Women Writers of the Renaissance and Reformation


Book Description

The dawn of humanism in the Renaissance presented privileged women with great opportunities for personal and intellectual growth. Sexual and social roles still determined the extent to which a woman could pursue education and intellectual accomplishment, but it was possible through the composition of poetry or prose to temporarily offset hierarchies of gender, to become equal to men in the act of creation. Edited by Katharina M. Wilson, this anthology introduces the works of twenty-five women writers of the Renaissance and Reformation, among them Marie Dentière, a Swiss evangelical reformer whose writings were so successful they were banned during her lifetime; Gaspara Stampa, a cultivated courtesan of Venetian aristocratic circles who wrote lyric poetry that has earned her comparisons to Michelangelo and Tasso; Hélisenne de Crenne, a French aristocrat who embodied the true spirit of the Renaissance feminist, writing both as novelist and as champion of her sex; Helene Kottanner, Austrian chambermaid to Queen Elizabeth of Hungary whose memoirs recall her daring theft of the Holy Crown of Saint Stephen for her esteemed mistress; and Lady Mary Sidney Wroth, the first Englishwoman known to write a full-length work of fiction and compose a significant body of secular poetry. Offering a seldom seen counterpoint to literature written by men, Women Writers of the Renaissance and Reformation presents prose and poetry that have never before appeared in English, as well as writings that have rarely been available to the nonspecialist. The women whose writings are included here are united by a keen awareness of the social limitations placed upon their creative potential, of the strained relationship between their gender and their work. This concern invests their writings with a distinctive voice--one that carries the echoes of a male aesthetic while boldly declaring battle against it.







Renaissance Women Writers


Book Description

A collective awareness of the determining role of gender marks the essays in this volume, providing fresh insights into the works of Renaissance women writers.




Contemporary Women Writers in Italy


Book Description

Despite the range and high quality of their work, Italian women writers have received scant attention from critics, in Italy or elsewhere. All too often, their contributions have gone unrecognized. This collection demonstrates the importance of these writers to the literary world and seeks to bring them the critical attention they deserve. Twelve scholars and literary critics examine some of the best prose produced in recent years by Italian women in a variety of genres, including fiction, journalism, and biography. Among the writers discussed are Anna Banti, Camilla Cederna, Fausta Cialente, Oriana Fallaci, Natalia Ginzburg, Armanda Guiducci, Gina Lagorio, Gianna Manzini, Dacia Maraini, Elsa Morante, Lalla Romano, and Francesca Sanvitale. The topics they address range from love, disillusionment, friendship, and family life to artistic vision and the journalistic novel, to political activism, the condition of women in Italy, and the impact of feminism on Italian culture. Although some of the writers discussed describe themselves as feminists, others do not. Similarly, the contributors to the volume represent a spectrum of critical and political perspectives. What emerges is a series of portraits that reflect the variety, dynamism, and creativity of women writers in modern-day Italy.




Renaissance Women Poets


Book Description

Whitney's two volumes of verse miscellany, 'Sweet Nosegay' (1573) and 'The Copy of a Letter' (1567), were part of a literary trend of combining classical and Biblical references with popular and vernacular sources, and reflect the growing literary appetites of the urban population. As well a selection of her original poetry, this volume includes Sidney's version of the Psalms of David and Petrach's 'Triumph of Death'. Lanyer's poetry is devotional and is the most single-minded and explicit inits advocacy of female spirituality and virtue. Included here are 'Salve Deus Rex Judaeorum' and 'The Description of Cooke-ham'.




Women Writers in Renaissance England


Book Description

Of all the new developments in literary theory, feminism has proved to be the most widely influential, leading to an expansion of the traditional English canon in all periods of study. This book aims to make the work of Renaissance women writers in English better known to general and academic readers so as to strengthen the case for their future inclusion in the Renaissance literary canon. This lively book surveys women writers in the sixteenth century and early seventeenth centuries. Its selection is vast, historically representative, and original, taking examples from twenty different, relatively unknown authors in all genres of writing, including poetry, fiction, religious works, letters and journals, translation, and books on childcare. It establishes new contexts for the debate about women as writers within the period and suggests potential intertextual connections with works by well-known male authors of the same time. Individual authors and works are given concise introductions, with both modern and historical critical analysis, setting them in a theoretical and historicised context. All texts are made readily accessible through modern spelling and punctuation, on-the-page annotation and headnotes. The substantial, up-to-date bibliography provides a source for further study and research.




Atomic Renaissance


Book Description

A discussion of several American women mystery authors during the time of spy novels and paperback originals. Each chapter focuses on a different author of domestic noir and that author's works.




Women of the Harlem Renaissance


Book Description

"Wall's writing is lively and exuberant. She passes her enthusiasm for these writers' works on to the reader. She captures the mood of the times and follows through with the writers' evolution -- sometimes to success, other times to isolation.... Women of the Harlem Renaissance is a rare blend of thorough academic research with writing that anyone can appreciate." -- Jason Zappe, Copley News Service "By connecting the women to one another, to the cultural movement in which they worked, and to other early 20th-century women writers, Wall deftly defines their place in American literature. Her biographical and literary analysis surpasses others by following up on diverse careers that often ended far past the end of the movement. Highly recommended... "Â -- Library Journal "Wall offers a wealth of information and insight on their work, lives and interaction with other writers... strong critiques... " -- Publishers Weekly The lives and works of women artists in the Harlem Renaissance -- Jessie Redmon Fauset, Nella Larsen, Zora Neale Hurston, Bessie Smith, and others. Their achievements reflect the struggle of a generation of literary women to depict the lives of Black people, especially Black women, honestly and artfully.




Women Poets of the Italian Renaissance


Book Description

This dual-language collection presents the rich flowering of women's poetry during the Italian Renaissance: from the love lyrics of famous courtly ladies of Venice and Rome to the deeply moral and spiritual poets of the age. It includes biographies of 19 poets and over 80 selected poems in the original Italian with facing English verse translation. Poets include: Laura Battiferri Ammannati, Chiara Matraini, Isabella Andreini, Lucrezia Tornabuoni de' Medici, Vittoria Colonna, Isabella di Morra, Tullia d'Aragona, Aurelia Petrucci, Lucia Bertani Dell'Oro, Antonia Giannotti Pulci, Leonora Ravira Falletti, Camilla Scarampa, Moderata Fonte, Gaspara Stampa, Veronica Franco, Laura Bacio Terracina, Veronica Gmbara, Barbara Bentivoglio Strozzi Torelli, Olimpia Malipiera. Dual-language poetry. Introduction, biographies, notes, bibliographies, first-line index.




Medieval Women Writers


Book Description

This is one of the first anthologies devoted to the writings of women in the Middle Ages. The fifteen women whose works are represented span seven centuries, eight languages, and ten regions or nationalities. Many are recognized, taught, and anthologized in their own countries but have been inaccessible to students in English. Others are little read today because their literary fortunes have paralleled fluctuations in literary taste and literary patronage. Katharina M. Wilson's introduction to the volume places these writers in historical context and explores the question of the female imagination and who these women were who were writing at a time when very few women were literate and most literature, sacred and secular, was penned by men. Each of the fifteen chapters has been written by a different scholar and includes a biographical and critical introduction to the writer, a representative selection of her works in translation, and a bibliography.