Religious Thought in Old English Verse (Classic Reprint)


Book Description

Excerpt from Religious Thought in Old English Verse In the following pages I have endeavoured to illustrate the main current of religious thought in English poetry through the long period of 1100 years which elapsed between Caedmon and the end of the last century. I am careful to say the main current. It has been an interest and a pleasure to me to trace through each passing century the general stream of religious thought flowing steadily and calmly on, affected far less than might have been expected by the changing circumstances and questions of the time. Those deeper and more personal feelings which so often find a natural and appropriate vent in poetry have little in common with the spirit of controversy. In religious poetry, so far as it is the language of the heart, even the Reformation itself, great as the movement was, made itself felt not so much in the disputatious and argumentative form which it displayed in most prose writings of that period, but simply, for the most part, in the evident enlargement of the general field of graver thought. Not unfrequently, it would be difficult to determine from internal evidence on which side the writer of the poem had ranged himself. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










RELIGIOUS THOUGHT IN OLD ENGLI


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Thought and Action in Old English Poetry and Prose


Book Description

Cognitive approaches to early medieval texts have tended to focus on the mind in isolation. By examining the interplay between mental and physical acts deployed in Old English poetry and prose, this study identifies new patterns and offers new perspectives. In these texts, the performance of right or wrong action is not linked to natural inclination dictated by birth; it is the fruit of right or wrong thinking. The mind consciously directed and controlled is open to external influences, both human and diabolical. This struggle to produce right thought and action reflects an emerging democratization of heroism that crosses societal and gender boundaries, becoming intertwined with socio-political, soteriological, and cultural meaning. In a study of influential prose texts, including the Alfredian translations and the sermons of Ælfric, alongside close readings of three poems from different genres – The Seafarer, The Battle of Maldon, and Juliana –, Ponirakis demonstrates how early medieval authors create patterns of interaction between the mental and the physical. These provide hidden keys to meaning which, once found, unlock new readings of much studied texts. In addition, these patterns of balance, distribution, and opposition, reveal a startling similarity of approach across genre and form, taking the discussion of the early medieval conception of the mind, soul, and emotion, not to mention conventional generic divisions, onto new ground.




Old English Wisdom Poetry


Book Description

Bibliography and guide to scholarly literature on the genre of Old English wisdom poetry. Wisdom literature played a crucial role in the evolution of traditional societies, contributing to the structure of society and to the acceptance of new ideas within a culture, a function that has become increasingly understood. Old English wisdom literature is the focus of this volume, which offers an bibliography of the scholarly criticism between 1800 and 1990 of a group of largely secular poems comprising the metrical Charms, The Fortunes of Men, The Gifts of Men, Homiletic Fragments I and II, Maxims I and II, The Order of the World, Precepts, the metrical Proverbs, the Riddles of the Exeter Book, the Rune Poem, Solomon and Saturn, and Vainglory. A General Introduction investigates debates between scholars and establishes overall trends; it is followed by the bibliography proper, divided into chapters, each with its own introduction, focusing on a major text or collection of texts, with entries arranged chronologically. Dr RUSSELL POOLEteaches in the School of English and Media Studies at Massey University, New Zealand.







Old English Verse


Book Description

Old English Verse (1972) covers the whole range of Old English poetry: the heroic poems, notably Beowulf and Malden; the ‘elegies’, such as The Wanderer and The Seafarer; the Bible stories and the lives of the saints which mark the end of pagan influence and the beginning of Christian inspiration; the Junius Manuscript; and finally King Alfred. All the many quotations are translated.