Spatial Transparency in Architecture


Book Description

This volume explores the concept of "spatial transparency"; a form of spatial continuity that articulates depth through permeable, layered, or porous three-dimensional organizations where interstitial light is present. Although transparency is a concept largely associated with the modern movement, the use of glazed components, and twentieth-century architectural discourse, spatial transparency is a form of depth awareness through intermediate domains, takes place through the interstitial fabric of a structure, and occurs when several consecutive domains are spatially and visually connected. These immersive environments invite active participation, not as one-way communication but as a series of visual and experiential exchanges, interdependencies, and relationships. Divided into four parts, the book examines spatial transparency in massive opaque constructions, light constructions, glass assemblies, and hybrid systems. It analyzes both the phenomenon of visual connectivity and continuity through intermediate spaces, and spatial transparency’s capacity for promoting and enabling graded, interflowing environmental transactions. Using historical and contemporary examples, it catalogs some of the most common and recurring configurations that manifest these characteristics. Over 20 international case studies from the Americas to Japan are presented to argue that environments exist in porous mediums and that by studying the openings, voids, light, and materials of layered and/or permeable organizations, important insights about space making can be revealed. Written for students and academics, this book explores various expressions of spatial transparency in architecture and helps connect their abstract ideas with significant built works, analytical drawings, and comparison charts.




Spatial Transparency in Architecture


Book Description

This volume explores the concept of "spatial transparency"; a form of spatial continuity that articulates depth through permeable, layered, or porous three-dimensional organizations where interstitial light is present. Although transparency is a concept largely associated with the modern movement, the use of glazed components, and twentieth-century architectural discourse, spatial transparency is a form of depth awareness through intermediate domains, takes place through the interstitial fabric of a structure, and occurs when several consecutive domains are spatially and visually connected. These immersive environments invite active participation, not as one-way communication but as a series of visual and experiential exchanges, interdependencies, and relationships. Divided into four parts, the book examines spatial transparency in massive opaque constructions, light constructions, glass assemblies, and hybrid systems. It analyzes both the phenomenon of visual connectivity and continuity through intermediate spaces, and spatial transparency’s capacity for promoting and enabling graded, interflowing environmental transactions. Using historical and contemporary examples, it catalogs some of the most common and recurring configurations that manifest these characteristics. Over 20 international case studies from the Americas to Japan are presented to argue that environments exist in porous mediums and that by studying the openings, voids, light, and materials of layered and/or permeable organizations, important insights about space making can be revealed. Written for students and academics, this book explores various expressions of spatial transparency in architecture and helps connect their abstract ideas with significant built works, analytical drawings, and comparison charts.




Transparent Architecture


Book Description

This compilation of work by Architect Gordon Gilbert explores the idea of transparency in architecture, ranging from an open physical transparency, to clarity of structure, to the dematerialization of the physical object, and further to evolving and expanding states of architectural awareness. This exploration is facilitated through a revealing juxtaposition of experimental drawing, subliminal texts, and constructed work.With essays by Michael Sorkin, Zvi Hecker, Lebbeus Woods, and Christian W. Thomsen.




Transparency


Book Description

"Transparency," by Colin Rowe and Robert Slutzky, originally published in English in 1964 (in Perspecta 8), followed by a German translation in 1968, is one of the main modern reference texts for any student of architecture. Rowe and Slutzky co-founded the architects group "Texas Rangers" at the University of Texas in Austin, together with John Hejduk, Werner Seligmann and Bernhard Hoesli. In conjunction with their teaching activities, the group members sought to develop a new method for architectural design and proceeded to test their models in the teaching environment. This edition of Transparency is provided with a commentary by Bernhard Hoesli and an introduction by the art and architecture historian Werner Oechslin.




The Transparent State


Book Description

Examining the transformation of transparency as a metaphor in West German political thought to an analogy for democratic architecture, this bookquestions the prevailing assumption in German architectural circles that transparency in governmental buildings can be equated with openness, accessibility and greater democracy. The Transparent State traces the development of transparency in German political and architectural culture, tying this lineage to the relationship between culture and national identity, a connection that began before unification of the German state in the eighteenth century and continues today. The Weimar Republic and Third Reich periods are examined although the focus is on the postwar period, looking at the use of transparency in the three projects for a national parliament - the 1949 Bundestag project by Hans Schwippert, the 1992 Bundestag building by Gunter Behnisch and the 1999 Reichstag renovation by Norman Foster. Transparency is an important issue in contemporary architectural practice; this book will appeal to both the practising architect and the architectural historian.




Social Transparency


Book Description

For the past decade, the Los Angeles architect Michael Maltzan has designed multiunit housing in a city known for its proliferation of single-family residences. Working with the Skid Row Housing Trust, these projects advance new forms of supportive housing that address the services and infrastructures needed for their particular populations of inhabitants. For Maltzan, housing manifests an incredibly complex set of spatial problems--social, economic, political, typological, aesthetic, and urban--that recast architecture's role in framing the social relationships and individual challenges of everyday urban life. Social Transparency includes a recent lecture by Maltzan at Columbia University's Graduate School of Architecture, Planning and Preservation, as well as reflections from fellow practitioners on this sustained engagement with housing and the city.




Surveillance, Architecture and Control


Book Description

This edited collection examines the culture of surveillance as it is expressed in the built environment. Expanding on discussions from previous collections; Spaces of Surveillance: States and Selves (2017) and Surveillance, Race, Culture (2018), this book seeks to explore instances of surveillance within and around specific architectural entities, both historical and fictitious, buildings with specific social purposes and those existing in fiction, film, photography, performance and art. Providing new readings of, and expanding on Foucault’s work on the panopticon, these essays examine the role of surveillance via disparate fields of enquiry, such as the humanities, social sciences, technological studies, design and environmental disciplines. Surveillance, Architecture and Control seeks to engender new debates about the nature of the surveilled environment through detailed analyses of architectural structures and spaces; examining how cultural, geographical and built space buttress and produce power relations. The various essays address the ongoing fascination with contemporary notions of surveillance and control.




Engineered Transparency


Book Description

Glass is one of the most ubiquitous and extensively researched building materials. Despite the critical role it has played inmodern architecture in the last century, we have yet to fully comprehend the cultural and technological effects of thiscomplex and sophisticated building material. Engineered Transparency brings together an extraordinary, multidisciplinary group of international architects, engineers, manufacturers, and critics to collectively reconsider glasswithin the context of recent engineering and structural achievements. In light of these advancements, glass hasreemerged as a novel architectural material, offering new and previously unimaginable modes of visual pleasure andspatial experience. Engineered Transparency presents a portfolio of projects featuring cutting-edge glass designs by todays most innovative architects, including SANAA's acclaimed Glass Pavilion at the Toledo Museum of Art, Yoshio Taniguchi's MoMA expansion in New York City, and Steven Holl's Nelson-Atkins Museum in Kansas City. With contributions by foremost thinkers in the field of architecture and design including historians Kenneth Frampton, Antoine Picon, and DetlefMertins; cultural critics Beatriz Colomina, Joan Ockman, and Reinhold Martin; engineers Werner Sobek, Guy Nordenson,and Richard Tomasetti; and architects Kazuyo Sejima, Steve Holl, and Elizabeth Diller, Engineered Transparency redefines glass as a 21st century building material and challenges our assumptions about its aesthetic, structural, and spatial potential.




Architecture


Book Description

A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching.




Spatial Effects and Experience Through Reflectivity


Book Description

Architectural discourse on transparency has centered on the idea of layering spaces, light construction, and perceptions of different spatial relationships and has a long history from modernism to the present. This thesis proposes to question received notions of glass as a transparent material and instead focus on its possibilities as a reflective material. The thesis is an exploration of a specific material property, reflectivity, and the effects it has on architecture in terms of experiencing a space and defining a space and redefining perceptions of one's self within space. Architectural projects often draw from materials and their specific properties to create certain forms or types of spaces. Reflectivity as a material property operates on the extreme end of the spectrum of transparency. Transparency is a way of introducing layers of space and juxtaposing spaces on top of one another. Reflectivity, on the other hand, has the special property of recreating an image almost exactly but one that is dependent as an effect on the actual eye of the viewer. The location of the viewer in relation to a space and a mirrored surface becomes a relationship that can be highly controlled to create a specific effect or experience. The geometry of the mirrored surface and the geometry of the space being reflected can also be carefully controlled and designed to produce particular effects. Mirrors are unique in that they provide an opportunity where spatial relationships may not be as solidly defined as what is normally experienced. The architecture latent within the reflected image of a mirrored surface can appear to operate under its own laws of physics. There can be an ambiguous quality to a space that detracts from the more concrete materialization of the architecture. Normally, we can readily define our position within a space but the mirror distorts our perception of space beyond cognition addressing the psychological aspects of experiencing a spatial architecture.