1845-1920


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Dutch Chicago


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Now at least 250,000 strong, the Dutch in greater Chicago have lived for 150 years "below the radar screens" of historians and the general public. Here their story is told for the first time. In Dutch Chicago Robert Swierenga offers a colorful, comprehensive history of the Dutch Americans who have made their home in the Windy City since the mid-1800s. The original Chicago Dutch were a polyglot lot from all social strata, regions, and religions of the Netherlands. Three-quarters were Calvinists; the rest included Catholics, Lutherans, Unitarians, Socialists, Jews, and the nominally churched. Whereas these latter Dutch groups assimilated into the American culture around them, the Dutch Reformed settled into a few distinct enclaves -- the Old West Side, Englewood, and Roseland and South Holland -- where they stuck together, building an institutional infrastructure of churches, schools, societies, and shops that enabled them to live from cradle to grave within their own communities. Focusing largely but not exclusively on the Reformed group of Dutch folks in Chicago, Swierenga recounts how their strong entrepreneurial spirit and isolationist streak played out over time. Mostly of rural origins in the northern Netherlands, these Hollanders in Chicago liked to work with horses and go into business for themselves. Picking up ashes and garbage, jobs that Americans despised, spelled opportunity for the Dutch, and they came to monopolize the garbage industry. Their independence in business reflected the privacy they craved in their religious and educational life. Church services held in the Dutch language kept outsiders at bay, as did a comprehensive system of private elementary and secondary schools intended to inculcate youngsters with the Dutch Reformed theological and cultural heritage. Not until the world wars did the forces of Americanization finally break down the walls, and the Dutch passed into the mainstream. Only in their churches today, now entirely English speaking, does the Dutch cultural memory still linger. Dutch Chicago is the first serious work on its subject, and it promises to be the definitive history. Swierenga's lively narrative, replete with historical detail and anecdotes, is accompanied by more than 250 photographs and illustrations. Valuable appendixes list Dutch-owned garbage and cartage companies in greater Chicago since 1880 as well as Reformed churches and schools. This book will be enjoyed by readers with Dutch roots as well as by anyone interested in America's rich ethnic diversity.




The Keystone


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A Community of Collectors


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This volume celebrates an unprecedented series of gifts to the Seattle Art Museum on the occasion of its 75th anniversary. The gifts--nearly 1,000 works from more than forty collections--have significantly enhanced the museum's holdings and reinforced the museum's dedication to artistic excellence. A Community of Collectors includes essays by nine curators who have selected some of the most significant works of art given, pledged, and promised to the museum to be featured. The book offers a sense of the collection's depth and future direction and highlights this gem shinning in the Emerald City. From seventeenth-century Dutch still lifes to Roy Lichtenstein's Still Life with Silver Pitcher; paintings by Marsden Hartley, Georgia O'Keeffe, Edward Hopper and a sculpture of Gwendolyn Knight by Augusta Savage to Asmat war shields from New Guinea; the works considered here touch on the extraordinary richness and variety of the Seattle Art Museum's collections. The book includes essays by Barbara Brotherton, Michael Darling, Julie Emerson, Chiyo Ishikawa, Patricia Junker, Pam McClusky, Marisa Sanchez, Yukuko Shirahara, and Josh Yiu.




Catalog, 1903


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