Book Description
Edited collection discusses the first historically important debate on what constitutes modern literature, which focused on two 16th century works: ORLANDO FURIOSO and GERUSALEMME LIBERATA.
Author : Valeria Finucci
Publisher : Duke University Press
Page : 340 pages
File Size : 29,94 MB
Release : 1999
Category : Literary Criticism
ISBN : 9780822322955
Edited collection discusses the first historically important debate on what constitutes modern literature, which focused on two 16th century works: ORLANDO FURIOSO and GERUSALEMME LIBERATA.
Author : Ecclesiological Society
Publisher :
Page : 482 pages
File Size : 19,70 MB
Release : 1890
Category : Church buildings
ISBN :
Author : National Association for the Advancement of Art and Its Application to Industry
Publisher :
Page : 440 pages
File Size : 28,52 MB
Release : 1888
Category :
ISBN :
Author :
Publisher :
Page : 494 pages
File Size : 44,29 MB
Release : 1890
Category : Christian art and symbolism
ISBN :
Author : Royal Institute of British Architects
Publisher :
Page : 436 pages
File Size : 24,36 MB
Release : 1884
Category : Architecture
ISBN :
Author : National Association for the Advancement of Art and Its Application to Industry
Publisher :
Page : 522 pages
File Size : 48,38 MB
Release : 1890
Category : Aesthetic movement (Art)
ISBN :
Author : William John Kennedy
Publisher :
Page : 207 pages
File Size : 46,31 MB
Release : 2004
Category : Europe
ISBN :
Author : Burnley Literary and Scientific Club
Publisher :
Page : 586 pages
File Size : 37,31 MB
Release : 1895
Category : Literature
ISBN :
Author :
Publisher :
Page : 626 pages
File Size : 30,52 MB
Release : 1923
Category : Lighting
ISBN :
Author : Professor Michele Marrapodi
Publisher : Ashgate Publishing, Ltd.
Page : 344 pages
File Size : 22,77 MB
Release : 2013-05-28
Category : Literary Criticism
ISBN : 1409478424
Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.