Savagery and Docility


Book Description




Body Parts of Empire


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A cross-disciplinary reading of American popular culture at a time of U.S. imperialism and the occupation of the Philippine Islands.




Savagery and Colonialism in the Indian Ocean


Book Description

This book examines the social, political and ideological dimensions of the encounter between the indigenous inhabitants of the Andaman islands, British colonizers and Indian settlers in the eighteenth and nineteenth centuries. The British-Indian penal settlements in the Andaman Islands – beginning tentatively in 1789 and renewed on a larger scale in 1858 – represent an extensive, complex experiment in the management of populations through colonial discourses of race, criminality, civilization, and savagery. Focussing on the ubiquitous characterization of the Andaman islanders as ‘savages’, this study explores the particular relationship between savagery and the practice of colonialism. Satadru Sen examines savagery and the savage as dynamic components of colonialism in South Asia: not intellectual abstractions with clear and fixed meanings, but politically ‘alive’ and fiercely contested products of the colony. Illuminating and historicizing the processes by which the discourse of savagery goes through multiple and fundamental shifts between the late eighteenth and late nineteenth centuries, he shows the links and breaks between these shifts and changing ideas of race, adulthood and masculinity in the Andamans, British India, Britain and in the wider empire. He also highlights the implications of these changes for the ‘savages’ themselves. At the broadest level, this book re-examines the relationship between the modern and the primitive in a colonial world.




The Nemesis of Docility


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Puro Arte


Book Description

Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization. Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.




Gender and Race in Antebellum Popular Culture


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In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble black martyr. This radical reshaping of black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture.




Gender is Really Strange


Book Description

What does it mean to be trans? Non-Binary? Gender Expansive? What parts of gender come from society? What parts come from within? How much is biology, and how much is socialization? Part of the Really Strange series, this science-based graphic medicine comic addresses these questions and more, revealing the inherent messiness of gender identity and sex. A mysterious amalgam of biology and society, inherently sensed, yet societally-defined, the complexity of gender is revealed through examining neuroscience, biology, hormones, mental health, behaviour and how much of gender comes from society. Exploring theories, thinkers, terminology, history and gender cultures around the world and across different religions, this easy-to-understand and engaging book will help you to question perceived norms and engage critically with your own gender identity. Get ready to break down the binary B.S. and celebrate gender in all its messy glory!




Gendering the Trans-Pacific World


Book Description

As the inaugural volume of the new Brill book series Gendering the Trans-Pacific World: Diaspora, Empire, and Race, this anthology presents an emergent interdisciplinary and multidisciplinary field that highlights the inextricable link between gender and the trans-Pacific world. The anthology features twenty-one chapters by new and established scholars and writers. They collectively examine the geographies of empire, the significance of intimacy and affect, the importance of beauty and the body, and the circulation of culture. This is an ideal volume to introduce advanced undergraduate and graduate students to Transpacific Studies and gender as a category of analysis. Gendering the Trans-Pacific World: Diaspora, Empire, and Race is now available in paperback for individual customers.




Moving Subjects


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Investigating how intimacy is constructed across the restless world of empire




Race-ing Art History


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Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.