Singapore


Book Description

On 9 August 2015, Singapore celebrated its 50th year of national independence, a milestone for the nation as it has overcome major economic, social, cultural and political challenges in a short period of time. Whilst this was a celebratory event to acknowledge the role of the People’s Action Party (PAP) government, it was also marked by national remembrance as founding Prime Minister Lee Kuan Yew died in March 2015. This book critically reflects on Singapore’s 50 years of independence. Contributors interrogate a selected range of topics on Singapore’s history, culture and society – including the constitution, education, religion and race – and thereby facilitate a better understanding of its shared national past. Central to this book is an examination of how Singaporeans have learnt to adapt and change through PAP government policies since independence in 1965. All chapters begin their histories from that point in time and each contribution focuses either on an area that has been neglected in Singapore’s modern history or offer new perspectives on the past. Using a multi-disciplinary approach, it presents an independent and critical take on Singapore’s post-1965 history. A valuable assessment to students and researchers alike, Singapore: Negotiating State and Society, 1965-2015 is of interest to specialists in Southeast Asian history and politics.




State And The Arts In Singapore, The: Policies And Institutions


Book Description

This book covers Singapore's key arts policies and art institutions which have shaped the cultural landscape of the country from the 1950s to the present.The scholars and experts in this volume critically assess arts policies and arts institutions to collectively provide an overview of how arts and culture have been deployed by the state. The chapters are arranged chronologically to cover milestone events from the forging of 'Malayan culture'; the government's 'anti-yellow culture' campaign; the use of 'culture' for tourism; the setting up of the Advisory Council on Arts and Culture, the Renaissance City Report, the setting up of the School of the Arts, and others.Putting to rest the notion that Singapore is a 'cultural desert', this volume is valuable reading for students of cultural policy, policy makers who seek an understanding of Singapore's cultural trajectory, and for international readers interested in Singapore's arts and cultural policy.




Renaissance Singapore? Economy, Culture, and Politics


Book Description

Contains discussions on Singapore's public rhetoric about liberalization and its association with the development of a creative economy, focusing on questions surrounding conservatism, national identity and values, civil society activism, and the societal role of the younger generation.




The Theatre and the State in Singapore


Book Description

This book provides a comprehensive examination of the contemporary English-language theatre field in Singapore. It describes Singapore theatre as a politically dynamic field that is often a site for struggle and resistance against state orthodoxy, and how the cultural policies of the ruling People’s Action Party (PAP) have shaped Singapore theatre. The book traces such cultural policies and their impact from the early 1960s, and shows how the PAP used theatre – and arts and culture more widely – as a key part of its nation building programme. Terence Chong argues that this diverse theatre community not only comes into regular conflict with the state, but often collaborates with it - depending on the rewards at stake, not to mention the assortment of intra-communal conflicts as different practitioners and groups vie for the same resources. It goes on to explore how new forms of theatre, especially English-language avant garde theatre, represented resistance to such government cultural control; how the government often exerts its power ‘behind-the-scenes’ to preserve its moral legitimacy; and conversely how middle class theatre practitioners’ resistance to state power is strongly influenced by class and cultural capital. Based on extensive original research including interviews with theatre directors and other theatre professionals, the book provides a wealth of information on theatre in Singapore overall, and not just on theatre-state relations.




Cinema and Television in Singapore


Book Description

Through close readings of contemporary made-in-Singapore films (by Jack Neo, Eric Khoo, and Royston Tan) and television programs (Singapore Idol, sitcoms, and dramas), this book explores the possibilities and limitations of resistance within an advanced capitalist-industrial society whose authoritarian government skillfully negotiates the risks and opportunities of balancing its on-going nation-building project and its a oeglobal citya aspirations. This book adopts a framework inspired by Antonio Gramsci that identifies ideological struggles in art and popular culture, but maintains the importance of Herbert Marcusea (TM)s one-dimensional society analysis as theoretical limits to recognize the power of authoritarian capitalism to subsume works of art and popular culture even as they attempt consciouslya "even at times successfullya "to negate and oppose dominant hegemonic formations.




Commentary On Singapore, Volume 3: Culture, Identity And Society


Book Description

Thought-leaders contributing to this volume include Alvin Tan, Kwa Chong Guan, Yang Razali Kassim, Kishore Mahbubani, Gerard Ee, and more!This volume comprises essays republished from various issues of the annual journal of the National University of Singapore Society called Commentary.The third in a series that provides bite-sized reviews of the history of Singapore's development in a range of areas of public policy, it delves into the most challenging of them all — defining the Singapore nation, a quest that began just under six decades ago.This is an enterprise that the pioneer generation of political leaders recognised would provide collective purpose and the soul to what government and people do to establish the young country — an area that cannot rely on engineered solutions or diktat.The authors have proffered in these essays, their assessments of these attempts at crafting this identity but also the ground's responses be they through the development of the arts, the government's political narratives, economic strategy, visions of urban development, and civic activism. Included are discussions on Singapore's model of multiracialism, its vision of being a global city, the impact of public policy in the redevelopment of housing estates, and an appeal to adopt a model of empowerment in addressing the needs of the poor — incorporating what citizens are saying about who we are and wish to be as a people.There is no single definition of what the Singapore nation is; nor should we wish for easy answers as they have to be created and grasped on the ground. There is no final destination. The authors make us all too aware that it will be an enduring journey into 'being' which is enriched by the freedom to explore ideas, ideals, values, the self and the metaphysical condition of being a community of unity, that is paradoxically, necessarily comfortable with plurality, hybridity, and change. Owning this common journey is probably what distinguishes Singaporeans as a people and the volume reminds readers of that.




Race and Multiculturalism in Malaysia and Singapore


Book Description

This book explores race and multiculturalism in Malaysia and Singapore from a range of different disciplinary perspectives, showing how race and multiculturalism are represented, how multiculturalism works out in practice, and how attitudes towards race and multiculturalism – and multicultural practices – have developed over time. Going beyond existing studies – which concentrate on the politics and public aspects of multiculturalism – this book burrows deeper into the cultural underpinnings of multicultural politics, relating the subject to the theoretical angles of cultural studies and post-colonial theory; and discussing a range of empirical examples (drawn from extensive original research, covering diverse practices such as films, weblogs, music subcultures, art, policy discourse, textbooks, novels, poetry) which demonstrate overall how the identity politics of race and intercultural interaction are being shaped today. It concentrates on two key Asian countries particularly noted for their relatively successful record in managing ethnic differences, at a time when many fast-developing Asian countries increasingly have to come to terms with cultural pluralism and migrant diversity.




The Making of National Gallery Singapore


Book Description

The Making of National Gallery Singapore animates the story of the origins and physical transformations of the City Hall and former Supreme Court buildings into National Gallery Singapore. Accompanied by stunning photographs, these chapters flesh out details of the colonial past of the buildings, the conception and organisation of the architectural design competition, and the ambitious ten-year envisioning, design and building process.




Higher Education and the Creative Economy


Book Description

Since the DCMS Creative Industries Mapping Document highlighted the key role played by creative activities in the UK economy and society, the creative industries agenda has expanded across Europe and internationally. They have the support of local authorities, regional development agencies, research councils, arts and cultural agencies and other sector organisations. Within this framework, higher education institutions have also engaged in the creative agenda, but have struggled to define their role in this growing sphere of activities. Higher Education and the Creative Economy critically engages with the complex interconnections between higher education, geography, cultural policy and the creative economy. This book is organised into four sections which articulate the range of dynamics that can emerge between higher education and the creative economy: partnership and collaboration across Higher Education institutions and the creative and cultural industries; the development of creative human capital; connections between arts schools and local art scenes; and links with broader policy directions and work. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 3.0 license.




Shakespeare in Singapore


Book Description

Shakespeare in Singapore provides the first detailed and sustained study of the role of Shakespeare in Singaporean theatre, education, and culture. This book tracks the role and development of Shakespeare in education from the founding of modern Singapore to the present day, drawing on sources such as government and school records, the entire span of Singapore's newspaper archives, playbills, interviews with educators and theatre professionals, and existing academic sources. By uniting the critical interest in Singaporean theatre with the substantial body of scholarship that concerns global Shakespeare, the author overs a broad, yet in-depth, exploration of the ways in which Singaporean approaches to Shakespeare have been shaped by, and respond to, cultural work going on elsewhere in Asia. A vital read for all students and scholars of Shakespeare, Shakespeare in Singapore offers a unique examination of the cultural impact of Shakespeare, beyond its usual footing in the Western world.