“A man very well studyed”: New Contexts for Thomas Browne


Book Description

For many years, scholarship on Thomas Browne (1605-1682) saw him as tangential to his period’s thought and writing: an obscure and quaint stylist, detached from the turbulence of mid-seventeenth century England. This volume contributes to the current reevalution of Browne’s involvement in his times: identifying his political commitments, milieu, reading, and readers. The essays collected in this volume place Browne’s works in unexpected contexts – in Holland, Poland and Germany, in Restoration politics, in publishing history and medical theory. It presents new research into his reputation in the later seventeenth century, his manuscripts, medical dissertation, association with the Hartlib circle and habits of revision. Essays on familiar works place them in new light, while readings of his letters, notebooks, and lesser works broaden our understanding of Browne as a writer. The result is a fuller picture of Browne’s significance in seventeenth-century European culture. Contributors include: Eric Achermann, Hugh Adlington, Reid Barbour, Harm Beukers, Siobhán Collins, Louise Denmead, Karen Edwards, Doris Einsiedel, Kevin Killeen, Mary Ann Lund, Philip Major, Antonia Moon, Kathryn Murphy, Brent Nelson, and Claire Preston.







Encyclopedia of the Essay


Book Description

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies




Menagerie


Book Description

Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo--a tale replete with the extravagant, the eccentric, and--on occasion--the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra--which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.










Catalogues of books


Book Description




Forgers and Critics, New Edition


Book Description

The close links between forgery and criticism throughout history In Forgers and Critics, Anthony Grafton provides a wide-ranging exploration of the links between forgery and scholarship. Labeling forgery the “criminal sibling” of criticism, Grafton describes a panorama of remarkable individuals—forgers from classical Greece through the recent past—who produced a variety of splendid triumphs of learning and style, as well as the scholarly detectives who honed the tools of scholarship in attempts to unmask these skillful fakers. In the process, Grafton discloses the extent, the coherence, and the historical interest of two significant and tightly intertwined strands in the Western intellectual tradition.