Author : Julie Rodrigues Widholm
Publisher : Yale University Press
Page : 228 pages
File Size : 19,6 MB
Release : 2007
Category : Art
ISBN : 9780300134278
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.
Author : Sarah Lowndes
Publisher : Luath Press Ltd
Page : 508 pages
File Size : 48,82 MB
Release : 2010
Category : Art
ISBN :
Sarah Lowndes looks back at the rise of the Glasgow art scene through the decades, from community art to Thatcher, New Wave to Teenage Fanclub. Charting the emergence of performance and conceptual-related art, she looks at the background from which the art of the last 40 years emerged.
Author : Karen van den Berg
Publisher :
Page : 0 pages
File Size : 17,74 MB
Release : 2019
Category : Art and social action
ISBN : 9783956794858
One of the most significant shifts in contemporary art during the past two decades concerns artists and collectives who have moved their artistic focus from representation to direct social action. This publication shows why this transition might change our understanding of artistic production at large and make us reconsider the role of art in society. The book gathers internationally recognized artists, scholars, and experts in the field of socially engaged art to reflect upon historical developments in this field and explore the role that German artist Joseph Beuys?s concept of social sculpture played in its evolution. The contributions provide theoretical reflections, historical analysis, and frame critical debates about exemplary socially engaged art projects since the 1970s in order to examine the strategies, opportunities, and failures of this practice--Back cover.
Author : Julia Guernsey
Publisher : Cambridge University Press
Page : 249 pages
File Size : 41,7 MB
Release : 2012-07-23
Category : Art
ISBN : 1107012465
This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity. Julia Guernsey situates the origins and evolution of monumental stone sculpture within a broader social and political context and demonstrates the role that such sculpture played in creating and institutionalizing social hierarchies. This book focuses specifically on an enigmatic type of public, monumental sculpture known as the "potbelly" that traces its antecedents to earlier, small domestic ritual objects and ceramic figurines. The cessation of domestic rituals involving ceramic figurines along the Pacific slope coincided not only with the creation of the first monumental potbelly sculptures, but with the rise of the first state-level societies in Mesoamerica by the advent of the Late Preclassic period. The potbellies became central to the physical representation of new forms of social identity and expressions of political authority during this time of dramatic change.
Author : Joseph Beuys
Publisher : CLAIRVIEW BOOKS
Page : 138 pages
File Size : 35,60 MB
Release : 2012-12-10
Category : Art
ISBN : 1905570562
Joseph Beuys’s work continues to influence and inspire practitioners and thinkers all over the world, in areas from organizational learning, direct democracy and new money forms to new art pedagogies and ecological art practices. Here, in dialogue with Volker Harlan - a close colleague, whose own work also revolves around understandings of substance and sacrament that are central to Beuys - the deeper motivations and insights underlying ‘social sculpture’, Beuys’s expanded conception of art, are illuminated. His profound reflections, complemented with insightful essays by Volker Harlan, give a sense of the interconnectedness between all life forms, and the foundations of a path towards an ecologically sustainable future. This volume features over 40 b/w illustrations.
Author :
Publisher : Chronicle Books
Page : 177 pages
File Size : 37,59 MB
Release : 2013-08-20
Category : Art
ISBN : 1452129460
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Author : Shelley Sacks
Publisher : Temple Lodge Publishing
Page : 134 pages
File Size : 20,10 MB
Release : 2013
Category : Art
ISBN : 1906999562
This collection of poetic, philosophical, and literary texts and full-color images offers an ATLAS of the Poetic Continent, a treasure to study, contemplate, and inspire action in the world. This ATLAS grew from of a social-sculpture process in a city that invited its citizens--individually and collectively--to enter a process of active reflection on this question: What am I doing in the world? This project confirmed that the connection between inner and outer work, and the inner work space, is central to all social-sculpture processes. The maps for this poetic continent open up pathways that enable us to come to our senses. Discovered only in our engagement with the world, and inspired by the constellations of the soul, they offer distilled understandings on the path to a new society: a viable future of free, humane, and ecological citizens.
Author : Rudolf Steiner
Publisher : SteinerBooks
Page : 246 pages
File Size : 36,1 MB
Release : 1998
Category : Nature
ISBN : 9780880104579
8 Lectures in Dornach, Nov 26, to Dec 22, 1923 (CW 351); 1 lecture in Dornach, February 3, 1923 (CW 348) In 1923 Rudolf Steiner predicted the dire state of today's honeybee. He stated that, within fifty to eighty years, we would see the consequences of mechanizing the forces that had previously operated organically in the beehive. Such practices include breeding queen bees artificially. The fact that over sixty percent of the American honeybee population has died during the past ten years, and that this trend is continuing around the world, should make us aware of the importance of the issues discussed in these lectures. Steiner began this series of lectures on bees in response to a question from an audience of workers at the Goetheanum. From physical depictions of the daily activities of bees to the most elevated esoteric insights, these lectures describe the unconscious wisdom of the beehive and its connection to our experience of health, culture, and the cosmos. Bees is essential reading for anyone interested in understanding the true nature of the honeybee, as well as those who wish to heal the contemporary crisis of the beehive. Bees includes an essay by David Adams, "From Queen Bee to Social Sculpture: The Artistic Alchemy of Joseph Beuys." The art and social philosophy of Joseph Beuys (1921-1986) is among the most influential of the twentieth century. He was strongly influenced by Rudolf Steiner's lectures on bees. The elemental imagery and its relationship to human society played an important role in Beuys's sculptures, drawings, installations, and performance art. Adams' essay on Beuys adds a whole new dimension to these lectures, generally considered to be directed more specifically to biodynamic methods and beekeeping. This volume consists of the 8 final lectures (of 15) from Mensch und Welt. Das Wirken des Geistes in der Natur. Über das Wesen der Bienen (GA 351), plus one lecture of Feb. 3, 1923, from Über Gesundheit und Krankheit. Grundlagen einer geisteswissenschaftlichen Sinneslehre (GA 348).
Author : Tom Finkelpearl
Publisher : Duke University Press
Page : 401 pages
File Size : 15,18 MB
Release : 2013-01-15
Category : Art
ISBN : 0822395517
In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses. Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern
Author : William H. Davenport
Publisher : University of Pennsylvania Press
Page : 249 pages
File Size : 19,92 MB
Release : 2011-01-01
Category : Social Science
ISBN : 1934536423
In this ethnographic study of traditional sculpture from Santa Cruz Island, near the Solomon Islands in the southwest Pacific the late anthropologist William H. Davenport presents a distinctive genre of figure sculpture produced for and used in traditional religious rituals and ceremonies. The body of the book discusses the history of Santa Cruz Island society since the first Europeans came to the area in 1595, the cultural meanings of its most conspicuous features, and descriptions of the main components of worship, the rituals. The book includes discoveries about the making and use of the figurines, as well as the iconography of the pieces. The latter information is derived from general ethnographic data collected in the course of field research between 1958 and 1976 on Santa Cruz Island and the adjacent islands of the Santa Cruz Group, where Davenport's many close friends included both his informants in the villages and officers of the British Colonial Service. A dual study of a tradition of so-called tribal art in its context and a study of Santa Cruz Island society, the book includes meticulous descriptions of the sacred objects, currency, dances, and social interactions. Davenport's records of 55 specimens of Santa Cruz sculpture from both private collections and museums—initial acquisition, subsequent ownership, and other detailed physical information—constitute the catalogue section of the book. An engaging and previously unrecorded transcription of information distilled from local informants of the oral myths, rituals, and ceremonies reveals how Santa Cruz believers distinguished, celebrated, and communicated with their deities. Davenport's own unique photographs—both black and white and color—illustrate rituals on the island and life as it was lived before independence in 1978. His work here is a record of a culture which is barely now either lived or remembered by the descendants of those who created it, and all figural sculpture discovered in the future must be judged against this corpus of authenticated originals. Audiences will include anthropologists interested in the tribal arts of Pacific peoples, libraries with Melanesian collections, art historians, contemporary historians interested in the difference between description and comparison, and the special political and economic situation of colonialism.
