Lobster Johnson: Satan Smells A Rat


Book Description

The artist of _Hellboy: Buster Oakley Gets His Wish_ returns for two-gun vengeance! Someone is killing off skid row bums and dumping their corpses. The only one who can deliver justice is Hellboy's favorite gun-blazing vigilante. "This series continues to prove why Mike Mignola is one of the best creative forces in comic books and should be a must read for anyone." -Technorati




Lobster Johnson Volume 3: Satan Smells a Rat


Book Description

Hellboy's favorite gun-blazing vigilante takes justice to the skies aboard a Nazi-filled zeppelin and to the gritty alleyways of Chinatown against an army of monkeys. Collects The Prayer of Neferu, Caput Mortuum, Satan Smells a Rat, A Scent of Lotus #1–#2, and "Tony Masso's Finest Hour" from Dark Horse Presents #9. * Featuring art by Tonci Zonjic, Kevin Nowlan, Sebastián Fiumara, and more. "If you have never before read a Lobster Johnson story, this is an awesome place to become acquainted with this character."–Comic Vine




Lobster Johnson Volume 3


Book Description

"From the pages of Hellboy"--page [1] of cover.




Lobster Johnson Omnibus Volume 1


Book Description

Collect the adventures of Mignolaverse enigma Lobster Johnson! After years of captivating fans’ imaginations from the pages of Hellboy and B.P.R.D., the pulp-style adventures of Lobster Johnson took the limelight in his own series of comics adventures. From gangsters to Nazis to an army of monkeys, the Lobster faces classic foes in strange new ways. His adventures are now collected for the first time in a hardcover edition, collecting trade volumes The Burning Hand, Satan Smells a Rat, and Get the Lobster and the short story “Lobster Johnson: The Empty Chair” featuring writing by Mike Mignola, John Arcudi and Tonci Zonjic with art by Zonjic, Joe Querido, Sebastián Fiumara, and more!







Mohammed and Mohammedanism


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The Quarterly Review (london)


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Quarterly Review


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