The Church of Satan


Book Description

A history of the world's most notorious religion, now twenty-five years old. An account of the many strange & sensational events that surrounded the Black Pope, Anton LaVey & his thousands of followers as they ushered in a new era of indulgence & carnality, based on pleasure instead of self-denial. Details the evenings spent with LaVey's Magic Circle, peopled with artists, writers & filmmakers whose names will be familiar, & points out de-facto Satanists throughout history, such as Benjamin Franklin & Mark Twain. Chapters include "Satan's Master Plan" & "How to Perform Satanic Rituals." Appendices list diabolically-inspired books, films & music, as well as a digest of letters the Church has received over the years. Debunks the many myths & misconceptions regarding Satanism that have been promulgated on the talk-show circuit. THE CHURCH OF SATAN is both a history & a handbook, written as a companion volume to LaVey's SATANIC BIBLE, whichoccult book merchants assert is "the all-time occult bestseller."




Satanism: A Social History


Book Description

A 17th-century French haberdasher invented the Black Mass. An 18th-century English Cabinet Minister administered the Eucharist to a baboon. High-ranking Catholic authorities in the 19th century believed that Satan appeared in Masonic lodges in the shape of a crocodile and played the piano there. A well-known scientist from the 20th century established a cult of the Antichrist and exploded in a laboratory experiment. Three Italian girls in 2000 sacrificed a nun to the Devil. A Black Metal band honored Satan in Krakow, Poland, in 2004 by exhibiting on stage 120 decapitated sheep heads. Some of these stories, as absurd as they might sound, were real. Others, which might appear to be equally well reported, are false. But even false stories have generated real societal reactions. For the first time, Massimo Introvigne proposes a general social history of Satanism and anti-Satanism, from the French Court of Louis XIV to the Satanic scares of the late 20th century, satanic themes in Black Metal music, the Church of Satan, and beyond.




The Satanic Epic


Book Description

The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.




Subduing Satan


Book Description

Subduing Satan: Religion, Recreation, and Manhood in the Rural South, 1865-1920




Speak of the Devil


Book Description

In this book-length study of The Satanic Temple, Joseph Laycock, a scholar of new religious movements, contends that the emergence of "political Satanism" marks a significant moment in American religious history that will have a lasting impact on how Americans frame debates about religious freedom. Though the group gained attention for its strategic deployment of outrage, it claims to have developed beyond politics into a religious movement. Equal parts history and ethnography, Speak of the Devil demonstrates why religious Satanism is significant to larger conversations about the definition of religion, religious freedom, and religious tolerance.




Satanic Feminism


Book Description

According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.




The Satanic Epic


Book Description

The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.




Raising the Devil


Book Description

“Puts [the phenomena of Satanism] in the context of folklore and folk traditions . . . Highly recommended as a lucid and well-documented account.” —Library Journal Raising the Devil reveals how the Christian Pentecostal movement, right-wing conspiracy theories, and an opportunistic media turned grassroots folk traditions into the Satanism scare of the 1980s. During the mid-twentieth century, devil worship was seen as merely an isolated practice of medieval times. But by the early 1980s, many influential experts in clinical medicine and in law enforcement were proclaiming that satanic cults were widespread and dangerous. By examining the broader context for alleged “cult” activity, Bill Ellis demonstrates how the image of contemporary Satanism emerged. In some of the cases Ellis considers, common folk beliefs and rituals were misunderstood as evidence of devil worship. In others, narratives and rituals themselves were used to combat satanic forces. As the media found such stories attractive, any activity with even remotely occult overtones was demonized in order to fit a model of absolute good confronting evil. Ellis’s wide-ranging investigation covers ouija boards, cattle mutilation, graveyard desecration, and “diabolical medicine” —the psychiatric community’s version of exorcism. He offers a balanced view of contentious issues such as demonic possession, satanic ritual abuse, and the testimonies of confessing “ex-Satanists.” A trained folklorist, Ellis navigates a middle road, and his insights into informal religious traditions clarify how the image of Satanism both explained and created deviant behavior. “An interesting analysis of satanic folklore and organized anti-satanism in the US and UK.” —Choice “Shows how ancient bogeyman beliefs became aligned with politics and the criminal justice system to produce witch-hunts like the infamous McMartin Preschool case.” —Mother Jones




Satan


Book Description

Presents a collection of writings exploring the character of Satan in world literature.




Speak of the Devil


Book Description

Allegations of satanic child abuse became widespread in North America in the 1980s. Shortly afterwards, there were similar reports in Britain of sexual abuse, torture and murder, associated with worship of the Devil. Professor Jean La Fontaine, a senior British anthropologist, conducted a two year research project into these allegations, which found that they were without foundation. Her detailed analysis of a number of specific cases, and an extensive review of the literature, revealed no evidence of devil-worship. She concludes that the child witnesses come to believe that they are describing what actually happened to them, but that adults are manipulating the accusations. She draws parallels with classic instances of witchcraft accusations and witch-hunts in sixteenth and seventeenth-century Europe, and shows that beneath the hysteria there is a social movement, which is fostered by a climate of social and economic insecurity. Persuasively argued, this is an authoritative and scholarly account of an emotive issue.