Masochism


Book Description

Contains an essay on the psychology and origins of masochism called Coldness and cruelty by G Deleuze and the novel Venus in furs by L von Sacher-Masoch.




The Confessions of Wanda Von Sacher-Masoch


Book Description

Sadism and masochism continue to be "hot topics, " and this autobiography by the wife of the man responsible for the term "masochism" (Leopard Von Sacher-Masoch, author of the SandM classic Venus in Furs) is a classic, of interest to anyone researching the history of sexual games involving dominance and submission. Remarkable enough this is also a feminist classic: the true-life adventure story of woman's odyssey through many lands, peopled by amazing, unforgettable characters including Leopold, the mad king of Bavaria. Whips, furs and fast friendships!




Bloody Wedding in Kyiv


Book Description




Venus in Fur


Book Description

THE STORY: Thomas, a beleaguered playwright/director, is desperate to find an actress to play Vanda, the female lead in his adaptation of the classic sadomasochistic tale Venus in Fur . Into his empty audition room walks a vulgar and equally




The Black Gondola and Other Stories


Book Description

Leopold von Sacher-Masoch, almost exclusively remembered today as the author of the prototypical "Masochistic" novel Venus in Furs, was, in fact, a thinker of far-reaching aspirations and abilities. The present volume is one of the first representative collections the Austrian writer's shorter works in over a century. Ranging from Viennese high-society to the lives of minorities in the east of the Austro-Hungarian Empire, the tales herein explore Sacher-Masoch's preoccupation with ongoing social disparities, the symbolism of Slavic mythology, and both the cruelty and nobility of the feminine soul. Featuring frenzied romantics, peasants, Sadistic noblewomen, artists, and eccentrics, The Black Gondola and Other Stories offers a new assessment of the fiction of one of the most interesting German-language authors, whose work, encompassing the poetic, macabre, and erotic, was also often surprisingly compassionate.




The Representation of Masochism and Queer Desire in Film and Literature


Book Description

Defining masochism as 'literary perversion', this book probes the productivity of masochistic aesthetics in the literature of Leopold von Sacher-Masoch and contemporary queer films, analysing radical accounts of desire, gender, and sexuality.




The Masochist


Book Description

On Christmas Eve 1874, Leopold von Sacher-Masoch, whom history would remember as the original and most famous masochist, left his home in Bruck an der Mur, Austria for the unknown. The novel surmises he didn't come back alone, but brought with him a new family member: a tiny red-haired baby girl he found abandoned in the forest. This is the memoir of Nadezhda Moser, the uneasily upper-class married woman this little girl becomes, a fictional character who forces her way amongst some of Central Europe's most influential historical personalities. Katja Perat's novel is a serio-comical fictional romp through the Habsburg Empire of the fin de siècle, beginning in 1874 Lemberg (present day Lviv/Lvov in Ukraine), continuing to Vienna, and ending in the Habsburg Adriatic seaport of Trieste in 1912. Along her way, the protagonist, the daughter of Leopold von Sacher-Masoch encounters luminaries of the Empire's cultural elite, including Gustav Klimt and his models Adele Bloch-Bauer and Emilie Flöge, Gustav and Alma Mahler, Sigmund Freud, Theodor Herzl, the Princess von Thurn und Taxis, Rainer Maria Rilke and others, in each case providing the reader with new, seemingly first-hand insights into these real-life individuals' characters and thought, not to mention the protagonist's own long and sometimes tortured personal development and emotional maturation. Its title notwithstanding, The Masochist is a delight and immensely rewarding to read: witty, energetic, erudite, profound, and all of a piece.




A Light for Others and Other Jewish Tales from Galicia


Book Description

Leopold von Sacher-Masoch (1836-1895), the author of Venus in Furs, is known for his tales of dominant women and suffering men, if indeed he is remembered at all today. But in his own lifetime he was also famous as the author of vibrant tales from Galicia, the exotic eastern edge of the Austrian empire, where he championed the cause of the region's most oppressed minorities, the Ruthenians and the Jews. This collection focuses on some of his better-known Jewish tales. Sacher-Masoch's unusual ability to capture the essence of a person or place with a telling detail brings this vanished world of Galician Jewry back to life in all its splendor and all its squalor, mixing the grays, browns, and blacks of European Realism with the bright, sparkling colors of legend, myth, fairy tale, and tradition. Long forgotten in the German and English-speaking countries, his work is currently enjoying a modest revival among scholars and general readers alike.




The Sex Lives of Saints


Book Description

Has a repressive morality been the primary contribution of Christianity to the history of sexuality? The ascetic concerns that pervade ancient Christian texts would seem to support such a common assumption. Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive "countereroticism" that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition. Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries—Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of "saintly" loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.




One Hundred Years of Masochism


Book Description

Just over a century has passed since the sexologist Richard von Krafft-Ebing coined the term "masochism" in a revised edition of his Psychopathia Sexualis (1890). Put into circulation as part of the fin-de-siècle process through which sexuality and sexual practices considered deviant became medicalized, this suspicious concept grew in significance and explanatory power in the expanding new context of psychoanalytic discourse. Today the study of masochism shows signs of becoming a discipline in its own right, the political, social, and cultural ramifications of which exceed and, indeed, render problematic, traditional psychoanalytic perspectives on the phenomenon. The essays in this volume demonstrate, however, that the concept of masochism still offers a point of entry into psychoanalytic theory that, while revealing a number of its most vexing insufficiencies and problematic constructions, evokes also a sometimes surprising illuminative potential and capacity to adapt to changing social realities. And as the volume's title is meant to suggest, the authors represented here tend to agree that the continued rich viability of psychoanalytic theory in cultural analysis is best appreciated and ensured through engaging the theory's own social-historical and cultural contexts. The volume includes clinical perspectives on masochism, and articles on medieval romance, Goethe, Sacher-Masoch, Krafft-Ebing's Psychopathia Sexualis, Turgenev, Tolstoy, Multatuli, Fassbinder, and masochism and postmodernism.