Renaissance Singapore? Economy, Culture, and Politics


Book Description

Contains discussions on Singapore's public rhetoric about liberalization and its association with the development of a creative economy, focusing on questions surrounding conservatism, national identity and values, civil society activism, and the societal role of the younger generation.




Singapore


Book Description

On 9 August 2015, Singapore celebrated its 50th year of national independence, a milestone for the nation as it has overcome major economic, social, cultural and political challenges in a short period of time. Whilst this was a celebratory event to acknowledge the role of the People’s Action Party (PAP) government, it was also marked by national remembrance as founding Prime Minister Lee Kuan Yew died in March 2015. This book critically reflects on Singapore’s 50 years of independence. Contributors interrogate a selected range of topics on Singapore’s history, culture and society – including the constitution, education, religion and race – and thereby facilitate a better understanding of its shared national past. Central to this book is an examination of how Singaporeans have learnt to adapt and change through PAP government policies since independence in 1965. All chapters begin their histories from that point in time and each contribution focuses either on an area that has been neglected in Singapore’s modern history or offer new perspectives on the past. Using a multi-disciplinary approach, it presents an independent and critical take on Singapore’s post-1965 history. A valuable assessment to students and researchers alike, Singapore: Negotiating State and Society, 1965-2015 is of interest to specialists in Southeast Asian history and politics.




State And The Arts In Singapore, The: Policies And Institutions


Book Description

This book covers Singapore's key arts policies and art institutions which have shaped the cultural landscape of the country from the 1950s to the present.The scholars and experts in this volume critically assess arts policies and arts institutions to collectively provide an overview of how arts and culture have been deployed by the state. The chapters are arranged chronologically to cover milestone events from the forging of 'Malayan culture'; the government's 'anti-yellow culture' campaign; the use of 'culture' for tourism; the setting up of the Advisory Council on Arts and Culture, the Renaissance City Report, the setting up of the School of the Arts, and others.Putting to rest the notion that Singapore is a 'cultural desert', this volume is valuable reading for students of cultural policy, policy makers who seek an understanding of Singapore's cultural trajectory, and for international readers interested in Singapore's arts and cultural policy.




The Theatre and the State in Singapore


Book Description

This book provides a comprehensive examination of the contemporary English-language theatre field in Singapore. It describes Singapore theatre as a politically dynamic field that is often a site for struggle and resistance against state orthodoxy, and how the cultural policies of the ruling People’s Action Party (PAP) have shaped Singapore theatre. The book traces such cultural policies and their impact from the early 1960s, and shows how the PAP used theatre – and arts and culture more widely – as a key part of its nation building programme. Terence Chong argues that this diverse theatre community not only comes into regular conflict with the state, but often collaborates with it - depending on the rewards at stake, not to mention the assortment of intra-communal conflicts as different practitioners and groups vie for the same resources. It goes on to explore how new forms of theatre, especially English-language avant garde theatre, represented resistance to such government cultural control; how the government often exerts its power ‘behind-the-scenes’ to preserve its moral legitimacy; and conversely how middle class theatre practitioners’ resistance to state power is strongly influenced by class and cultural capital. Based on extensive original research including interviews with theatre directors and other theatre professionals, the book provides a wealth of information on theatre in Singapore overall, and not just on theatre-state relations.




Cinema and Television in Singapore


Book Description

Through close readings of contemporary made-in-Singapore films (by Jack Neo, Eric Khoo, and Royston Tan) and television programs (Singapore Idol, sitcoms, and dramas), this book explores the possibilities and limitations of resistance within an advanced capitalist-industrial society whose authoritarian government skillfully negotiates the risks and opportunities of balancing its on-going nation-building project and its a oeglobal citya aspirations. This book adopts a framework inspired by Antonio Gramsci that identifies ideological struggles in art and popular culture, but maintains the importance of Herbert Marcusea (TM)s one-dimensional society analysis as theoretical limits to recognize the power of authoritarian capitalism to subsume works of art and popular culture even as they attempt consciouslya "even at times successfullya "to negate and oppose dominant hegemonic formations.




Commentary On Singapore, Volume 3: Culture, Identity And Society


Book Description

Thought-leaders contributing to this volume include Alvin Tan, Kwa Chong Guan, Yang Razali Kassim, Kishore Mahbubani, Gerard Ee, and more!This volume comprises essays republished from various issues of the annual journal of the National University of Singapore Society called Commentary.The third in a series that provides bite-sized reviews of the history of Singapore's development in a range of areas of public policy, it delves into the most challenging of them all — defining the Singapore nation, a quest that began just under six decades ago.This is an enterprise that the pioneer generation of political leaders recognised would provide collective purpose and the soul to what government and people do to establish the young country — an area that cannot rely on engineered solutions or diktat.The authors have proffered in these essays, their assessments of these attempts at crafting this identity but also the ground's responses be they through the development of the arts, the government's political narratives, economic strategy, visions of urban development, and civic activism. Included are discussions on Singapore's model of multiracialism, its vision of being a global city, the impact of public policy in the redevelopment of housing estates, and an appeal to adopt a model of empowerment in addressing the needs of the poor — incorporating what citizens are saying about who we are and wish to be as a people.There is no single definition of what the Singapore nation is; nor should we wish for easy answers as they have to be created and grasped on the ground. There is no final destination. The authors make us all too aware that it will be an enduring journey into 'being' which is enriched by the freedom to explore ideas, ideals, values, the self and the metaphysical condition of being a community of unity, that is paradoxically, necessarily comfortable with plurality, hybridity, and change. Owning this common journey is probably what distinguishes Singaporeans as a people and the volume reminds readers of that.




Cultural Policy in East Asia


Book Description

This book provides an introduction to the contemporary issues that are occurring in cultural policy in East Asia today. Interest in East Asia has grown considerably in recent years due not only to the emergence of economic super-powers such as China but also to the cultural impact the region is making throughout the world through Japanese film and Korean Pop-Music. Addressing the relationship between the state, culture and the creative economy, this collection highlights how cultural policy within this region has to be understood within its social, historical and political context. By presenting a variety of chapters that examine the role of culture within the countries of China, Japan, Singapore, South Korea and Taiwan, this book offers readers an insight into the key issues affecting development of cultural policy in these countries. This book was originally published as a Special Issue of the International Journal of Cultural Policy.




Race and Multiculturalism in Malaysia and Singapore


Book Description

This book explores race and multiculturalism in Malaysia and Singapore from a range of different disciplinary perspectives, showing how race and multiculturalism are represented, how multiculturalism works out in practice, and how attitudes towards race and multiculturalism – and multicultural practices – have developed over time. Going beyond existing studies – which concentrate on the politics and public aspects of multiculturalism – this book burrows deeper into the cultural underpinnings of multicultural politics, relating the subject to the theoretical angles of cultural studies and post-colonial theory; and discussing a range of empirical examples (drawn from extensive original research, covering diverse practices such as films, weblogs, music subcultures, art, policy discourse, textbooks, novels, poetry) which demonstrate overall how the identity politics of race and intercultural interaction are being shaped today. It concentrates on two key Asian countries particularly noted for their relatively successful record in managing ethnic differences, at a time when many fast-developing Asian countries increasingly have to come to terms with cultural pluralism and migrant diversity.




The Making of National Gallery Singapore


Book Description

The Making of National Gallery Singapore animates the story of the origins and physical transformations of the City Hall and former Supreme Court buildings into National Gallery Singapore. Accompanied by stunning photographs, these chapters flesh out details of the colonial past of the buildings, the conception and organisation of the architectural design competition, and the ambitious ten-year envisioning, design and building process.




Securitising Singapore


Book Description

Aljunied examines how the Singaporean government developed a comprehensive state–society strategic relationship by ‘securitising’ vital policy areas because of Singapore’s vulnerability as a global city state. In the twenty-first century, the Singaporean government has strategically renewed an existing form of authoritarian rule by ‘militarising’ national security governance. The main objective is to widen and deepen state power. Senior military-trained civilian political leaders and bureaucrats use military personnel, command and control, terminology and strategy of war to deal with non-traditional security challenges leading to the state’s further domination over civil liberty and civil society. Aljunied analyses the information and communication, health and climate–environment sectors. The case studies highlight the way the Singaporean government has used varying forms of political engagement, surveillance and legislation to limit civil liberty and inhibit the development of civil society. This book is a valuable resource for researchers and students of Singapore Studies as well as for the readers of Security Studies with an interest in the global–local nexus in a small state context. It is a pioneering scholarly study on the national security framework and the use of non-traditional security discourse to strengthen state power and social stability at the expense of political liberalism.