Renaissance Book Collecting


Book Description

This book, first published in 1999, studies and compares two sixteenth-century libraries. Jean Grolier's was a bibliophilic 'cabinet' of fine books; Diego Hurtado de Mendoza's was a much larger and more scholarly collection; a full catalogue is provided for the first time. Both men were greatly influenced by experience of Italy. Grolier has been called 'the Prince of Bibliophiles'; the books he commissioned have long been famous. This is the first full account of his life for eighty years. Hurtado de Mendoza was a poet, historian, Greek scholar and Arabist. He served as the Emperor's Ambassador in Venice (1540-6), to the Council of Trent (1545-6), and to the Pope (1547-52). In Venice he set out to form for Spain a collection of Greek manuscripts to rival that being formed for France by Francis I's agents. Anthony Hobson's text is complemented by ninety-one illustrations, several thematic indexes, eleven appendices and a bibliography.




Bound to Read


Book Description

Jeffrey Todd Knight excavates the culture of book collecting and compiling in early modern England, examining how the pervasive practice of mixing texts, authors, and genres into single bindings defined Renaissance ways of thinking and writing.




Collecting Art in the Italian Renaissance Court


Book Description

This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.




Art and Curiosity Cabinets of the Late Renaissance


Book Description

For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.




The Virtual Tourist in Renaissance Rome


Book Description

In 1540 Antonio Lafreri, a native of Besançon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These prints--of statues and ruined landscapes, inscriptions and ornaments, reconstructed monuments and urban denizens--evoked ancient Rome and appealed to the taste for classical antiquity that defined the Renaissance. Collections of these prints came to be known as the Speculum Romanae Magnificentiae, the "Mirror of Roman Magnificence." Published in conjunction with an exhibition of the University of Chicago Library's Speculum Romanae Magnificentiae, the largest collection of its kind in the world, The Virtual Tourist in Renaissance Rome places these prints in their historical context and examines their publishing history. Editor Rebecca Zorach traces their journey from their creators and publishers to pilgrims, collectors, antiquarians, and dealers--"virtual tourists" who, over several centuries, revisited and reinvented the Renaissance image of Rome. A marvelous exploration of a rich collection of engravings and etchings, this illustrated volume will fascinate anyone interested in Renaissance Rome, the history of print collecting, the reception of antiquity, and tourism.







Art for Work


Book Description




The Panorama of the Renaissance


Book Description

The great turning point of Western civilization that we call the Renaissance marked the emergence of the modern world from the Dark Ages. This ingenious, profusely illustrated book presents the entire epoch of the Renaissance through a spectacular array of images and invites readers to follow the great lives, explore the themes, and witness the major events of this exciting era.




Collecting: An Unruly Passion


Book Description

From rare books, valuable sculpture and paintings, the relics of saints, and porcelain and other precious items, through stamps, textiles, military ribbons, and shells, to baseball cards, teddy bears, and mugs, an amazing variety of objects have engaged and even obsessed collectors through the ages. With this captivating book the psychoanalyst Werner Muensterberger provides the first extensive psychological examination of the emotional sources of the never-ending longing for yet another collectible. Muensterberger's roster of driven acquisition-hunters includes the dedicated, the serious, and the infatuated, whose chronic restlessness can be curbed--and then merely temporarily--only by purchasing, discovering, receiving, or even stealing a new "find." In an easy, conversational style, the author discusses the eccentricities of heads of state, literary figures, artists, and psychoanalytic patients, all possessed by a need for magic relief from despair and helplessness--and for the self-healing implied in the phrase "I can't live without it!" The sketches here are diverse indeed: Walter Benjamin, Mario Praz, Catherine the Great, Poggio Bracciolini, Brunelleschi, and Jean de Berry, among others. The central part of the work explores in detail the personal circumstances and life history of three individuals: a contemporary collector, Martin G; the celebrated British book and manuscript collector Sir Thomas Phillipps, who wanted one copy of every book in the world; and the great French novelist Honoré de Balzac, a compulsive collector of bric-a-brac who expressed his empathy for the acquisitive passions of his collector protagonist in Cousin Pons. In addition, Muensterberger takes the reader on a charming tour of collecting in the Renaissance and looks at collecting during the Golden Age of Holland, in the seventeenth century. Throughout, we enjoy the author's elegant variations on a complicated theme, stated, much too simply, by John Steinbeck: "I guess the truth is that I simply like junk." Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




The Great Libraries


Book Description

Beginning with the clay-tablet libraries of the ancient Sumerian and Assyro-Babylonian empires, to those inspired by the Italian Renaissance, Mr. Staikos reveals the majesty of western literature within these great depositories of human knowledge. Using over 400 illustrations [200 in full color] the reader is treated to hundreds of beautifully photographed interiors of these legendary libraries and their rare treasures. Chapter by chapter the stories of the fabled libraries of Alexandria, Greece and Rome unfold like an unbroken chain, connecting the wisdom of the ancients to the magnificent libraries of the European Renaissance. The author also shares with us the very personal stories of the founders and the unsung librarians, who struggled during wars and countless disasters to preserve and protect their precious holdings. The chapters on the contributions of the Byzantine and Greek monastic libraries, the foundation of the Western Renaissance, are especially revealing. Mr. Staikos' original scholarship and well-written prose makes a very readable work of surprising originality. He has created a literary masterpiece that captures the rich heritage of one of man's greatest achievements. This is a very special, large format volume no bibliophile will want to be without. Co-published with The British Library. - Publisher.