The Silence of the Sirens


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The Silence of the Sirens


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A Silent Siren Song


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Traces the journey of Harry (1877-1956) and Roy Aitken (1882-1976), two brothers from the Wisconsin farmlands who pioneered the studio system of Hollywood's Golden Age.




Warnings


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From the heart of tornado alley, Smith takes us into the eye of America's most devastating storms and behind the scenes of some of the world's most renowned scientific institutions to uncover the relationship between mankind and the weather.




Silence and Sirens


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Silence and Sirens is a collection of short stories, vignettes, poems, and journal entries written by protagonist Anthony Miller as he travels from Louisville to Seattle and then begins to prepare for a new life in Europe. Miller, the middle child in a conservative Louisville family, finds refuge on the liberal side of his hometown until he finally moves to Seattle. As he tries to balance his love for stimulation and women and his need for solitude and spirituality, his passions bring him tumultuous yet significant relationships, while his conflicts bring insights and transcendence. Decadent, Miller is at times affably vulnerable and at other times brutally honest. For a few deceptive moments on a street in Seattle, he falls in love with a beautiful woman; and in a novella excerpt set in Louisville, he writes of his sudden repulsion after an illicit encounter. In the end, he is left with his thoughts, printed here for all to see. Miller's poetic lines and truth in his writing encourages all of us to take a step away from the ideal when it comes to finding love and happiness and instead embrace a walk down the path of reality-the rare and truly captivating moments that keep us in the present.




Silencing of the Sirens


Book Description

After identifying the misconceptions attached to the figure of the Mughal Courtesan and then defining it in terms of the dual-component structure of adaa, in the face of a dearth of literature that exists on the culture and the agency of the courtesan, this analysis would reinterpret the status of the courtesan figure within the domain of feminist theories and self-assertion. The female desire for autonomy, according to Elaine Showalter, defines a female exclusivity in terms of the dynamic phase, which is a combination of the feminine conflict between self-fulfillment and duty, the feminist political consciousness, and the female desire for autonomy. If one operates the courtesan figure in the Showalter domain, then the means to resist gender hierarchies through literary practices lie in a combination of both demand for exclusivity and real struggle into a truly subversive aesthetic which would have allowed the courtesan to have walked the corridors of power. Juliet Mitchells argument states that the gendered treatment of women came into existence through the ideological form of the novel, with females constructing themselves as the women they are under bourgeois norms by reading and writing novels. Rereading the Silencing of the Sirens would uncover another such exclusive female tradition studying the female consciousness from the courtesans point of view.




Silent Urns


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The study of Greece as an icon of culture appears to be as old as Greece itself, as if its cultural significance had attained full maturity at birth. In Silent Urns, the author reveals how Greece attained such significance as the result of the attempt to reconcile individuality, freedom, history, and modernity in 18th-century aesthetics.




Silence in the Land of Logos


Book Description

In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.




Kafka and Cultural Zionism


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Cogito and the Unconscious


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DIVEdited volume that discusses the relationship of philosophy and psychoanalysis./div