Somos nuestra memoria


Book Description

La memoria tiene sus matices, sus vaivenes, sus luces y sombras. En esa intermitencia –entre olvidos y recuerdos– conformamos nuestra identidad individual, social e histórica, porque después de todo, somos nuestra memoria. Esa idea subyace a la constelación de textos presentes en este libro, uniendo diferentes temas como un hilo conductor, sin prescindir de cierta renovación permanente que instala al lector en un lugar activo: el lugar de quien piensa y establece relaciones. Con un lenguaje sencillo y agradable, y al mismo tiempo con lucidez y agudeza, Iván Izquierdo nos acerca sus reflexiones con una idea clara: “No espero, y en verdad no deseo, desencadenar el mimetismo de que alguien decida pensar igual que yo”, pero “habrá sin duda numerosos puntos de contacto entre lo que yo digo aquí y lo que piensa cada uno de los lectores. A esos puntos me dirijo, y a cada uno de ellos lo celebro”. Se celebra, entonces, la diversidad y la comunión de pensamiento. Un pensamiento que incluye cuestiones cotidianas, aspectos propios de la ciencia, temas existenciales, y material relativo a la política, la historia o la actividad literaria. Un pensamiento sensible, en definitiva, acerca de lo que recordamos, lo que olvidamos, lo que somos y lo que pretendemos ser.




The Novels of Josefina Aldecoa


Book Description

The first comprehensive analysis of the novels of prominent contemporary Spanish writer and educator Josefina Aldecoa. Josefina Aldecoa, in her treatment of themes such as a woman's place in society under and after dictatorship, mother-daughter relationships, war, and memory, confirmed her unique role as a contemporary novelist concerned with women's identity in Spain and as a writer of the mid-century generation ('los niños de la guerra'). The first volume of her trilogy, Historia de una maestra, was one of the earliest narratives of historical memory to beproduced in Spain. In this sense, Aldecoa's work anticipated new developments in gender studies, such as the intersection of feminist concerns and cultural memory. This book offers a comprehensive examination of Aldecoa's trajectory as a novelist, from La enredadera to Hermanas, centring on her primary preoccupations of gender and memory, arguing that Aldecoa's fiction offers a new, more complex understanding of women's identity than previously understood. The work combines the two dominating theoretical components of feminism and cultural memory with close textual analysis of Aldecoa's narratives. Her novels highlight the importance of the details of women's daily experiences and struggles throughout the twentieth century, a period of significant socio-political upheaval and change in Spain's history. NUALA KENNY teaches Spanish at the National University of Maynooth, Ireland.




Memory in World Cinema


Book Description

Film itself is an artifact of memory. A blend of all the other fine arts, film portrays and preserves human memory, someone's memory, faulty or not, dramatically or comically, in a documentary, feature film or short. Hollywood may dominate 80 percent of cinema production but it is not the only voice. World cinema is about those other voices. Drawn initially from presentations from a series of film conferences held at the University of Texas at San Antonio, this collection of essays covers multiple geographical, linguistic, and cultural areas worldwide, emphasizing the historical and cultural interpretation of films. Appendices list films focusing on memory and invite readers to explore the films and issues raised.




Selected Poems


Book Description

The largest collection of poetry ever assembled in English by “the most important Spanish-language writer since Cervantes” (Mario Vargas Llosa) A Penguin Classics Deluxe Edition with flaps and deckle-edged paper Though universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




El olor de la memoria


Book Description




The Elderly Are Those Who Have Been Lucky Enough To Reach Old Age


Book Description

Reflections such as these are subtly collected in this book and placed in the light of her own reflections by Luz María Londoño. With secret, fascinated delight, she has journeyed through the vast garden of universal literature, selecting the most memorable thoughts on life and death and that forcible interval called old age, which have thrived from Seneca to the present day. Those of us who have reached the threshold of seventy or eighty years of age cannot remain indifferent to all the memories stirred by these pages. “We all want to live to old age and we all deny that we have done so”, wrote Quevedo. And, centuries later, Trotsky echoed these words in a similar reflection: “To age is the most unexpected of all the things that happen to man”. Very true. Old age is similar to twilight: it suddenly, briefly and intensely lights up the high points of our lives like an announcement and a preamble to night.




The Border of Lights Reader


Book Description

Border of Lights, a volunteer collective, returns each October to Dominican-Haitian border towns to bear witness to the 1937 Haitian Massacre ordered by Dominican dictator Rafael Leónidas Trujillo. This crime against humanity has never been acknowledged by the Dominican government and no memorial exists for its victims. A multimodal, multi-vocal space for activists, artists, scholars, and others connected to the BOL movement, The Border of Lights Reader provides an alternative to the dominant narrative that positions Dominicans and Haitians as eternal adversaries and ignores cross-border and collaborative histories. This innovative anthology asks large-scale, universal questions regarding historical memory and revisionism that countries around the world grapple with today. "By bringing together in one volume poetry, visual arts, literary analysis, in-depth interviews and historical analysis this volume will provide its readers with a comprehensive view of the causes and the aftermath of the massacre." --Ramón Antonio Victoriano-Martínez, University of British Columbia Contributions by Julia Alvarez, Amanda Alcántara, DeAndra Beard, Nancy Betances, Jésula Blanc, Matías Bosch Carcuro, Cynthia Carrión, Raj Chetty, Catherine DeLaura, Magaly Colimon, Juan Colón, Robin Maria DeLugan, Lauren Derby, Rosa Iris Diendomi Álvarez, Polibio Díaz, Rana Dotson, Rita Dove, Rhina P. Espaillat, Maria Cristina Fumagalli, Saudi García, Scherezade García, Juan Carlos González Díaz, Kiran C. Jayaram, Pierre Michel Jean, Nehanda Loiseau Julot, Jake Kheel, Carlos Alomia Kollegger, Jackson Lorrain "Jhonny Rivas", Radio Marién, Padre Regino Martínez Bretón, Sophie Maríñez, April J. Mayes, Jasminne Mendez, Komedi Mikal PGNE, Osiris Mosquea, Megan Jeanette Myers, Rebecca Osborne, Ana Ozuna, Edward Paulino, John Presimé, Laura Ramos, Amaury Rodríguez, Doña Carmen Rodríguez de Paulino, The DREAM Project, Silvio Torres-Saillant, Ilses Toribio, Deisy Toussaint, Évelyne Trouillot, Richard Turits, William Vazquez, Chiqui Vicioso, Bridget Wooding, and Óscar Zazo.




Thinking Medicine: Structure Your Knowledge for Success in Medical Exams


Book Description

Preparing for medical finals can be one of the most stressful periods of your career. The successful candidate does more than demonstrate knowledge; they show the examiner an understanding of the underlying concepts, giving insight into a clear, sensible mind. This book shows you a method for structuring knowledge you already have while revising essential concepts in medicine. Organising the way you think will make it easier to access relevant information, make important connections and present your answers coherently. "Thinking Medicine" provides strategies for success in any examination as well as a system to approach problems in clinical practice. www.thinkingmedicine.com,




Un Paso Más Allá de Interpol


Book Description




Museums, Exhibitions, and Memories of Violence in Colombia


Book Description

This book explores how recent Colombian historical memories are informed by cultural diversity and how some of the country’s citizens remember the brutalities committed by the Army, guerrillas, and paramilitaries during the internal war (1980-2016). Its chapters delve into four case studies. The first highlights the selections of what not to remember and what not to represent at the National Museum of the country. The second focuses on the well-received memories at the same institution by examining a display made to commemorate the assassination of a demobilized guerrilla fighter. The third discusses how a rural marginal community decided to vividly remember the attacks they experienced by creating a display hall to aid in their collective and individual healing. Lastly, the fourth case study, also about a rural peripheric community, discusses their way of remembering, which emphasizes peasant oral traditions through a traveling venue. By bringing violence, memory, and museum studies together, this text contributes to our understanding of how social groups severely impacted by atrocities recreate and remember their violent experiences. By drawing on displays, newspapers, interviews, catalogs, and oral histories, Jimena Perry shows how museums and exhibitions in Colombia become politically active subjects in the acts of reflection and mourning, and how they foster new relationships between the state and society. This volume is of great use to students and scholars interested in Latin American and public history.