Passing the Hat


Book Description

Discusses buskers in a number of cities, focusing on their reasons for street performing; the dedication, skill, and discipline required to develop an act; and unpleasantries with hasslers and the law.




Radical Street Performance


Book Description

Radical Street Performance is the first volume to collect together the fascinating array of writings by activists, directors, performers, critics, scholars and journalists who have documented street theatre around the world. More than thirty essays explore the myriad forms this most public of performances can take: * agit-prop * invisible theatre * demonstrations and rallies * direct action * puppetry * parades and pageants * performance art * guerrilla theatre * circuses These essays look at performaces in Europe, Africa, China, India and both the Americas. They describe engagement with issues as diverse as abortion, colonialism, the environment and homophobia, to name only a few. Introduced by editor Jan Cohen-Cruz, the essays are organized into thematic sections: Agitating; Witnessing; Involving; Imagining; and Popularizing. Radical Street Performance is an inspiring testimony to this international performance phenomenon, and an invaluable record of a form of theatre which continues to flourish in a televisual age.




Stories of a Street Performer


Book Description

Whit "Pop" Haydn, six-time award winning Magician and former Vice President of the world famous Magic Castle, shares his over 40 years of experiences performing magic all around the world. Stories of a Street Performer is a classic tale and a must read. This book is filled with vital lessons for the up and coming performer and life lessons that all can learn from. Whether you are an aspiring performer, a fan of magicians, or a seeker of exciting stories, this is one book you will not be able to put down.




Buskers


Book Description

Frustrated by the indifference of the music industry and the stacks of homemade CDs gathering dust in their closets, brothers Heth and Jed Weinstein made the radical decision to bring their music directly to the masses. They began playing on street corners, in subway stations, and wherever else they could connect with a live audience. To their surprise, far from this being the terminal stop of a dead-end career, busking turned out to be just the beginning as crowds of stressed-out commuters gathered around, cheering them on, subscribing to their mailing lists, and actually buying some of those stockpiled CDs—40,000 and counting. InBuskers, Heth and Jed recount their turbulent, drug- and crime-filled adolescence in the nowhere-land of Livingston, New Jersey, their valiant attempts to achieve rock ’n’ roll success through traditional channels, and their unexpected path to circumventing the outmoded music industry. They divulge fascinating details about the technical and legal aspects of street performance, New York busking culture, and the lives of their fellow troubadours. A world of possibilities opens up when the brothers take it to the streets, proving the value of their music to themselves and anyone who’ll listen. Read their story, and your commute will never be the same.




The City at Eye Level


Book Description

Although rarely explored in academic literature, most inhabitants and visitors interact with an urban landscape on a day-to-day basis is on the street level. Storefronts, first floor apartments, and sidewalks are the most immediate and common experience of a city. These "plinths" are the ground floors that negotiate between inside and outside, the public and private spheres. The City at Eye Level qualitatively evaluates plinths by exploring specific examples from all over the world. Over twenty-five experts investigate the design, land use, and road and foot traffic in rigorously researched essays, case studies, and interviews. These pieces are supplemented by over two hundred beautiful color images and engage not only with issues in design, but also the concerns of urban communities. The editors have put together a comprehensive guide for anyone concerned with improving or building plinths, including planners, building owners, property and shop managers, designers, and architects.




Makin' Art, A Street Artist's Story


Book Description

Art fairs change shape and move around, but I think of them as one place because their essential essence stays the same. The location might be a city I've never been in, but I'm at home as soon as I get there. Exhibit canopies go up, familiar faces go by, and for two or three days a little village of artists comes together and then disappears. This village is where I have lived most weekends, from May to October for over thirty years. The other place I live is a small historic village in Ohio where my wife and I raised a family. I also have a little art gallery and picture framing business in our hundred year old house. My story is partly about the double life street artists lead, being part of two very different communities.




The Buskers


Book Description




The Musical Brain: And Other Stories


Book Description

A delirious collection of short stories from the Latin American master of micro-fiction. A delirious collection of short stories from the Latin American master of microfiction, César Aira–the author of at least eighty novels, most of them barely one hundred pages long–The Musical Brain & Other Stories comprises twenty tales about oddballs, freaks, and loonies. Aira, with his fuga hacia adelante or "flight forward" into the unknown, gives us imponderables to ponder and bizarre and seemingly out-of-context plot lines, as well as thoughtful and passionate takes on everyday reality. The title story, first published in the New Yorker, is the creme de la creme of this exhilarating collection.




Drawing a Circle in the Square


Book Description

This gratifying study of a phenomenon that has imprinted itself upon the folklore of big--city life, is a joyful book focusing upon the street performers in Washington Square Park in New York City. While documenting the complex expressions of street performance in a specific outdoor environment over a period of four years, Drawing a Circle in a Square gives a broad examination to the relationship between outdoor performance and urban culture. In this book we learn that most American cities prohibit street performance, charging such entertainers with vagrancy or soliciting, the performer--joyfully, cautiously, heroically--persists. On sidewalks throughout the country, in theaters reduced to their barest essentials, the performer juggles, blows fire, performs magic, and tells jokes, appealing both to our sense of humor and to our longing for a moment of spontaneity in our city--structured lives. Drawing a Circle in a Square is the first scholarly documentation and analysis of street performance. Based primarily upon original research, it makes a contribution that is as much toward a particular subject. Promoting the study of performance as an important and valuable vehicle for inter-disciplinary research and thought, it is a model of the kinds of research being developed in the emerging field of performance studies.