Rodin and Eros


Book Description

Rodin’s erotic depictions of women in drawings, sculptures, plasters, bronzes, and marbles The theme of the erotic is ever present in the work of August Rodin, both in his sculptures and in his many drawings. Throughout his career, he depicted sexual desire in all its facets, in every mood from delicate innocence to frank intensity, bearing witness to an endless fascination with the flesh and a love of the female form. Taking a chronological path through Rodin's career, this is an intimate approach to the many faces of sex and sensuality in his body of work and in the society within which his art was forged, from mythological portrayals of passion to the context of contemporary erotic literature. The topics featured include his relationships with women, his friendships with poets and artists, and the controversy that his sculptures caused in the late nineteenth and early twentieth centuries, when French society was marked by a hypocritical disparity between public morals and private desires. In a 1916 interview, Rodin spoke out against his critics: "They protest against the immorality of my work, they criticize me for loving women…. But they are incapable of understanding what I do." This witty and insightful book, packed with beautiful images, will shed new light on this intriguing aspect of the artist's world and his skill at capturing the fleeting nature of pleasure in timeless art.




Rodin


Book Description

This classic exploration of erotic themes in Rodin's sculptures and drawings offers stunning visual and textual insight into the artist's work and ideas. More than 350 superbly reproduced images of selected sculptures and late drawings by Rodin document his obsession with sexuality, revealing the countless ways he depicted the subject: as a threat and challenge, but also as the source of all creative inspiration and passion. Augmenting these illustrations, ten essays by leading scholars explore the ramifications of Eros in Rodin's work, including such topics as the nature of the fragment, Rodin's relationship to the model, his religiosity, and his influence on his contemporaries as well as on future artists. In word and image, this volume deepens our understanding of the nineteenth century's premier sculptor.




Rodin


Book Description

Superbly reproduced images of selected sculptures and late drawings by Rodin document his obsession with sexuality, revealing the countless ways he depicted the subject: as a threat and challenge, but also as the source of all creative inspiration and passion. Augmenting these illustrations are essays by leading scholars exploring the ramifications of eros in Rodin's work and his influence on his contemporaries as well as on future artists. In word and image, this volume deepens our understanding of nineteenth century's premier sculptor.




Auguste Rodin


Book Description

I have drawn all my life. I began withdrawing: I have never stopped drawing.--Auguste Rodin




Rodin


Book Description

The arts: general issues.




Eros: 90 Masterpieces


Book Description

The series Erotic Art is some kind of History of Art of Pleasure: an erotic history of human race. These books outline the hidden history of erotic art from Egypt's Golden Empire to present day, translating our sexual fantasies into master works of art."Eros, the God of Love, is considered a principle of Creation: sprung from the original Chaos, he is vital element of the world. Defining erotic art is difficult since perceptions of both what is erotic and what is art vary. The distinction between erotic art and pornography may lie in intent and message; erotic art would be items intended only as pieces of art; Pornography may also use art tools, but is mainly intended to arouse one sexually. This Art Book with Foreword and annotated reproductions by Jessica Findley contains 90 selected drawings and paintings of Katsushika Hokusai Jean-Baptiste-Camille Corot, Francois Boucher, Titian, Peter Paul Rubens, Jean-Antoine Watteau, Jules Joseph Lefebvre, Leon Bonnat, Johann Heinrich Fuseli, Eugene Ferdinand Victor Delacroix, Gustave Courbet, Toulouse-Lautrec, Edward Burne-Jones, Jean-Auguste-Dominique Ingres, Francesco Paolo Hayez, John William Godward, Auguste Rodin and Egon Schiele.




Rodin


Book Description

The expression 'the Zola of Sculpture' was coined in the circles of the Royal Academy in the 1880s as a term of abuse. Rodin: 'The Zola of Sculpture' reveals how the appraisal of Rodin in British culture was shaped by controversies around the literary models of Zola and Baudelaire, in a period when negative notions about French culture were being progressively transformed into positive expressions of modern sculpture. Embedded within this collaborative book is the editor's proposition that Rodin came to play an important role in the cultural politics of the Entente Cordiale at a critical juncture of European history. Encompassing new scholarship in several disciplines, drawn from both sides of the Channel, Rodin: 'The Zola of Sculpture' offers the first in-depth account of Rodin's career in Britain in the period 1880-1914 and weaves this historical trajectory into a complex investigation of the interactions between French and British cultures. The authors examine the cultural agencies in which conceptions of Rodin's practice played a defining role, dealing in turn with artists' professional associations, art criticism, private and public collectors and the education of women sculptors.




Robert Mapplethorpe and the Classical Tradition


Book Description

This title is published to accompany the exhibition exploring the relationship between the photography of Robert Mapplethorpe and classical art, held at the Deutsche Guggenheim, Berlin, July 24th - October 17th, 2004.




Images of Ancient Greek Pederasty


Book Description

Sexual relations between men and adolescent boys were a social institution in ancient Greece.€ This book presents the history of Greek pederasty and the scholarship on the topic, with a large number of illustrations.




The Gates of Hell


Book Description

The Gates of Hell: Rodin’s Passion in Stone is not just another biography of Rodin. There are many excellent ones already. Rather, it is an attempt to understand the sculptor, after immersion in his works, by listening to his own words and those spoken about him. For Rodin was more than a sculptor of genius. He had the imagination and the courage to search for the truth, not only with his artist’s hands, but with the penetrating gaze and mastery of the word that define the writer. His book Les Cathedrals de France and his hundreds of letters offer a new close-up of the artist, both visual and verbal. His musings on art and on life, and his contemporaries’ views of him, form a biographer’s trove. This rich assemblage of words, like a hoard of tiny fragments of stone and glass, when pieced together, form a mosaic likeness of an artist who was himself a story teller in stone.