Shadowplay


Book Description

(Limelight). Shadowplay is the first biography of Antony Tudor, one of the few indisputable geniuses of twentieth-century dance. His ground-breaking ballets changed forever what audiences expected to see on stage and brought with them psychological truths and haunting beauties that still resonate wherever they are performed. Brilliant but tormented, the London-born Tudor drew on the raw material of his own life for such landmark works as Pillar of Fire and Jardin aux Lilas .




Shadow Play


Book Description




Shadow Play


Book Description

His wife does magic tricks, his crazy mother invents her own vocabulary, and his aunt writes a holy book. Still Wyatt Palmer tries to live a normal life. But when he lures a toxic waste plant to his economically depressed town, he discovers he has made a deal with the Devil.




Shadow Play


Book Description

This updated edition for the 50th anniversary of Robert F. Kennedy’s murder explores ignored witness accounts, coerced testimony, bullet-hole evidence, and other issues surrounding the political homicide, and is the basis for the new podcast, The RFK Tapes, which debuted at #1 on the iTunes chart, available now. On June 4, 1968, just after he had declared victory in the California presidential primary, Robert F. Kennedy was gunned down in the kitchen of the Ambassador Hotel. Captured a few feet away, gun in hand, was a young Palestinian-American named Sirhan Sirhan. The case against Sirhan was declared “open and shut” and the court proceedings against him were billed as “the trial of the century”; American justice at its fairest and most sure. But was it? By careful examination of the police files, hidden for twenty years, William Klaber and Philip Melanson's Shadow Play explores the chilling significance of altered evidence, ignored witnesses, and coerced testimony. It challenges the official assumptions and conclusions about this most troubling, and perhaps still unsolved, political murder.




Shadowplay


Book Description

In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved. Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.




Shadow Woman


Book Description

Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work.




Shadowplay 30


Book Description




Shadow Play


Book Description

Focusing on government-organized relocations of street vendors in Indonesia, Shadow Play carefully exposes the reasons why conflicts over urban planning are fought through information politics. Anthropologist Sheri Lynn Gibbings shows that information politics are the principal avenues through which the municipal government of Yogyakarta city seeks to implement its urban projects. Information politics are also the primary means through which street vendors, activists, and NGOs can challenge these plans. Through extensive interviews and lengthy participant observation in Yogyakarta, Gibbings shows that both state and non-state actors engage in transparency, rumours, conspiracies, and surveillance practices. Gibbings reveals that these entangled information practices create suspicion and fear, form new solidarities, and dissolve relationships. Shadow Play is a compelling study explaining how we cannot understand urban projects in post-Suharto Indonesia and the resistance to them without first understanding the complexities embedded in the information practices.