Revisiting Modern Japanese Prints
Author : Helen Nagata
Publisher :
Page : 108 pages
File Size : 40,80 MB
Release : 2007
Category : Art
ISBN :
Author : Helen Nagata
Publisher :
Page : 108 pages
File Size : 40,80 MB
Release : 2007
Category : Art
ISBN :
Author : Timothy Amos
Publisher : Routledge
Page : 388 pages
File Size : 40,91 MB
Release : 2021-11-29
Category : History
ISBN : 1000508188
This volume presents the reader with thirty-one short chapters that capture an exciting new moment in the study of the Meiji Restoration. The chapters offer a kaleidoscope of approaches and interpretations of the Restoration that showcase the strengths of the most recent interpretative trends in history writing on Japan while simultaneously offering new research pathways. On a scale probably never before seen in the study of the Restoration outside Japan, the short chapters in this volume reveal unique aspects of the transformative event and process not previously explored in previous research. They do this in three core ways: through selecting and deploying different time frames in their historical analysis; by creative experimentation with different spatial units through which to ascertain historical experience; and by innovative selection of unique and highly original topics for analysis. The volume offers students and teachers of Japanese history, modern history, and East Asian studies an important resource for coming to grips with the multifaceted nature of Japan’s nineteenth-century transformation. The volume will also have broader appeal to scholars working in fields such as early modern/modern world history, global history, Asian modernities, gender studies, economic history, and postcolonial studies.
Author : Helen Merritt
Publisher : University of Hawaii Press
Page : 380 pages
File Size : 13,49 MB
Release : 1995-01-01
Category : Crafts & Hobbies
ISBN : 9780824817329
"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.
Author : Yumiko Iida
Publisher : Routledge
Page : 338 pages
File Size : 48,53 MB
Release : 2013-03-07
Category : Social Science
ISBN : 1134564651
This volume is a major reconsideration of Japanese late modernity and national hegemony which examines the creative and academic works of a number of influential Japanese thinkers. The author situates the process of Japanese knowledge production in the interface between the immediate historical and the wider socio-economic and politico-cultural contexts accompanying the Japanese post-war experience of modernity. This book will be of great value to anyone interested in the history of contemporary Japanese culture and society.
Author : Rodrigo Melo
Publisher : Schiffer Publishing Limited
Page : 0 pages
File Size : 18,72 MB
Release : 2011
Category : Tattoo artists
ISBN : 9780764339462
A collection of more than one hundred fifty full-color photographs of tattoos created by New York City tattoo artist Rodrigo Melo in the traditional Japanese style.
Author : Catherine Russell
Publisher : Bloomsbury Publishing USA
Page : 98 pages
File Size : 15,71 MB
Release : 2011-06-16
Category : Performing Arts
ISBN : 1441107770
Catherine Russell's highly accessible book approaches Japanese cinema as an industry closely modeled on Hollywood, focusing on the classical period - those years in which the studio system dominated all film production in Japan, from roughly 1930 to 1960. Respectful and thoroughly informed about the aesthetics and critical values of the Japanese canon, Russell is also critical of some of its ideological tendencies, and her analyses provide new insights on class and gender dynamics. Russell locates Japanese cinema within a global system of reception, and she highlights the importance of the industrial production context of these films. Including studies of landmark films by Ozu, Kurosawa and other directors, this book provides a perfect introduction to a crucial and often misunderstood area of Japanese cultural output. With a critical approach that highlights the "everydayness" of Japanese studio-era cinema, Catherine Russell demystifies the canon of great Japanese cinema, treating it with fewer auteurist and Orientalist assumptions than many other scholars and critics.
Author : Carnegie Museum of Art
Publisher :
Page : 224 pages
File Size : 16,36 MB
Release : 2009
Category : Art
ISBN :
A selection of exemplary 20th-century Japanese woodblock prints from the collection of the Carnegie Museum of Art This volume presents more than 1,000 exemplary twentieth-century Japanese woodblock prints, from the collection of Carnegie Museum of Art in Pittsburgh. Taken together, the collection reflects the stylistic movements, aesthetic directions and historic changes of the past century, with particular emphasis on two significant movements: sosakuhanga (creative prints), represented by in-depth selections by Hiratsuka Un'ichi, Onchi Koshiro and Munakata Shiko; and shin-hanga (new prints), with works by Kawase Hasui and Hashiguchi Goyo. Carnegie Museum of Art also possesses several complete series of prints produced in such limited numbers that they are rarely seen today, including One Hundred Views of New Tokyo created between 1929 and 1932. In addition, an essay on the history and significance of the collection provides a brief introduction to Japanese printmaking in the twentieth century, making this illustrated guide an invaluable reference for researchers, curators, collectors and general enthusiasts of Japanese art.
Author : Robyn Griggs Lawrence
Publisher : New Society Publishers
Page : 233 pages
File Size : 43,86 MB
Release : 2011-05-01
Category : House & Home
ISBN : 1550924702
This revised and updated edition of The Wabi-Sabi House recounts the history of this aesthetic philosophy and reveals ways to introduce it into your home. The ancient Japanese philosophy of wabi-sabi is about appreciating simplicity and letting go of the superficial—the perfect antidote to modern consumerism and perfectionism. In 2004, author Robyn Griggs Lawrence helped popularize wabi-sabi in North America with her book The Wabi-Sabi House. In Simply Imperfect, Lawrence shows that wabi-sabi is far more than a style of home décor. It’s a state of mind—a way of living modestly in the moment, stripping away the unnecessary, and finding satisfaction in everyday things. Tracing the rich history of wabi-sabi from its Zen Buddhist roots to the present day, this beautifully-illustrated book also offers tips on: Clearing clutter and blocking noise Integrating salvaged and recycled materials Making and growing things yourself (or supporting local artisans who do) Taking time and space for self-reflection
Author : Jennifer S. Prough
Publisher : University of Hawaii Press
Page : 241 pages
File Size : 12,79 MB
Release : 2022-02-28
Category : Travel
ISBN : 0824891686
There is a charm to Kyoto. Surrounded by lush green hills, the city feels alive with nature, history, culture—and tourists. At once ancient capital, modern city, and home to numerous cultural heritage sites, Kyoto looms large in the promotion of Japanese culture at home and abroad. In the wake of years of economic recession followed by the national promotion of “cool Japan” in popular culture and tourism of the twenty-first century, anthropologist Jennifer Prough sets out to examine how the city’s history and culture have been mobilized to create heritage experiences for today’s tourists. The heart of her book, Kyoto Revisited, centers on what it means to produce these for visitors, why seeing and feeling culture and tradition appeal to both domestic and international travelers, and the challenges faced by a heritage tourism city. As Prough’s study suggests, heritage has multiple meanings. It is created as interested parties—state and local, public and private—tell different stories about the past, which are marketed in response to tourists’ desire for face-to-face engagement in an experience economy. Her work examines several prominent features of Kyoto tourism, including promotion plans, heritage neighborhood renovation, the role of the seasons and traditional aesthetics in citywide events, the appeal of sites commemorating the Meiji restoration, and the trend of walking in the heritage district in a rented kimono. Throughout Prough brings together scholarship from Japanese studies, heritage studies, and the anthropology of tourism to highlight the interplay between the romantic desire for heritage tourism and the emphasis on “personal experience” (taiken) in the visitor industry today. Experience has long been an integral part of tourism—even as what counts as experience has shifted across time and place (from taking a photo to staying with locals to trying one’s hand at a traditional craft)—yet these touristic desires take on a new tinge in the experience economy. Kyoto Revisited demonstrates not only how the past has been used to construct the city’s identity and shape understandings of Japan for travelers, but also how these speak to broader trends in our contemporary moment.
Author : Christine M. E. Guth
Publisher : University of Hawaii Press
Page : 274 pages
File Size : 29,5 MB
Release : 2015-01-31
Category : Art
ISBN : 0824853954
Hokusai’s “Great Wave,” as it is commonly known today, is arguably one of Japan’s most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Christine Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articulations, arguing that it has been a site where the tensions, contradictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the wave’s trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural developments. Adopting a case study approach, Guth explores issues that map the social life of the iconic wave across time and place, from the initial reception of the woodblock print in Japan, to the image’s adaptations as part of “international nationalism,” its place in American perceptions of Japan, its commercial adoption for lifestyle branding, and finally to its identification as a tsunami, bringing not culture but disaster in its wake. Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusai’s Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization.