Riffing with the Muse


Book Description

Musical muse or angel in disguise? After twenty years, Kaane Scott had nothing. Na-da. Zilch. Melodies that once flowed so easily, dried up. Words that tripped over themselves to follow, silent. He couldn’t bring himself to call it Rebellion’s farewell concert tour. Farewell meant he was done. Evangeline Reed was just beginning. “Use this gift to follow your passions, my dear, wherever they take you.” Her aunt’s words hung in the air like the lingering hint of her favorite perfume. Angel’s art, her passions, her life all felt brand new. Kaane didn’t feel done. He needed the muse to bring it back. If she came in the form of a cupid face and breathy voice, so be it. If she pushed him to face the one reality he never wanted to admit, it might be the price he had to pay. Could they create the perfect harmony together? The Flynn’s Crossing series is contemporary romance set in the northern California foothills, suspense driven by small town secrets, and complex characters in compelling stories about friendship and love. You can enjoy the books out of order without ruining their surprises!




Gothic Riffs


Book Description

""In Gothic Riffs, Diane Long Hoeveler inverts the traditional interpretation of the rise of the Gothic. Hers is a new, and significant, argument. She shows, with great effectiveness and originality, the ubiquity of Gothic in popular and high art forms alike, from opera, to ballads, to chapbooks, as trans-European phenomena. I know of no modern work that aims to bring all of these different fields together in one impressively extensive book."--Robert Miles, professor and chair, Department of English, the University of Victoria" ""Diane Long Hoeveler's Gothic Riffs is genuinely innovative, informative, and insightful within the fields of both Gothic and Romantic literary studies. Indeed, this book should come to occupy a special niche of its own in the proliferating explosion of scholarship on the many kinds of Gothic that have continued to grow since the 1980s."--Jerrold E. Hogle, University Distinguished Professor, The University of Arizona".




How to Write Guitar Riffs


Book Description

Countless great songs are based on riffs—catchy guitar phrases that repeat until they’re seared into your brain forever—or snappy chord sequences as memorable as any melody. Riffs get people excited, whether they are musicians or listeners. Advertising agencies use riffs on television, internet videos, and cinema trailers. Riffs sell concert tickets, guitars, and downloads. Youtube is full of guitarists playing riffs. This book now in its third and updated edition digs deep into the world of the guitar riff, identifying 30 distinct types and illustrating them with reference to 150 examples: from Howlin Wolf to Black Rebel Motorcycle Club, Chuck Berry to Limp Bizkit, the Kinks to the Strokes, Black Sabbath to the White Stripes, Coldplay and Kings of Leon. The book includes 56 tracks of audio, illustrating all types of riffs covered, plus notation and TAB for 40 original example riffs composed by the author. In the book you can trace the connections between riff types and the scales, modes, or chords from which they’re drawn learn the guitar tips and arranging techniques to get the best from your riffs read an exclusive interview with Led Zeppelin and Them Crooked Vultures bassist John Paul Jones, a multi-instrumentalist, writer, and arranger with 50 years experience in riff-based music.




Riffs


Book Description

(Book). Rikky Rooksby's revised and updated bestseller explores more than 200 classic riffs, from Cream and Led Zeppelin, through Nirvana and Soundgarden, to Metallica, U2, and the White Stripes. The first half of the book analyzes classic rock riffs and reveals the stories behind their creation. Easy-to-read text describes and explains each riff, supported by illustrations and audio examples. The book's second section shows how to construct great riffs and why they work. Readers learn how to shape a melody, integrate a guitar riff with the rest of a song, enhance a riff with effects, and work with intervals and scales to build riffs.




Riff, Ram, Bah, Zoo! Football Comes to TCU


Book Description

Riff, Ram, Bah, Zoo, Lickety Lickety, Zoo Zoo, Who Wah, Wah Who, Give 'em hell, TCU! Ezra Hood’s Riff, Ram, Bah, Zoo! Football Comes to TCU (named after TCU's "Riff, Ram" cheer, one of the oldest known cheers in the nation) traces the origins of Texas Christian University, a tiny liberal arts college in Waco, Texas, to its induction into the Southwest Conference in 1922 as an up-and-coming collegiate football power. Drawing from numerous newspaper sources—most notably from the TCU Daily Skiff—Hood’s book provides an in-depth, game-by-game history of a football program that struggled to find its place amongst established Texas football programs in the early twentieth century. Hood begins with the university’s conception in 1873, when it was known as AddRan Male and Female College, and describes the rise of football’s popularity in Texas. From there, the book chronicles each of TCU’s football seasons from its first year in 1896 to its final year in TIAA play, before it joined the Southwest Conference and went on to become, in Hood’s words, “the prince of the Southwest in the 1930s.” Hood captures particular details of each season—noting significant coaching changes and highly-touted recruits—all the while providing anecdotes from local newspapers as a way to capture the community response to TCU football in both Waco and Fort Worth. And while the book focuses largely on the ups and downs of the program, Hood also captures the impact of the times on both TCU and the many towns of central and north Texas—the impact of the first World War, for instance, on the state of football nationwide and the loss of notable TCU players to the war effort. Thanks to Hood’s exhaustive historical account, this book will be a valuable reference for both fans and historians of TCU and the game of football.




The Muse is Music


Book Description

This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.




Lit Riffs


Book Description

Following in the footsteps of the late great Lester Bangs -- the most revered and irreverent of rock 'n' roll critics -- twenty-four celebrated writers have penned stories inspired by great songs. Just as Bangs cast new light on a Rod Stewart classic with his story "Maggie May," about a wholly unexpected connection between an impressionable young man and an aging, alcoholic hooker, the diverse, electrifying stories here use songs as a springboard for a form dubbed the lit riff. Alongside Bangs's classic work, you'll find stories by J.T. LeRoy, who puts a recovering teenage drug abuser in a dentist's chair with nothing but the Foo Fighters's "Everlong" -- blaring through the P.A. -- to fight the pain; Jonathan Lethem, whose narrator looks back on his lost innocence just as an extramarital affair careens to an end -- this to the tune "Speeding Motorcycle" as recorded by Yo La Tengo; and Jennifer Belle, who envisions a prequel to Paul Simon's "Graceland" -- one that takes place at a children's birthday party replete with a real live kangaroo. With original contributions from Tom Perrotta, Nelson George, Amanda Davis, Lisa Tucker, Aimee Bender, Darin Strauss, and many more -- riffing on everyone from Tom Waits and Bruce Springsteen to the White Stripes, Cat Power, and Bob Marley -- this is both an astounding collection of short stories and an extraordinary experiment in words and music. Soundtrack available from Saturation Acres Music & Recording Co.




Bathroom Songs


Book Description

Bathroom Songs: Eve Kosofsky Sedgwick as a Poet is the first book of essays to consider the poetry of one of the twentieth- and early twenty-first-century's most important literary, affect, and queer theorists. Acclaimed as one of the "truly innovative" poets of her generation, by Maud Ellmann, Sedgwick's work as a poet is, perhaps, less well known, but is no less compelling than her ground-breaking trilogy of queer theoretical texts: Between Men: English Literature and Male Homosocial Desire, Epistemology of the Closet, and Tendencies. The book includes seven, specially commissioned essays considering Sedgwick's published poetry and writing about poets, by Angus Brown, Meg Boulton, Mary Baine Campbell, Jason Edwards, Kathryn R. Kent, Monica Pearl, and Benjamin Westwood, that range across the complete range of Sedgwick's work, from her earliest published lyrics through her first collection of poetry, Fat Art, Thin Art, to her part-haiku, part-prose autobiography, A Dialogue on Love, and beyond. In addition, the book contains over forty of Sedgwick's previously uncollected poems, ranging from her earliest poem on T.E. Lawrence to her final poem 'Death', introduced and contextualized in a second essay by Edwards. TABLE OF CONTENTS // Part I. Eve Kosofsky Sedgwick as a Poet Jason Edwards - Introduction: Bathroom Songs? Eve Kosofsky Sedgwick as a Poet Angus Connell Brown - Look with Your Hands Ben Westwood - The Abject Animal Poetics of 'The Warm Decembers' Kathryn R. Kent - Eve's Muse Mary Baine Campbell - 'Shyly / as a big sister I would yearn / to trace its avocations', or, Who's the Muse? Monica Pearl - Queer Therapy: On the Couch with Eve Kosofsky Sedgwick Meg Boulton - Waiting in the Dark: Some Musings on Sedgwick's Performative(s) Part II. The Uncollected Poems Jason Edwards - Introduction: Someday We'll Look Back with Pleasure Even on is: Sedgwick's Uncollected Poems Poems Forsan et haec olim meminisse juvabit - Death - Bathroom Song - Pandas in Trees - Untitled (Blake panda poems) - Tru-Cut - Valentine - 2/81 - Lost Letter - The Palimpsest - Explicit - Hank Williams and a Cat - Jimmy Lane - Jukebox - Die Sommernacht hat mir's angetan - Phantom Limb - Two P.O.W. Suicides - Once There Was a Way to Get Back Homeward - The Ring of Fire - The Prince of Love in the Desert Night - Artery - A Death by Water - Yellow Toes - Soutine - Another Poem from the Creaking Bed - Cain - The City and Man - Lullaby - No More Dusk - Ribs of Steel - To a Friend - When in Minute Script - To a Swimmer - Untitled ('Wonder no more upon the mysteries') - From an Ending for ' e Triumph of Life' - T.E. Lawrence and the Old Man, His Imagined Tormentor - Movie Party, Telluride House, Ithaca, New York - Falling in Love over The Seven Pillars - Calling Overseas - What the Poet ought And What She Found in the Telluride Files: - Epilogue: Teachers and Lovers - The Last Poem of Yv*r W*nt*rs - Saul at Jeshimon [First Variant] - Saul at Jeshimon [Second Variant] - Siegfried Rex von Munthe, Soldier and Poet, Killed December, 1939, on the German Battleship Graf Spee - Lawrence Reads La Morte D'Arthur in the Desert




Embodied Expression in Popular Music


Book Description

This book explores the intimate connection between body and instrument in popular music, explaining chords, melodies, riffs, and grooves in terms of embodied movement, which in turn informs the imagination in constructing meaning in songs. Tracing connections from foundational blues, gospel, and rock musicians to current rap artists, author Timothy Koozin demonstrates how a focus on body-instrument interaction can illuminate creative strategies while leveling implied hierarchies of cultural value, revealing how artists represent subjectivities of gender, race, and social class in shaping songs and whole albums.




SPIN


Book Description

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.