Social Change and Creative Activism in the 21st Century


Book Description

This book is a large-scale study of global creative activism. It explores how activists facilitate the cultivation of societal alternatives. Harrebye shows that social activism has got a creative new edge that is blurring the boundaries between artist and activist, and pop, prank, and protest.




Visual Activism in the 21st Century


Book Description

The world is in crisis, bringing activists and protesters onto the streets and into the public eye. More than ever, activism relies on spectacle and visibility in order to be noticed in the era of globalized capitalism and networked media. At the same time, a growing number of artists employ creative strategies to critique the establishment, act in resistance, and demand change. Visual activism of this kind is not new, but it is rapidly evolving. This anthology presents 16 case-studies of visual activism from across the globe, providing an up-to-date picture of the impact of contemporary visual and art activism, and combining a scholarly interrogation of visual activism with an examination of how it works in practice. The case studies address a wide range of issues including human rights abuses; state violence; gender and sexuality; racism; migration; and climate breakdown. They examine a range of approaches from playful carnivalesque parades to extreme practices such as 'lip-sewing', and are drawn from a wide range of international contexts – from Europe and the US, to Iran, India, Pakistan, Tunisia, and China. This diverse scope enables readers to consider examples comparatively – noticing emerging trends and key differences to reveal how geopolitical and cultural factors play an important role in shaping activist practices. This rich and timely collection provides a fresh perspective on the possibilities, limitations and politics of visual activism, as activists, artists, and curators respond to the changing world around them in this most uncertain of times.




Creative Activism Research, Pedagogy and Practice


Book Description

This collection explores the growing global recognition of creativity and the arts as vital to social movements and change. Bringing together diverse perspectives from leading academics and practitioners who investigate how creative activism is deployed, taught, and critically analysed, it delineates the key parameters of this emerging field.




Seeing Power


Book Description

In our chaotic world of co-opted imagery, does art still have power? A fog of images and information permeates the world nowadays: from advertising, television, radio, and film to the glut produced by the new economy and the rise of social media . . . where even our friends suddenly seem to be selling us the ultimate product: themselves. Here, Nato Thompson—one of the country’s most celebrated young curators and critics—investigates what this deluge means for those dedicated to socially engaged art and activism. How can anyone find a voice and make change in a world flooded with such pseudo-art? How are we supposed to discern what’s true in the product emanating from the ceaseless machine of consumer capitalism, a machine that appropriates from art history, and now from the methods of grassroots political organizing and even social networking? Thompson’s invigorating answers to those questions highlights the work of some of the most innovative and interesting artists and activists working today, as well as institutions that empower their communities to see power and reimagine it. From cooperative housing to anarchist infoshops to alternative art venues, Seeing Power reveals ways that art today can and does inspire innovation and dramatic transformation . . . perhaps as never before.




Street Art of Resistance


Book Description

This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.







Women's Activism and Social Change


Book Description

Women's Activism and Social Change challenges the popular belief that the lives of antebellum women focused on their role in the private sphere of the family. Examining intense and well-documented reform movements in nineteenth-century Rochester, New York, Nancy Hewitt distinguishes three networks of women's activism: women from the wealthiest Rochester families who sought to ameliorate the lives of the poor; those from upwardly mobile families who, influenced by evangelical revivalism, campaigned to eradicate such social ills as slavery, vice, and intemperance; and those who combined limited economic resources with an agrarian Quaker tradition of communalism and religious democracy to advocate full racial and sexual equality.




Imagining Collective Futures


Book Description

It is a commonly held assumption among cultural, social, and political psychologists that imagining the future of societies we live in has the potential to change how we think and act in the world. However little research has been devoted to whether this effect exists in collective imaginations, of social groups, communities and nations, for instance. This book explores the part that imagination and creativity play in the construction of collective futures, and the diversity of outlets in which these are presented, from fiction and cultural symbols to science and technology. The authors discuss this effect in social phenomena such as in intergroup conflict and social change, and focus on several cases studies to illustrate how the imagination of collective futures can guide social and political action. This book brings together theoretical and empirical contributions from cultural, social, and political psychology to offer insight into our constant (re)imagination of the societies in which we live.




Media Hoaxing


Book Description

This book explores the history, theory, practice, politics, and efficacy of hoaxing through an in-depth study of the Yes Men, one of the most important media activist groups to have emerged in the past two decades. Better known as humorous deceptions or politically motivated deceptive actions, media hoaxes are increasingly being used by activists seeking to change the world by drawing attention to abuses of power by corporations and governments. In this regard, the Yes Men are the unrivaled masters of the media hoax. By blending cutting political satire, outlandish humor, and sobering social criticism, they expose the wrongdoings of the world’s most powerful institutions to make them more accountable, transparent, and responsible to the public. These interventions serve as compelling case studies from which to explore two defining tensions underpinning all activist endeavors—failure and success. In situating the Yes Men’s work in relation to failure and success, discussions surrounding the defining realities of activist struggle come to the fore, creating room for greater emphasis on cycles of activist innovation, adaptation, and renewal. Thus, this book sheds light on why media hoaxing has emerged as a significant 21st century activist practice and makes a case for the significance of the media hoax as a positive force in the articulation of utopian politics.




The Possible


Book Description

"This book explores an eminently human phenomenon: our capacity to engage with the possible, to go beyond what is present, visible or given in our existence. Possibility studies are today an emerging field of research including topics as diverse as creativity, imagination, innovation, anticipation, counterfactual thinking, wondering, the future, social change, hope, agency and utopia. The present contribution to this wide field is represented by a sociocultural and pragmatist account of the possible grounded in the notions of difference, position, perspective, dialogue, action and culture. Put simply, this theory proposes that our explorations of the possible are enabled by the human capacity to relate to the world from more than one position and perspective and understand that any perspective we hold is, at all times, one among many. Such an account transcends the long-standing dichotomy between the possible and the real, a sterile separation that ends up portraying possibility as separate from and even opposed to reality. On the contrary, the theory of the possible advanced here goes back to this notion's etymological roots (the Latin possibilis "that can be done", from posse "to be able") and considers it as both a precondition and outcome of human action and interaction. Exploring the possible doesn't take place outside of or in addition to our experience of the world; rather, it infiltrates it from the start, infuses it with new meanings and ends up transforming it altogether. This book aims to offer conceptual, methodological and practical tools for all those interested in studying human possibility and cultivating it in education, at the workplace, in everyday life and in society"--