger Ascham is often classified as 'a great mid-Tudor humanist' and he is perhaps best known for his role as tutor to Elizabeth I. His most famous works, The Scholemaster and Toxophilus, have been extensively quarried and anthologised in studies on prose style and English humanism. By contrast, his Neo-Latin works that engaged with theology and key Reformation concerns have languished in the shadows of modern scholarship. Ascham's Themata Theologica ('Theological Topics') is one of these, and its content has the potential to open up many an investigative avenue into the intellectual and religious culture of the sixteenth century. This is the first volume to offer a corresponding English translation. The Themata can be dated to the early to mid- 1540s, and was composed by Ascham while still at Cambridge University and serving as a senior fellow at St John's College. The work mainly comprises a compendium of relatively short commentaries on Scriptural verses (both Old and New Testament), many of which developed into expositions on difficult philosophical concepts, such as the notion of felix culpa (literally, 'happy fault') and some of the most intractable theological questions of the day, including the nature of sin, adiaphora ('matters of indifference'), justification and free will. This little-known text offers a rare opportunity to trace the course of Ascham's own religious maturation, but also offers fresh insights into the confessional climate at Cambridge University during one of the most turbulent periods of the Reformation in England.




Seeing Faith, Printing Pictures: Religious Identity during the English Reformation


Book Description

Scholarship on religious printed images during the English Reformation (1535-1603) has generally focused on a few illustrated works and has portrayed this period in England as a predominantly non-visual religious culture. The combination of iconoclasm and Calvinist doctrine have led to a misunderstanding as to the unique ways that English Protestants used religious printed images. Building on recent work in the history of the book and print studies, this book analyzes the widespread body of religious illustration, such as images of God the Father and Christ, in Reformation England, assessing what religious beliefs they communicated and how their use evolved during the period. The result is a unique analysis of how the Reformation in England both destroyed certain aspects of traditional imagery as well as embraced and reformulated others into expressions of its own character and identity.




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