Stanley Kramer, Film Maker


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The Member of the Wedding


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A novel that became an award-winning play and a major film, and that has charmed generations of readers, The Member of the Wedding is a story of the inimitable twelve-year-old Frankie, who is utterly bored with her life until she hears about her older brother’s wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old cousin—and her own unbridled imagination—Frankie takes on an overly active role in the wedding, even hoping to go (uninvited) on the honeymoon. This story is a marvelous study of the agony of adolescence and of wanting to be part of something larger and more accepting than yourself. The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.




A Mad, Mad, Mad, Mad World


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Written in crisp prose, Kramer''s account of working as a producer in Hollywood is disarmingly honest abo ut the stars and people he has worked with during his many y ears in tinsel town. '




Producer of Controversy


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With films ranging from High Noon to Guess Who’s Coming to Dinner, Stanley Kramer (1913–2001) was one of the most successful and prolific director-producers of his day. But even as critics praised his courage in taking on such issues as nuclear war, racism, fascism, and the battle between science and religion, others condemned his work as “emptily pretentious“ and “hollow, falsely sentimental, overproduced.” Whether Kramer was “one of the great filmmakers of all time” (Kevin Spacey at the Golden Globe Awards) or “one of Hollywood’s worst directors” (preeminent film critic Andrew Sarris in The Village Voice), he had a strong and undeniable influence on American culture during the Cold War. Producer of Controversy is the first book to take a close-up look at Kramer’s career, films, and liberal politics in an effort to explain his contributions and historical significance. Kramer learned filmmaking within the old studio system, but over a career spanning forty years he did much to shape the independent moviemaking that emerged after World War II. Jennifer Frost pays particular attention to four of his key “message movies”—The Defiant Ones, On the Beach, Inherit the Wind, and Judgment at Nuremberg—to show how Kramer’s controversial films opened up public debate about the most important issues of his time—among average filmgoers as well as professional critics, political commentators, and public figures. In this context, she for the first time fully documents the Hollywood Right’s attacks on Kramer in the 1950s; details his resistance to the anticommunist Red Scare and the Hollywood blacklist; exposes his role as a cultural diplomat with the Soviet Union; and reveals his important contribution to the liberal and radical politics of the 1960s. Her book is at once an absorbing work of cultural history and a thoroughgoing reassessment of Stanley Kramer’s place in the pantheon of American filmmakers.




Stanley Kramer, Film Maker


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High Noon


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From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.




Eleanor Roosevelt's Niggers


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I Am Spartacus!


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A “lively” memoir by the Hollywood legend about the making of Spartacus, with a foreword by George Clooney (Los Angeles Times). One of the world’s most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus. Trumbo was one of the “Unfriendly Ten,” men who had gone to prison rather than testify before the House Un-American Activities Committee about their political affiliations. Douglas’s source material was already a hot property, as the novel Spartacus was written by Howard Fast while he was in jail for defying HUAC. With the financial future of his young family at stake, Douglas plunged into a tumultuous production both on- and off-screen. As both producer and star of the film, he faced explosive moments with young director Stanley Kubrick, struggles with a leading lady, and negotiations with giant personalities, including Sir Laurence Olivier, Charles Laughton, Peter Ustinov, and Lew Wasserman. Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at ninety-five, looks back at his audacious decisions. He made the most expensive film of its era—but more importantly, his moral courage in giving public credit to Trumbo effectively ended the notorious Hollywood blacklist. A master storyteller, Douglas paints a vivid and often humorous portrait in I Am Spartacus! The book is enhanced by newly discovered period photography of the stars and filmmakers both on and off the set.




Spencer Tracy


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During his lifetime, Spencer Tracy was known as Hollywood's 'actor's actor'. Critics wrote that what Olivier was to theatre, Tracy was to film. Over his career he was nominated for nine Academy Awards, and won two. But there has been no substantial, intimate biography of the man, until now. From his earliest days in stock theatre, Tracy was a publicist's trial, guarding his private life fiercely. Most of the people associated closely with him shunned the limelight - notably his wife, his children and the great actress Katharine Hepburn, with whom he had an affair that lasted over 26 years. Although his screen roles often depicted a happy, twinkling Irishman, Tracy struggled with alchoholism to the end, a fact which the studios managed to keep out of the papers.With the help of Tracy's daughter, Susie, and access to previously unseen papers, James Curtis has now produced the definitive biography of a tortured, complex and immensely talented man.The book contains 124 integrated photos, many published for the first time.




Not as a Stranger


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Powerful novel about a young doctor who lives for medicine and sacrifices everything for his career. Describes his years at medical school, his practice in a small town and his devoted self-sacrificing wife who works to make their marriage a success.




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