Southland Writers, Vol. 2 of 2


Book Description

Excerpt from Southland Writers, Vol. 2 of 2: Biographical and Critical Sketches of the Living Female Writers of the South, With Extracts From Their Writings This lady, who stands unsurpassed as translator of the now famous Muhlbach novels, is a resident (we believe, a native) of Mobile. Her father was Emile De Vendel, a teacher of some distinction in a country where teaching is regarded as one of the professions, and where intellect, education, and birth are principally valued as the "open sesames" of good society. Adelaide de Vendel was married early to Mr. West of St. Louis: he was a lawyer by profession. After his death, she resided in Mobile, where she contracted a second marriage with Mr. Paul Chaudron. Left again a widow, she was compelled by misfortune to adopt her father's honorable occupation, and being well qualified by her talents and accomplishments, she assumed the charge of a seminary for young ladies, a position she still fills. She is known as an author principally from her translation of the "Joseph II." of the Muhlbach novels, and also for her compilation of a series of readers and a spelling-book, during the late war. These were published in Mobile, and adopted in the public schools of that city; they are regarded as really excellent text-books. The "Round Table," a journal not usually too favorable in its judgment of Southern authors, speaks thus of the translation of the "Joseph II. and his Court" "The translation of this volume is unusually praiseworthy. Some small things might be said by way of criticism, but we pass them in deference to its general superiority. A translator is to be tested by the success with which the spirit of the original is preserved in the translation. To translate words is a simple task, but to re-embody the original work in its spirit in the translation is the work of genius. Madame Chaudron, to achieve this result, has dared to assume the responsibility of a free translation, and has succeeded." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




Southland Writers


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Southland Writers


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Southland Writers


Book Description




Southland Writers, Vol. 1


Book Description

Excerpt from Southland Writers, Vol. 1: Biographical and Critical Sketches of the Living Female Writers of the South Many of the ladies whose brief biographies are contained in this volume enjoy an enduring reputation, not confined to the country's limits; others are making a record which shall not be less endur ing; while others still, hardly beyond the Rubicon of literature, give a brilliant promise of their future capabilities. Many whose names should have been included in this galaxy have, alas! Been called from among the living. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




In Joy and in Sorrow


Book Description

In Joy and in Sorrow brings together some of the finest historians of the South in a sweeping exploration of the meaning of the family in this troubled region. In their vast canvas of the Victorian South, the authors explore the private lives of Senators, wealthy planters, and the belles of high society, along with the humblest slaves and sharecroppers, both white and black. Stretching from the height of the antebellum South's pride and power through the chaos of the Civil War and Reconstruction to the end of the century, these essays uncover hidden worlds of the Southern family, worlds of love and duty--and of incest, miscegenation, and insanity. Featuring an introduction by C. Vann Woodward, Pulitzer Prize-winning author of Mary Chesnut's Civil War, and a foreword by Anne Firor Scott, author of The Southern Lady, this work presents an outstanding array of historians: Eugene Genovese, Catherine Clinton, Elizabeth Fox-Genovese, Carol Bleser, Drew Faust, James Roark, Michael Johnson, Brenda Stevenson, Bertram Wyatt-Brown, Jacqueline Jones, Peter Bardaglio, and more. They probe the many facets of Southern domestic life, from the impact of the Civil War on a prominent Southern marriage to the struggles of postwar sharecropper families. One author turns the pages of nineteenth century cookbooks, exploring what they tell us about home life, housekeeping, and entertaining without slaves after the Civil War. Other essays portray the relationship between a Victorian father and his devoted son, as well as the private writings of a long-suffering Southern wife. In Joy and in Sorrow offers a fascinating look into the tangled reality of Southern life before, during, and after the Civil War. With this collection of essays, editor Carol Bleser provides a powerful new way of understanding this most self-consciously distinct region. In Joy and in Sorrow will appeal to everyone interested in marriage and the family, the problems of gender and slavery, as well as in the history of the South, old and new.




War No More


Book Description

Until now, scholars have portrayed America's antiwar literature as an outgrowth of World War I, manifested in the works of writers such as Ernest Hemingway and John Dos Passos. But in War No More, Cynthia Wachtell corrects the record by tracing the steady and inexorable rise of antiwar writing in American literature from the Civil War to the eve of World War I. Beginning with an examination of three very different renderings of the chaotic Battle of Chickamauga -- a diary entry by a northern infantry officer, a poem romanticizing war authored by a young southerner a few months later, and a gruesome story penned by the veteran Ambrose Bierce -- Wachtell traces the gradual shift in the late nineteenth century away from highly idealized depictions of the Civil War. Even as the war was under way, she shows, certain writers -- including Herman Melville, Walt Whitman, John William De Forest, and Nathaniel Hawthorne -- quietly questioned the meaning and morality of the conflict. As Wachtell demonstrates, antiwar writing made steady gains in public acceptance and popularity in the final years of the nineteenth century and the opening years of the twentieth, especially during the Spanish-American War and the war in the Philippines. While much of the era's war writing continued the long tradition of glorifying battle, works by Bierce, Stephen Crane, Mark Twain, William Dean Howells, William James, and others increasingly presented war as immoral and the modernization and mechanization of combat as something to be deeply feared. Wachtell also explores, through the works of Theodore Roosevelt and others, the resistance that the antiwar impulse met. Drawing upon a wide range of published and unpublished sources, including letters, diaries, essays, poems, short stories, novels, memoirs, speeches, magazine and newspaper articles, and religious tracts, Wachtell makes strikingly clear that pacifism had never been more popular than in the years preceding World War I. War No More concludes by charting the development of antiwar literature from World War I to the present, thus offering the first comprehensive overview of one hundred and fifty years of American antiwar writing.







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A Whaler at Twilight


Book Description

Nestled at the bottom of an old leather trunk for well over a century lay a forgotten manuscript—a long-lost story the author's great-great-grandson has now brought to life. At the heart of A Whaler at Twilight is the true account of an American whaler who embarked on a harrowing adventure in the South Pacific during the mid-nineteenth century in search of absolution and redemption. After the deaths of his parents, young Robert Armstrong lived with a successful uncle—a well-respected Methodist shopkeeper in bustling 1840s Baltimore—and attended the nation’s first dental school. But Armstrong threw his future away, drinking himself into oblivion. Devoured by guilt and shame, in December 1849 he sold his dental instruments, his watch, and all other possessions and signed on for a whaling voyage departing from New Bedford. Decades later, Armstrong wrote an autobiographical account based on his travel logs, chronicling his thrilling, gritty experiences during his ten years overseas. His memoirs describe his encounters with other whalers, beachcombers, Peruvian villagers, Pacific Islanders, Maori warriors in New Zealand, cannibals on Fiji, and the impacts of American expansionism. He also recounted his struggles with drink, his quest for God, and his own redemption. Armstrong’s gripping personal account is bookended by thoroughly researched contextual background compiled by Alexander Brash, a noted professional conservationist. Brash fills out Armstrong’s intimate and timeless tale by shedding further light on whaling and its impacts, his ancestor’s religious milieu, and the importance of marine conservation today. A Whaler at Twilight is a fascinating dive into both human morality and American history.