Soweto Blues


Book Description

Tells the remarkable story of how jazz became a key part of South Africa's struggle in the 20th century, and provides a fascinating overview of the ongoing links between African and American styles of music. Ansell illustrates how jazz occupies a unique place in South African music.Through interviews with hundreds of musicians, she pieces together a vibrant narrative history, bringing to life the early politics of resistance, the atmosphere of illegal performance spaces, the global anti-apartheid influence of Hugh Masakela and Miriam Makeba, as well as the post-apartheid upheavals in the national broadcasting and recording industries.




Faultlines in Postcoloniality


Book Description

Faultlines in Postcoloniality: Contemporary Readings is a collection of scholarly articles addressing fundamental postcolonial and/or postmodern concerns. The articles are nursed from the background of social, cultural, political, linguistic, ideological and literary tensions in the fabric that holds, or is supposed to hold, the human race and the world together. Variously expressed and exemplified, the articles point to a complex interplay of factors, all of which result in a certain degree of social and literary fragmentation, partly due to the absence of communication or the lack of the creation of communication avenues across the divide, be they imaginary or real. Each of the chapters in this collection bridges the gaps caused by different linguistic, literary and artistic faultlines.




The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape


Book Description

From an array of prominent activists including Nelson Mandela and Steve Biko to renowned performers and oral poets such as Johnny Dyani and Samuel Mqhayi, the Eastern Cape region plays a unique role in the history of South African protest politics and creativity. The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape concentrates on the Eastern Cape's contribution to the larger narrative of the connection between creativity, mass movements, and the forging of a modern African identity and focuses largely on the amaXhosa population. Lindsay Michie explores Eastern Cape performance artists, activists, organizations, and movements that used inventive and historical means to raise awareness of their plight and brought pressure to bear on the authorities and systems that caused it, all the while exhibiting the depth, originality, and inspiration of their culture.




Black Opera


Book Description

From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.




Anthem


Book Description

"An extraordinary, innovative, and generative book." - George Lipsitz, author of How Racism Takes Place




Prisons Of Delusion


Book Description

"Prisons of Delusion: Our Past, Present, and Future" is a compelling exploration of the myths, manipulations, and false beliefs that have shaped human history and continue to influence our modern world. This book delves into how historical narratives, religious dogmas, state power, and societal constructs have blinded us to uncomfortable truths, offering deep insights into the existential threats we are facing. This urgent call to action empowers readers to question their beliefs, confront the existential challenges of our time, and strive for a future grounded in truth and integrity. Essential reading for anyone seeking to understand and transform our world, "Prisons of Delusion" invites you to uncover the deceptions that bind us and embrace a future of clarity and resilience.




South African Popular Music


Book Description

From the storied ache of mbube harmonies of the '40s to the electronic boom of kwaito and the amapiano and house explosion of the '00s, this book explores vignettes taken from across South Africa's popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality. In the grip of the brutal apartheid era, South Africa crafted its own idiosyncratic popular musical vernacular that operated both as sociopolitical tool and realm of escape. In a country with 11 official languages, music had the power to unite South Africans in protest. Artists bloomed a new idyll from the branches of countless storied musical traditions, and in turn found themselves banned or exiled-the profound epiphany that music can exist both within the pleasure of itself and for serving a far greater purpose.




Music Education for Social Change


Book Description

Music Education for Social Change: Constructing an Activist Music Education develops an activist music education rooted in principles of social justice and anti-oppression. Based on the interviews of 20 activist-musicians across the United States and Canada, the book explores the common themes, perceptions, and philosophies among them, positioning these activist-musicians as catalysts for change in music education while raising the question: amidst racism and violence targeted at people who embody difference, how can music education contribute to changing the social climate? Music has long played a role in activism and resistance. By drawing upon this rich tradition, educators can position activist music education as part of a long-term response to events, as a crucial initiative to respond to ongoing oppression, and as an opportunity for youth to develop collective, expressive, and critical thinking skills. This emergent activist music education—like activism pushing toward social change—focuses on bringing people together, expressing experiences, and identifying (and challenging) oppressions. Grounded in practice with examples integrated throughout the text, Music Education for Social Change is an imperative and urgent consideration of what may be possible through music and music education.




Transnational Histories of Southern Africa’s Liberation Movements


Book Description

Transnational Histories of Southern Africa’s Liberation Movements offers new perspectives on southern Africa’s wars of national liberation, drawing on extensive oral historical and archival research. Assuming neither the primacy of nationalist loyalties as they exist today nor any single path to liberation, the book unpicks any notion of a straightforward imposition of Cold War ideologies or strategic interests on liberation wars. This approach adds new dimensions to the rich literatures on the Global Cold War and on solidarity movements. The contributors trace the ways that ideas and practices were made, adopted, and circulated through time and space through a focus on African soldiers, politicians and diplomats. The book also asks what motivated the men and women who crossed borders to join liberation movements, how Cold War influences were acted upon, interpreted and used, and why certain moments, venues and relations took on exaggerated importance. The connections among liberation movements, between them and their hosts, and across an extraordinarily diverse set of external actors reveal surprising exchanges and lasting legacies that have too often been obscured by the assertion of monolithic national histories. Tracing an extraordinarily diverse set of interactions and exchanges, Transnational Histories of Southern Africa’s Liberation Movements will be of great interest to scholars of Southern Africa, Transnational History, the Cold War and African Politics. The chapters were originally published as a special issue of the Journal of Southern African Studies.




Opposing Apartheid on Stage


Book Description

A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.