The Robinson Jeffers Newsletter


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The Last Conservative


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The Collected Letters of Robinson Jeffers, with Selected Letters of Una Jeffers


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This volume of correspondence, the last in a three-volume edition, spans a pivotal moment in American history: the mid-twentieth century, from the beginning of World War II, through the years of rebuilding and uneasy peace that followed, to the election of President John F. Kennedy. Robinson Jeffers published four important books during this period—Be Angry at the Sun (1941), Medea (1946), The Double Axe (1948), and Hungerfield (1954). He also faced changes to his hometown village of Carmel, experienced the rewards of being a successful dramatist in the United States and abroad, and endured the loss of his wife Una. Jeffers' letters, and those of Una written in the decade prior to her death, offer a vivid chronicle of the life and times of a singular and visionary poet.




Of Una Jeffers


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Una and Robinson Jeffers raised twin sons and built a house and granite tower, which is now an historical landmark in Carmel, California. At the end of his book-length poem, Iris, Mark Jarman describes that remarkable union and place as The house where pain and pleasure had turned to poetry and stone, and a family had been happy. Published in a small limited edition in 1939, and available only in private collections and rare book libraries until now, this new edition of Of Una Jeffers: A Memoir, includes new photographs, an index and a fascinating Introduction by the noted Jeffers scholar and author of Robinson Jeffers: Poet of California, James Karman.




Robinson Jeffers


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Robinson Jeffers, Dimensions of a Poet


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This collection of essays attempts to illustrate the art and complexity of Jeffers, while presenting new insights into his work and its reception among his contemporaries. The essays represent a range of critical points of entry - some are on the cutting-edge of criticism and break new ground; others attempt to place Jeffers in the established perspectives of Western civilization's Christian Humanism and American poetry's landscape-centered mysticism.