Renaissance Historicisms


Book Description

This collection of essays by major Renaissance scholars demonstrates the vitality and variety of current historical approaches to studying early modern England - itself developing new ways to view the past. Here are, for example, a hitherto unpublished memoir, a discussion of Shakespeare's printed texts, new biographical approaches to Tudor writers, the recovery of manuscript sources, the tracing of intertextual relations, the impact of Renaissance humanism, and close readings that join an understanding of words' ambiguity to a refreshed awareness of historical context. --From publisher's description.




The Historical Renaissance


Book Description

The Historical Renaissance both exemplifies and examines the most influential current in contemporary studies of the English Renaissance: the effort to analyze the interplay between literature, history, and politics. The broad and varied manifestations of that effort are reflected in the scope of this collection. Rather than merely providing a sampler of any single critical movement, The Historical Renaissance represents the range of ways scholars and critics are fusing what many would once have distinguished as "literary" and "historical" concerns The volume includes studies of mid-Tudor culture as well as of Elizabethan and Stuart periods. The scope of the collection is also manifest in its list of contributors. They include historians and literary critics, and their work spans he spectrum from more traditional methods to those characteristic of what has been termed "New Historicism."One aim of the book is to investigate the apparent division between these older and more current approaches. Heather Dubrow and Richard Strier evaluate the contemporary interest in historical studies of the Renaissance, relating it to previous developments in the field, surveying its achievements and limitations, and suggesting new directions for future work.




New Historicism and Renaissance Drama


Book Description

New Historicism has been one of the major developments in literary theory over the last decade, both in the USA and Europe. In this book, Wilson and Dutton examine the theories behind New Historicism and its celebrated impact in practice on Renaissance Drama, providing an important collection both for students of the genre and of literary theory.




Neo-historicism


Book Description

Essays on English Renaissance culture make a major contribution to the debate on historical method. For nearly two decades, Renaissance literary scholarship has been dominated by various forms of postmodern criticism which claim to expose the simplistic methodology of `traditional' criticism and to offer a more sophisticated view of the relation between literature and history; however, this new approach, although making scholars more alert to the political significance of literary texts, has been widely criticised on both methodological and theoretical grounds. The revisionist essays collected in this volume make a major contribution to the modern debate on historical method, approaching Renaissance culture from different gender perspectives and a variety of political standpoints, but all sharing an interest in the interdisciplinary study of the past.ROBIN HEADLAM WELLS is Professor of English, University of Surrey Roehampton; GLENN BURGESS is Professor of History, University of Hull; ROWLAND WYMER is Senior Lecturer in English at the University of Hull. Contributors: GLENN BURGESS, STANLEY STEWART, BLAIR WORDEN, ANDREW GURR, KATHARINE EISAMAN MAUS, ROWLAND WYMER, GRAHAM PARRY, MALCOLM SMUTS, STEVEN ZWICKER, HEATHER DUBROW, ROBIN HEADLAM WELLS.




The Renaissance


Book Description

The Renaissance holds an undying place in our imagination, its great heroes still our own, from Michelangelo and Leonardo to Dante and Chaucer. This period of profound evolution in European thought is credited with transforming the West from medieval to modern and producing the most astonishing outpouring of artistic creation the world has ever known. But what was it? In this masterly work, the incomparable Paul Johnson tells us. He explains the economic, technological, and social developments that provide a backdrop to the age’s achievements and focuses closely on the lives and works of its most important figures. A commanding short narrative of this vital period, The Renaissance is also a universally profound meditation on the wellsprings of innovation.










Renaissance Historicism


Book Description

The Renaissance is presently the focus for all the new critical theories that reexamine literary texts: feminism, Marxism, deconstruction, postmodernism, and cultural poetics. Renaissance Historicism collects some of the best essays that illustrate all the major traditional methods of historical literary criticism as well as the wide range of new critical perspectives by established authorities and important new voices. Already hailed in Studies in English Literature as the collection which caused the New Historicism to enter into scholarly canonicity, this volume is both an introduction to and survey of a rapidly growing field of debate and achievement. The range of this volume is unmatched in the viewpoints it employs and in the texts and genres it reconsiders. A new preface reviews succinctly all the methods--old and new, scholarly and critical--brought into play by the contributors. The accessibility of the contents makes this collection equally valuable as an introduction to historicism and literary texts and as a reference for future study.




Humanists and Reformers


Book Description

Humanists and Reformers portrays in a single, expansive volume two great traditions in human history: the Italian Renaissance and the age of the Reformation. / Bard Thompson provides a fascinating survey of these important historical periods under pressure of their own cultural, social, and spiritual experiences, exploring the bonds that held Humanists and Reformers together and the estrangements that drove them apart. / Writing for students and general readers, Thompson offers a comprehensive account of all the major figures of the Renaissance and the Reformation, probing their thoughts, aspirations, and differences. / Accentuating the text are illustrations that provide a stunning panorama of the personalities, art, and architecture of these key historical periods.




The Oxford Illustrated History of the Renaissance


Book Description

The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans—and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.