Book Description
The description for this book, Samuel Johnson and the Impact of Print: (Originally published as Printing Technology, Letters, and Samuel Johnson), will be forthcoming.
Author : Alvin B. Kernan
Publisher : Princeton University Press
Page : 379 pages
File Size : 22,12 MB
Release : 2021-04-13
Category : Literary Criticism
ISBN : 0691228132
The description for this book, Samuel Johnson and the Impact of Print: (Originally published as Printing Technology, Letters, and Samuel Johnson), will be forthcoming.
Author : Greg Clingham
Publisher : Cambridge University Press
Page : 290 pages
File Size : 23,37 MB
Release : 1997-10-16
Category : Literary Criticism
ISBN : 9780521556255
This Companion, first published in 1997, provides an introduction to the works and life of one of the key figures in English literary history.
Author : Alvin B. Kernan
Publisher :
Page : 357 pages
File Size : 49,42 MB
Release : 1989
Category : Authors and readers
ISBN :
Author : Robert DeMaria Jr.
Publisher : JHU Press
Page : 289 pages
File Size : 36,70 MB
Release : 1997-04-21
Category : Biography & Autobiography
ISBN : 0801854792
In Samuel Johnson and the Life of Reading, Robert DeMaria considers the surprising influence of one of the greatest readers in English literature. Johnson's relationship to books not only reveals much about his life and times, DeMaria contends, but also provides a dramatic counterpoint to modern reading habits. As a superior practitioner of the craft, Johnson provides a compelling model for how to read—indeed, he provides different models for different kinds of reading. DeMaria shows how Johnson recognized early that not all reading was alike—some requiring intense concentration, some suited for cursory glances, some requiring silence, some best appreciated amid the chatter of a coffeehouse. Considering the remarkable range of Johnson's reading, DeMaria discovers in one extraordinary career a synoptic view of the subject. "Enacts Johnson's celebrated variation on a theme from Horace—it does not merely delight and instruct, but rather instructs by delighting us . . . DeMaria proves himself a reader altogether worthy of his subject."—Times Literary Supplement "Fascinatingly perceptive both of Johnson's own reading habits and of their significance in the cultural history of reading."—Modern Language Review "Both a scholarly and an imaginative achievement, combining detailed detective work, abstract categorization, and sympathetic understanding. The finished product re-creates the detailed fabric of Johnson's reading career while locating it in a cultural landscape of rapid publication and growing literacy . . . Eminently readable, learned, and thoughtful."—Modern Philology "An intellectual history of the writer and his age."—Magill's Literary Annual "DeMaria presents an imaginative re-creation of Johnson's library and suggests how his reading habits offered a model for preventing the disappearance of the reader."—Biblio
Author : Elspeth Jajdelska
Publisher : Routledge
Page : 263 pages
File Size : 26,23 MB
Release : 2016-03-10
Category : Literary Criticism
ISBN : 1317051343
Filling an important gap in the history of print and reading, Elspeth Jajdelska offers a new account of the changing relationship between speech, rank and writing from 1600 to 1750. Jajdelska draws on anthropological findings to shed light on the different ways that speech was understood to relate to writing across the period, bringing together status and speech, literary and verbal decorum, readership, the material text and performance. Jajdelska's ambitious array of sources includes letters, diaries, paratexts and genres from cookery books to philosophical discourses. She looks at authors ranging from John Donne to Jonathan Swift, alongside the writings of anonymous merchants, apothecaries and romance authors. Jajdelska argues that Renaissance readers were likely to approach written and printed documents less as utterances in their own right and more as representations of past speech or as scripts for future speech. In the latter part of the seventeenth century, however, some readers were treating books as proxies for the author's speech, rather than as representations of it. These adjustments in the way speech and print were understood had implications for changes in decorum as the inhibitions placed on lower-ranking authors in the Renaissance gave way to increasingly open social networks at the start of the eighteenth century. As a result, authors from the lower ranks could now publish on topics formerly reserved for the more privileged. While this apparently egalitarian development did not result in imagined communities that transcended class, readers of all ranks did encounter new models of reading and writing and were empowered to engage legitimately in the gentlemanly criticism that had once been the reserve of the cultural elites. Shortlisted for the European Society for the Study of English (ESSE) book prize 2018
Author : Alvin B. Kernan
Publisher : Princeton, N.J. : Princeton University Press
Page : 357 pages
File Size : 19,21 MB
Release : 1987
Category : History
ISBN : 9780691066929
The Description for this book, Samuel Johnson and the Impact of Print: (Originally published as Printing Technology, Letters, and Samuel Johnson), will be forthcoming.
Author : Tyler Cowen
Publisher : Harvard University Press
Page : 289 pages
File Size : 42,73 MB
Release : 2000-04-14
Category : Business & Economics
ISBN : 0674262794
Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of coexisting artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema. Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven’s later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week’s Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other. Cowen’s philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neoconservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.
Author : Kimiyo Ogawa
Publisher : Rutgers University Press
Page : 153 pages
File Size : 37,78 MB
Release : 2020-10-16
Category : Literary Criticism
ISBN : 1684482437
The study and reception of Samuel Johnson’s work has long been embedded in Japanese literary culture. The essays in this collection reflect that history and influence, underscoring the richness of Johnson scholarship in Japan, while exploring broader conditions in Japanese academia today. In examining Johnson’s works such as the Rambler (1750-52), Rasselas (1759), Lives of the Most Eminent English Poets (1779-81), and Journey to the Western Islands of Scotland (1775), the contributors—all members of the half-century-old Johnson Society of Japan—also engage with the work of other important English writers, namely Shakespeare, Mary Shelley, Jane Austen, and Matthew Arnold, and later Japanese writers, including Natsume Soseki (1867-1916). If the state of Johnson studies in Japan is unfamiliar to Western academics, this volume offers a unique opportunity to appreciate Johnson’s centrality to Japanese education and intellectual life, and to reassess how he may be perceived in a different cultural context. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author : Lisa M. Maruca
Publisher : University of Washington Press
Page : 240 pages
File Size : 29,47 MB
Release : 2012-03-15
Category : Literary Criticism
ISBN : 0295801751
The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of texts. Printers' manuals, tracts on typography, legal documents, and booksellers' autobiographies reveal that print workers conceived of their roles as central to the production of literature. Maruca's insightful readings of these documents alongside traditional works of fiction and authors' correspondence show that the claims of print workers and booksellers were part of a struggle for ownership and control as the concept of author as proprietor of his or her intellectual property began to take hold in the mid-1700s, gradually eclipsing print workers' contributions to the process of textual creation. The print trade asserted its authority using a rhetoric of hierarchical and binary sexuality and gender, which affected women working in the industry and limited the type of work they were allowed to perform. In response, women developed strategies to redeploy conventional ideas of gender to gain concessions for themselves as publishers and distributors of printed material, strategies that formed a foundation for the rise of female authorship later in the eighteenth century. Encompassing the histories of literature, labor, technology, publishing, and gender, The Work of Print ultimately offers significant insights into the ideology of authorship and intellectual property and our understanding of textuality and print in the digital age.
Author : Anthony W Lee
Publisher : Rutgers University Press
Page : 271 pages
File Size : 18,27 MB
Release : 2019-04-22
Category : Literary Criticism
ISBN : 1684480248
Samuel Johnson’s life was situated within a rich social and intellectual community of friendships—and antagonisms. Community and Solitude is a collection of ten essays that explore relationships between Johnson and several of his main contemporaries—including James Boswell, Edmund Burke, Frances Burney, Robert Chambers, Oliver Goldsmith, Bennet Langton, Arthur Murphy, Richard Savage, Anna Seward, and Thomas Warton—and analyzes some of the literary productions emanating from the pressures within those relationships. In their detailed and careful examination of particular works situated within complex social and personal contexts, the essays in this volume offer a “thick” and illuminating description of Johnson’s world that also engages with larger cultural and aesthetic issues, such as intertextuality, literary celebrity, narrative, the nature of criticism, race, slavery, and sensibility. Contributors: Christopher Catanese, James Caudle, Marilyn Francus, Christine Jackson-Holzberg, Claudia Thomas Kairoff, Elizabeth Lambert, Anthony W. Lee, James E. May, John Radner, and Lance Wilcox. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.