Stephanos


Book Description

The studies collected here are presented to Brunilde Sismondo Ridgway to honor an unusually inspiring and energetic teacher, a dedicated and prolific scholar, and a profoundly humane and caring human being. Bruni's passion for Greek sculpture, her constantly inquiring mind, and her bold questioning of long-accepted positions have sparked many stimulating discussions, often planting the germ of an idea to which students return in their own work. The themes here discussed reflect many of Bruni's scholarly interests. Most are on sculptural topics, but numismatics, architecture, and Iron Age Cyprus are also represented. Discussions focus on interpretations of technique and style, consider single sculptures, groups, and whole monuments, the well known as well as the unusual. University Museum Monograph, 100




From One Medium to Another


Book Description

Eighteen experts from a wide variety of academic and professional fields engage key questions in a series of thought-provoking essays that define the emerging field of new media Bible translating, and how the biblical message will be communicated in the culture and media of the 21st century.













Felsina Pittrice


Book Description




Sacred Landscapes


Book Description

Distant blue hills, soaring trees, vast cloudless skies—the majesty of nature has always had the power to lift the human spirit. For some it evokes a sense of timelessness and wonder. For others it reinforces religious convictions. And for many people today it raises concerns for the welfare of the planet. During the Renaissance, artists from Italy to Flanders and England to Germany depicted nature in their religious art to intensify the spiritual experience of the viewer. Devotional manuscripts for personal or communal use—from small-scale prayer books to massive choir books—were filled with some of the most illusionistic nature studies of this period. Sacred Landscapes, which accompanies an exhibition at the J. Paul Getty Museum, presents some of the most impressive examples of this art, gathering a wide range of illuminated manuscripts made between 1400 and 1600, as well as panel paintings, drawings, and decorative arts. Readers will see the influence of such masters as Albrecht Dürer, Jan van Eyck, Leonardo da Vinci, and Piero della Francesca and will gain new appreciation for manuscript illuminators like Simon Bening, Joris Hoefnagel, Vincent Raymond, and the Spitz Master. These artists were innovative in the early development of landscape painting and were revered throughout the early modern period. The authors provide thoughtful examination of works from the fifteenth through seventeenth centuries.




National Union Catalog


Book Description

Includes entries for maps and atlases.




Cézanne in the Barnes Foundation


Book Description

A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.