Songs of the University of California
Author :
Publisher :
Page : 108 pages
File Size : 17,34 MB
Release : 1908
Category : Fight songs
ISBN :
Author :
Publisher :
Page : 108 pages
File Size : 17,34 MB
Release : 1908
Category : Fight songs
ISBN :
Author : University of California, Berkeley. Student's Co-operative
Publisher :
Page : 76 pages
File Size : 34,84 MB
Release : 1911
Category : Fight songs
ISBN :
Author :
Publisher :
Page : 100 pages
File Size : 14,88 MB
Release : 1913
Category : Students' songs
ISBN :
Author : Stephen Collins Foster
Publisher :
Page : 84 pages
File Size : 40,12 MB
Release : 1921
Category : Choruses, Secular (Men's voices) with piano
ISBN :
Author : Herbert W. Luthin
Publisher : Univ of California Press
Page : 660 pages
File Size : 38,70 MB
Release : 2002-06-27
Category : History
ISBN : 9780520222700
"This unique and original book sets the standard for such volumes. I can't see anyone coming along for quite some time who would be able to supersede it or top it for quality and inclusiveness."—Brian Swann, editor of Coming to Light "It is a masterful treatment of oral literature…a wonderful combination of great verbal art and sound scholarship, carefully crafted so that the collection begins and ends with a powerful creation tale."—Leanne Hinton, author of Flutes of Fire "Since each of the contributing specialists has first-hand familiarity with the material, the translations are of unusual authenticity and the annotations are of unusual insightfulness. Luthin's own introductory sections are especially vivid and well-informed."—William Bright, author of A Coyote Reader
Author : Martin Jay
Publisher : Univ of California Press
Page : 442 pages
File Size : 10,6 MB
Release : 2005-01-10
Category : History
ISBN : 0520248236
"Martin Jay is one of the most influential intellectual historians in contemporary America, and here he shows once again a willingness to tackle the 'big issues' in the Western cultural tradition…. A remarkable history of ideas about the nature of human experience."—Lloyd Kramer, author of Threshold of a New World "A magisterial study of one of the most elusive, contested, and pervasively important concepts of the Western philosophical tradition. Ranging from epistemology and aesthetics to the philosophy of history, religion, and politics, Songs of Experience brilliantly traces the major lines of theory and debate. Insightful, rich, and masterfully narrated, Jay's book sings with that well-tempered voice of erudition, synthetic intelligence, and generous grace that has become his enviable trademark."—Richard Shusterman, author of Pragmatist Aesthetics "This illuminating, provocative volume consolidates Martin Jay's standing as our leading modern intellectual historian. Ranging sure-footedly from ancient to postmodern discourse, Jay offers finely balanced readings of thinkers who have wrestled with the elusive concept of experience. Because Jay respects—and presents so clearly and sympathetically—positions different from his own, Songs of Experience gives readers the resources necessary to embrace or resist his own bold interpretations of philosophers from Kant and Burke through Dilthey and Dewey to Foucault and Rorty. This book will prove as indispensable to intellectual historians as the idea of experience itself."—James T. Kloppenberg, author of The Virtues of Liberalism
Author : Leroy Walton Allen
Publisher :
Page : 104 pages
File Size : 40,60 MB
Release : 1923
Category : Songs with piano
ISBN :
Author : Gerald W. Haslam
Publisher : Univ of California Press
Page : 393 pages
File Size : 39,45 MB
Release : 1999-04-29
Category : Music
ISBN : 052092262X
California has been fertile ground for country music since the 1920s, nurturing a multitude of talents from Gene Autry to Glen Campbell, Rose Maddox to Barbara Mandrell, Buck Owens to Merle Haggard. In this affectionate homage to California's place in country music's history, Gerald Haslam surveys the Golden State's contributions to what is today the most popular music in America. At the same time he illuminates the lives of the white, working-class men and women who migrated to California from the Dust Bowl, the Hoovervilles, and all the other locales where they had been turned out, shut down, or otherwise told to move on. Haslam's roots go back to Oildale, in California's central valley, where he first discovered the passion for country music that infuses Workin' Man Blues. As he traces the Hollywood singing cowboys, Bakersfield honky-tonks, western-swing dance halls, "hillbilly" radio shows, and crossover styles from blues and folk music that also have California roots, he shows how country music offered a kind of cultural comfort to its listeners, whether they were oil field roustabouts or hash slingers. Haslam analyzes the effects on country music of population shifts, wartime prosperity, the changes in gender roles, music industry economics, and television. He also challenges the assumption that Nashville has always been country music's hometown and Grand Ole Opry its principal venue. The soul of traditional country remains romantically rural, southern, and white, he says, but it is also the anthem of the underdog, which may explain why California plays so vital a part in its heritage: California is where people reinvent themselves, just as country music has reinvented itself since the first Dust Bowl migrants arrived, bringing their songs and heartaches with them.
Author : Desmond Manderson
Publisher : Univ of California Press
Page : 318 pages
File Size : 11,42 MB
Release : 2000-10-03
Category : Law
ISBN : 0520216881
This is a series of reflections on the aesthetic dimensions of law (how it is presented and conveyed to its subjects) and justice (the ways in which justice can be aesthetically satisfying or dissatisfying).
Author : Kathryn M. Kalinak
Publisher : Univ of California Press
Page : 268 pages
File Size : 25,27 MB
Release : 2007-09-17
Category : Performing Arts
ISBN : 0520941071
James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns—from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers —Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.