Saturday Night at Gilley's


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Flying Magazine


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Giant Country


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In Giant Country Don Graham brings together a collection of lively, absorbing essays written over the past two decades. The collection begins with a twist on book introductions that sets the tone for the essays to come—a self-interview conducted poolside at an eccentric Houston motel favored by regional rock bands. Over piña coladas the author works on his tan and discusses timeless Texas themes: the transition of the state from a rural to an urban world, the sense of a vanishing era, and the way that artists in literature and film represent a state both infectiously grand and too big for its britches. In “Fildelphia Story,” Graham remembers his Ivy League professorial stint in a city the small-town Texan who rented him a moving van looked up under “F.” In “Doing England” the Lone Star Yankee courts Oxford University and returns with a veddy British education. In “The Ground Sense Necessary” a native son journeys inward to explore the dry ceremonies of frontier Protestantism and to recount movingly his father's funeral in Collin County. With his wide-ranging knowledge of classic regional works, Graham unerringly traces the style and substance of local literary giants and offers a sometimes irreverent but always entertaining look at the Texas triumvirate of Dobie, Webb and Bedichek. Other essays look at such Texas greats as Katherine Anne Porter, George Sessions Perry, William Humphrey and John Graves. In a section he calls “Polemics,” Graham includes his best known essays, “Palefaces vs. Redskins,” a sardonic survey of the Texas literary landscape, and “Anything for Larry,” a tour de force that has already become a minor classic. The essay weighs the puny financial achievements of Graham against those of mega-author Larry McMurtry and never fails to bring down the house when Graham gives a public reading. A recognized authority on celluloid Texas, Graham provides a rich sampling of his knowledge of Texas movies in pieces that blanket the territory from moo-cow cattle-drive epics to soggy Alamo sagas to urban cowboy melodramas. In the larger-than-life state that is Texas, nobody sizes up the Lone-Star mythos, its interpreters, boosters and detractors better than Don Graham.




Time


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Billboard


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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.




Rock N Roll Gold Rush


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An appreciation of Rock-n-Roll, song by song, from its roots and its inspriations to its divergent recent trends. A work of rough genius; DeanOCOs attempt to make connections though time and across genres is laudable."







While They Slept


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Early on an April morning, eighteen-year-old Billy Frank Gilley, Jr., killed his sleeping parents. Surprised in the act by his younger sister, Becky, he turned on her as well. Billy then climbed the stairs to the bedroom of his other sister, Jody, and said, “We’re free.” But is one ever free after an unredeemable act of violence? In this mesmerizing book–based on interviews with Billy and Jody as well as with friends, police, and social workers involved in the case–bestselling writer Kathryn Harrison brilliantly uncovers the true story behind this shocking crime and examines the extent as well as the limits of psychic resilience in the aftermath of tragedy.




Platinum Blues


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In this “fast-paced, wickedly funny” legal thriller, a small-town lawyer’s case against a Los Angeles record label turns into a deadly media circus (Publishers Weekly). Living in the Northern California town of Foolsgold, widowed lawyer Oliver Gulliver is headed for a midlife crisis. It doesn’t help that his eighteen-year-old daughter Elora has fallen in love with alcoholic former rock star C.C. Gilley. But then C.C. quits drinking and gets to work on a comeback album. Things actually seem to be looking up—until C.C.’s car is stolen, with his priceless demo tape inside. In no time at all, another band is all over the radio with C.C.’s song, and Oliver finds himself in Los Angeles working the biggest case of his life—suing a billion-dollar record company for plagiarism. But even as Oliver discovers his talent for charming the public, he finds out how nasty the music industry can get. When the stakes skyrocket from plagiarism to murder, Oliver will have to try C.C.’s case like his life depends on it—because it does. “Reeling off witty turns of phrase and uncanny plot twists, Deverell offers wonderfully sardonic takes on the worlds of music, law, Hollywood, Southern California and fatherhood--just for starters.” —Publishers Weekly