Sculptors and Sculpture of Caria and the Dodecanese


Book Description

1994 marked the centenary of the respective death and birth of two great classical archaeologists, Sir Charles Newton and Sir Bernard Ashmole. Ashmole continued much of Newton's work on Greek sculpture from Caria and the Dodecanese, from which the friezes of the Mausoleum of Halicarnassus and the Demeter of Cnidus are particularly well-known. To mark the double centenary, the British Museum and King's College London held a colloquium at which twenty-one papers were presented, which represent a new synthesis of current research into marble sculpture from the south-east Aegean'. Contents include: Sir Charles Newton, KCB (1816-1894) ( Brian F. Cook ); Bernard Ashmole (1894-1988): his contribution to the study of ancient Greek sculpture ( G. B. Waywell ); The polychromy of the Mausoleum ( Ian Jenkins, Corrado Gratziu and Andrew Middleton ); The Mausoleum at Halicarnassus: sculptural decoration and architectural background ( Kristian Jeppesen ); The marbles of the Mausoleum ( Susan Walker and K. J. Matthews ); The Cnidian Aphrodite ( Antonio Corso ); Sculpture from Labraynda ( Pontus Hellstrom ); Zwei hellenistiche Werke aus Stratonikeia ( Ramazan Ozgan ); A seated statue of Hermes from Cos: middle Imperial sculpture between myth and cult, a new proposal of identification ( Francesco Sirano ); Ptolemy or Artemis? A Hellenistic Sculpture from Cos ( Nicolas Stampolidis ) and Ionian sculpture of the Archaic period on Dorian Rhodes ( G. Kokkorou-Alevras ).




Karia and the Dodekanese


Book Description

Karia and the Dodekanese, Vol. II, presents new research that highlights cultural interrelations and connectivity in the Southeast Aegean and western Asia Minor over a period of more than 700 years. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Modern geographical limitations have been influential on both archaeological investigations and how we approach cultural relations in the region. Comprehensive and valuable research has been carried out on many individual sites in Karia and the Dodekanese, but the results have rarely been brought together in an attempt to paint a larger picture of the culture of this region. In antiquity, the sea did not constitute an obstacle to interaction between societies and cultures, but was an effective means of communication for the exchange of goods, sculptural styles, architectural form and embellishment, education, and ideas. It is clear that close relations existed between the Dodekanese and western Asia Minor during the Classical period (Vol. I), but these relations were evidently further strengthened under the shifting political influences of the Hellenistic kings, the Roman Empire, and the cosmopolitan late antique period. The contributions in this volume comprise investigations on urbanism, architectural form and embellishment, sculpture, pottery, and epigraphy.




Karia and the Dodekanese


Book Description

The papers in Karia and the Dodekanese, Vol. I, focus on regional developments and interregional relations in western Asia Minor and the Dodekanese during the Late Classical and Early Hellenistic period. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Cultural achievements of exceptional and everlasting importance, including significant creations of ancient Greek literature, philosophy, art and architecture, originated in the coastal cities of western Anatolia and the adjoining Aegean islands. In the fourth century BC, the eastern cities experienced a new economic boom, and a revival of Archaic culture, sometimes termed ‘The Ionian Renaissance’, began. The cultural revival furthered rebuilding of old major works such as the Artemision at Ephesos, the embellishment of sanctuaries and a new royal architecture, such as the Maussolleion at Halikarnassos. The rich cultural revival was initially promoted by the satrapal family of the Hekatomnids in Karia and in particular by its most famous member, Maussollos, whose influence was not confined to Asia Minor, but included the Dodekanese islands Kos and Rhodos. Partly under the influence of the Karian satrapy, a number of cities were founded on a new common urban model in Rhodos, Halikarnassos, Priene, Knidos and Kos. When Alexander the Great conquered the satrapies in western Asia Minor in 334 BC, the culture initially promoted at the satrapal courts was carried on by gifted thinkers, poets and architects, preparing the way for Hellenistic cultural centres such as Alexandria.




Classical Sculpture and the Culture of Collecting in Britain Since 1760


Book Description

This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.




Color and Meaning in the Art of Achaemenid Persia


Book Description

This book explores the use of polychromy in the art and architecture of ancient Iran. Focusing on Persepolis, he explores the topic within the context of the modern historiography of Achaemenid art and the scientific investigation of a range of works and monuments in Iran and in museums around the world.




Truly Beyond Wonders


Book Description

A fully illustrated study of healing pilgrimage in the Roman empire during the second century AD. The focus is upon one particular pilgrim, the famous orator Aelius Aristides, whose Sacred Tales is examined in the context of the sanctuary of Asklepios at Pergamon, where the author spent two years in search of healing.




The Economics of the Roman Stone Trade


Book Description

The use of stone in vast quantities is a ubiquitous and defining feature of the material culture of the Roman world. In this volume, Russell provides a new and wide-ranging examination of the production, distribution, and use of carved stone objects throughout the Roman world, including how enormous quantities of high-quality white and polychrome marbles were moved all around the Mediterranean to meet the demand for exotic material. The long-distance supply of materials for artistic and architectural production, not to mention the trade in finished objects like statues and sarcophagi, is one of the most remarkable features of the Roman world. Despite this, it has never received much attention in mainstream economic studies. Focusing on the market for stone and its supply, the administration, distribution, and chronology of quarrying, and the practicalities of stone transport, Russell offers a detailed assessment of the Roman stone trade and how the relationship between producer and customer functioned even over considerable distances.




Ancient Greek Costume


Book Description

Costume production distinguishes early civilization from the Paleolithic era as much as architectural production. Costume transcends boundaries, as it first unites and then divides mankind. The mode of dress differentiates friend from foe and peasant from prince. Changes in the appearance and types of garments through the ages are a significant indicator of social, economic and chronological changes. This annotated bibliography of 603 references, taken from monographs, dissertations, festschrifts, periodicals, encyclopedias and handbooks, is the most comprehensive research tool for the subject of ancient Greek costume. This subject is of increasing interest to scholars in many fields, including archaeology and anthropology, art and art history, classics, drama, history, ancient literature, even modern literature. The references in this bibliography range from the encyclopedia entry to the monograph, and show a variety of themes: women's dress, men's dress, foreign dress, accessories, jewelry, headdresses, theater dress, textile production and literary evidence.




Imperium and Cosmos


Book Description

Caesar Augustus promoted a modest image of himself as the first among equals, a characterisation that was popular with the ancient Romans. This work focuses on Augustus's Mausoleum and Ustrinum, the Horologium-Solarium, and the Ara Pacis. It also examines the artistic imagery on these monuments.




Funerary Epigrams of Ancient Greece


Book Description

Taking a wide selection of Greek funerary epigrams from the 6th to 4th centuries BC, this volume considers their historical and chronological contexts to draw out information about the society that created them. Using both Hansen's corpus of epigrams and wider examples, it gives priority to those cases where the whole monument ensemble is preserved, both text and image, enabling a much better understanding of the significance of the texts. A thematic structure within a broader chronological framework provides a valuable lens on the epigrams, allowing readers to compare particular types across the time period. After introducing the funerary landscape in which the selected epigrams fit, González briefly considers the literary form of epigrams as a foil for the rest of the book. The remaining chapters focus on epitaphs of individuals in the most significant stages of life, where gender differences are most marked: themes include untimely death, women and wives, friendship, piety and non-kin love. All epigrams are offered in Greek, followed by an English translation. The analysis focuses on the literary aspects of the epigrams, as well as on the information they provide about both society and religion of ancient Greece.