Renaissance Silver from the Schroder Collection


Book Description

"To accompany the exhibition 'Renaissance Silver from the Schroder Collection' at the Wallace Collection, London, 12 July to 14 October 2007"--T.p. verso.




The Silver Caesars


Book Description

The twelve monumental silver-gilt standing cups known as the Aldobrandini Tazze constitute perhaps the most enigmatic masterpiece of Renaissance European metalwork. Topped with statuettes of the Twelve Caesars, the tazze are decorated with marvelously detailed scenes illustrating the lives of those ancient Roman rulers. The work’s origin is unknown, and the ensemble was divided in the nineteenth century and widely dispersed, greatly hampering study. This volume, inspired by a groundbreaking symposium at The Metropolitan Museum of Art, examines topics ranging from the tazze’s representation of the ancient world to their fate in the hands of nineteenth-century collectors, and presents newly discovered archival material and advanced scientific findings. The distinguished essayists propose answers to critical questions that have long surrounded the set and shed light on the stature of Renaissance goldsmiths’ work as an art form, establishing a new standard for the study of Renaissance silver.




'A Marvel to Behold'


Book Description

Henry VIII amassed the most spectacular collection of gold and silver of any British monarch. Plate and jewels were hugely prominent in medieval and Renaissance courts and played an essential role in dynastic marriages and diplomacy as well as in cementing the bonds between king and court. Ranging from plain domestic wares to extraordinary bejewelled works of art, Henry's collection embraced virtuoso continental objects as well as vast quantities of plate commissioned from London goldsmiths or inherited from his father. But nearly all of these holdings were destroyed over the following century, and of the thousands that he owned no more than a handful have survived to modern times. This book makes use of the wealth of surviving documentation - inventories, drawings, lists of payments, dispatches by foreign ambassadors and other records - to explore this lost collection and the light it sheds on the monarchy. Starting with an assessment of the young king's inheritance from his father, the book considers the role of plate at state banquets, in great church services and in the regular exchange of gifts between courtiers and ambassadors; the role of plate and jewels as a potent symbol of power; how the king used confiscation as an instrument of humiliation of those who fell from grace, including Cardinal Wolsey and Katherine of Aragon; and how Henry's avaricious seizure of church plate towards the end of his life throws light on his changing character. While the focus is on plate and goldsmiths' work, the context ranges from court ceremonial to rivalry between princes, the role of the church, the vulnerability of persons and institutions with covetable assets, and relations between the king and his own family. Bringing the existence and significance of these lost riches back to life, the book sheds new light on Henrician and Tudor court culture.




A Renaissance Treasury


Book Description

Winters introduces Richard Flagg and Erma Flagg's collection of some hundred objects made during 1450 to 1900. Most of the beautifully crafted, highly decorative, yet functional pieces are examples of Renaissance and Baroque marvels; they include clocks (a particularly varied and sumptuaous collection), sculpture, inlaid boxes, china and glassware, tankards, metalwork, and furniture. Each of the 77 individual chefs-d'oeuvres documented in this catalog, celebrating the gift of the Flaggs to the Milwaukee Art Museum, are exceptional examples of artisty combined with technical achievement. Such is the case with a 15th-century Cassone from Florence replete with intarsia and coat of arms, signaling a marital alliance between the nobility. Another magnificent piece, highlighted through an individual entry in the catalog, is a 15th-century limestone tympanum, possibly from the Burgundy region of France, showing the enthroned Virgin and Child. The physical properties of this volume are as elaborate as the objects it defines; lavish full-page color plates illustrate the pieces, lengthy catalog entries provide detailed information, and the whole is supplemented with appendixes consisting of checklist and glossary. 69 colour & 29 b/w illustrations




A Royal Renaissance Treasure and Its Afterlives


Book Description

At center stage in this volume is the Royal Clock Salt, a national treasure from the courtly culture of the Renaissance and one of only a handful of treasures surviving from the Jewel House of Henry VIII. The volume sheds new light on an exquisite object that has beguiled owners and viewers for centuries.







Schroders


Book Description

J.Henry Schroder Wagg & Co has been a leading merchant bank of the City of London for more than a century. This book tells its history, from its founding in 1818 by John Henry Schroder, a Hamburg merchant, through difficult times in the international slump of the early 1930s, to its rise to one of the largest and most prestigious of city firms in London today.







Art and Love in Renaissance Italy


Book Description

"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.




Albrecht Dürer


Book Description

Issued in connection with an exhibition held March 24-June 9, 2013, National Gallery of Art, Washington.