Songye


Book Description

This unique collection of rarely seen tribal art brings together nearly one thousand examples of powerful artefacts from the Songye tribe of Central Africa. A tribal people located in the Democratic Republic of Congo, the Songye are best known for their distinctive statuaries and masks, which for centuries have been used to protect villages, ward off enemies and bring fertility and wealth. Approximately one thousand of these pieces are shown in this vibrant collection by the world's leading expert on the Songye in conjunction with the Royal Museum for Central Africa in Tervuren, Belgium, the world's premier research institute of African Studies. The Songye often named their statues and decorated them with horns, skins, beads, tacks, shells and bits of cloth. As a result, each item displays a singular, impressive identity. Considered to be imbued with magical energy and used only by village shamans, these statues have enormous cultural and historical significance, and they are also powerful works of art in their own right. AUTHOR: François Neyt is the author of several books on African art. ILLUSTRATIONS 400 colour illustrations




The Deaf Way


Book Description

Selected papers from the conference held in Washington DC, July 9-14, 1989.




The Rainbow and the Kings


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.







Native Peoples of the World


Book Description

This work examines the world's indigenous peoples, their cultures, the countries in which they reside, and the issues that impact these groups.




Disability and Culture


Book Description

This collection of essays both reframes disability in terms of social processes and offers a global, multicultural perspective on the subject. It explores the significance of mental, sensory and motor impairments in light of fundamental, culturally determined assumptions about humanity.







Kifwebe


Book Description

Offers a fresh perspective on the Songye and Luba through the study of the Woods Davy Collection Kifwebe masks are ceremonial objects used by the Songye and Luba societies (Democratic Republic of Congo), where they are worn with costumes consisting of a long robe and a long beard made of plant fibres. As in other central African cultures, the same mask can be used in either magical and religious or festive ceremonies. In order to understand Kifwebe masks, it is essential to consider them within the cosmogony of the python rainbow, metalworking in the forge, and other plant and animal signs. Among the Songye, benevolent female masks reveal what is hidden and balance white and red energy associated with two subsequent initiations, the bukishi. Aggressive male masks were originally involved in social control and had a kind of policing role, carried out in accordance with the instructions of village elders. These two male and female forces acted in a balanced way to reinforce harmony within the village. Among the Luba, the masked figures are also benevolent and appear at the new moon, their role being to enhance fertility. Although the male and female masks fulfil functions that do not wholly overlap, they do have features in common: a frontal crest, round and excessively protruding eyes, flaring nostrils, a cube-shaped mouth and lips, stripes, and colors. Art historians and anthropologists have taken increasing interest in Kifwebe masks in recent years.




An African Journey Through Its Art


Book Description

There were five. They came together for reasons that no one is even sure of anymore and cut a swath through the universe. Everyone knew their name, and the lined up to follow them. They knew their symbol, the snarling wolf. The warlords formed a following, an almost religion. And then it was over. Years later, and the followings of each of the original warriors have become clans. The clans have grown and trained new warriors over time, creating the driving force in all the universe. Here are four people now, training to follow in the ways of one particular wolf. The wolf that ended it all in the first place, the Blackwolf. This is the start of their journey, the beginning of their training. Gregor Holden, a Prince, who's sense of duty is equaled only by his lust for adventure. Candace Orthon, a legacy who's father is a Blackwolf, who's gradfather was a Blackwolf, and who will be a Blackwolf if it kills her. Ran Grastle, already an accomplished warrior in his own right. He's on the run for a committing a crime to exact justice and cares very little for the clan or anyone else. Xesca, a child of the last planet that the Blackwolf attacked. She has come to learn his ways, his style, so that no one can ever attack her planet again. "These four. If no one else, let these four progress."




Art and Power in the Central African Savanna


Book Description

Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.