Spenser’s Heavenly Elizabeth


Book Description

This book reveals the queen behind Edmund Spenser’s The Faerie Queene. Placing Spenser’s epic poem in the context of the tumultuous sixteenth century, Donald Stump offers a groundbreaking reading of the poem as an allegory of Elizabeth I’s life. By narrating the loves and wars of an Arthurian realm that mirrors Elizabethan England, Spenser explores the crises that shaped Elizabeth’s reign: her break with the pope to create a reformed English Church, her standoff with Mary, Queen of Scots, offensives against Irish rebels and Spanish troops, confrontations with assassins and foreign invaders, and the apocalyptic expectations of the English people in a time of national transformation. Brilliantly reconciling moral and historicist readings, this volume offers a major new interpretation of The Faerie Queene.




Spenserian Moments


Book Description

Gordon Teskey restores Edmund Spenser to prominence, revealing his epic The Faerie Queene as a grand, improvisatory project on human nature. Teskey compares Spenser to Milton, an avowed follower. While Milton’s rigid ideology is now stale, Spenser’s allegories remain vital, inviting new questions and visions, heralding a constantly changing future.




HEAVENLY LOVE


Book Description

EDMUND SPENSER: HEAVENLY LOVE: SELECTED POEMS A selection of the great poems by Edmund Spenser. Edmund Spenser created a drama of England in his poetry. The 'dream' occurs throughout his poetry, but finds its most concentrated expression in The Faerie Queene, with its epic treatment of the 'dream of Albion', a myth-making vision ofBlighty as the expression of Elizabeth I's magnificence, and vice versa. The Faerie Queene is an astonishing work, by anystandards, and it dwarfs, at times, even those other creations ofthe Renaissance that are so revered by readers and critics - Christopher Marlowe's Doctor Faustus, William Shakespeare's plays and Sir Philip Sidney's Astrophel and Stella. Technically, Edmund Spenser knew everything about poetry. He wrote many sonnets, and in his The Faerie Queene he composed hundreds of nine-line stanzas. There is a stately progress to Spenser's poesie: he did not rush things. He took his time. William Wordsworth spoke of the 'Sweet Spenser, moving through his clouded heaven with the moon's beauty and the moon's soft pace'. In the Amoretti, is cycle of love sonnets, Spenser tackled his target, his beloved, from many directions. Spenser is unsurpassed in the art of poetic exaltation - no other poet of the era - and of subsequent or previous eras - Spenser's sense of the superlative and the exalted. Spenser's poetry is a litany of paeans: 'Epithalamion', 'A Hymn in Honour of Love', 'A Hymn in Honour of Beauty', 'A Hymn of Heavenly Beauty', 'A Hymn of Heavenly Love', 'Prothalamion', 'The Calendar' and of course The Faerie Queene all contain passages of lyrical praise. As with William Shakespeare, Edmund Spenser's view of the world was crystallized in his poetry is an expansive, dramatic, encyclopaedic vision. The sheer amount of work by Spenser - the copious letters, 'Complaints', 'Hymns', sonnets, and stanzas in The Faerie Queene - attest to his love of writing. The length of The Faerie Queene is not the least astonishing thing about it. Spenser clearly had a lot to say, and would not stop until he had said it. Illustrated, with a revised text, and introduction and notes. This edition contains a new gallery of pictures of Spenser and his art. British Poets Series. www.crmoon.com"




The Faerie Queene


Book Description




Amoretti


Book Description

This is a collection of sonnets written by the legendary poet Edmund Spenser. The sonnets are a tribute to the poet's love for a woman named Elizabeth Boyle. They are written in a traditional Elizabethan style and are known for their beauty and romanticism. This book is a must-have for students of English literature and lovers of poetry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Elizabeth I


Book Description

This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth I: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well. "This collection shines a light onto the character and experience of one of the most interesting of monarchs. . . . We are likely never to get a closer or clearer look at her. An intriguing and intense portrait of a woman who figures so importantly in the birth of our modern world."—Publishers Weekly "An admirable scholarly edition of the queen's literary output. . . . This anthology will excite scholars of Elizabethan history, but there is something here for all of us who revel in the English language."—John Cooper, Washington Times "Substantial, scholarly, but accessible. . . . An invaluable work of reference."—Patrick Collinson, London Review of Books "In a single extraordinary volume . . . Marcus and her coeditors have collected the Virgin Queen's letters, speeches, poems and prayers. . . . An impressive, heavily footnoted volume."—Library Journal "This excellent anthology of [Elizabeth's] speeches, poems, prayers and letters demonstrates her virtuosity and afford the reader a penetrating insight into her 'wiles and understandings.'"—Anne Somerset, New Statesman "Here then is the only trustworthy collection of the various genres of Elizabeth's writings. . . . A fine edition which will be indispensable to all those interested in Elizabeth I and her reign."—Susan Doran, History "In the torrent of words about her, the queen's own words have been hard to find. . . . [This] volume is a major scholarly achievement that makes Elizabeth's mind much more accessible than before. . . . A veritable feast of material in different genres."—David Norbrook, The New Republic




Translation and the Book Trade in Early Modern Europe


Book Description

This collection underscores the role played by translated books in the early modern period. Individual essays aim to highlight the international nature of Renaissance culture and the way in which translators were fundamental agents in the formation of literary canons. This volume introduces readers to a pan-European story while considering various aspects of the book trade, from typesetting and bookselling to editing and censorship. The result is a multifaceted survey of transnational phenomena.




Spenser's Britomart


Book Description




Spenser's Faerie Queene and the Cult of Elizabeth


Book Description

First published in 1983, Spenser’s Faerie Queene and the Cult of Elizabeth presents The Faerie Queene as a central document in the cult of Elizabeth. It shows how Spenser combines the resources of medieval iconography and Renaissance rhetoric in celebrating the Queen as the predestined ruler of an elect nation. In its introductory discussion of Renaissance poetics, the book emphasises the contemporary belief in the moral function of praise. Particular attention is given to the popular identification of Elizabeth with the Virgin Mary. If Elizabeth’s gender created problems for a poet writing in the heroic mode, at the same time it made available to him a form of praise that no secular poet had been able to use before. While the book contains material of interest to the Renaissance specialist, its lucid style and the valuable background material it provides will appeal to undergraduates reading Spenser for the first time.




Fierce Wars and Faithful Loves


Book Description

Despite all of his acknowledged greatness, almost no one reads Edmund Spenser (1552-99) anymore. Roy Maynard takes the first book of the 'Faerie Queene, ' exploring the concept of Holiness with the character of the Redcross Knight, and makes Spenser accessible again. He does this not by dumbing it down, but by deftly modernizing the spelling, explaining the obscurities in clever asides, and cuing the reader towards the right response. In today's cultural, aesthetic, and educational wars, Spenser is a mighty ally for twenty-first century Christians. Maynard proves himself a worthy mediator between Spenser's time and ours. (Gene Edward Veith)