Author : Amilcare A. Iannucci
Publisher : University of Toronto Press
Page : 334 pages
File Size : 22,83 MB
Release : 1997-01-01
Category : Literary Criticism
ISBN : 9780802077363
The essays in this volume probe current critical assumptions about the celebrated Italian poet, literary theorist, moral philosopher, political theorist.
Author : Brenda Deen Schildgen
Publisher : University of Illinois Press
Page : 194 pages
File Size : 29,90 MB
Release : 2002
Category : Literary Criticism
ISBN : 9780252027130
"In Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state."--BOOK JACKET.
Author : John Alfred Scott
Publisher :
Page : 512 pages
File Size : 37,14 MB
Release : 2004
Category : Literary Criticism
ISBN :
"In Understanding Dante, Scott goes beyond simply explaining Dante's works and provides a detailed discussion of the medieval poet's writings. John A. Scott has given readers a comprehensive account of Dante's work that will be useful to new readers and Dante scholars alike. It contains a helpful chronology of the events in the poet's life and a short glossary of poetic forms." --Magill Book Reviews
Author : Simone Marchesi
Publisher : University of Toronto Press
Page : 273 pages
File Size : 48,82 MB
Release : 2011-01-01
Category : Literary Criticism
ISBN : 1442642106
At several junctures in his career, Dante paused to consider what it meant to be a writer. The questions he posed were both simple and wide-ranging: How does language, in particular 'poetic language,' work? Can poetry be translated? What is the relationship between a text and its commentary? Who controls the meaning of a literary work? In Dante and Augustine, Simone Marchesi re-examines these questions in light of the influence that Augustine's reflections on similar issues exerted on Dante's sense of his task as a poet. Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work. In this engaging literary analysis, Dante emerges as a versatile thinker, committed to a radical defence of poetry and yet always ready to rethink, revise, and rewrite his own positions on matters of linguistics, poetics, and hermeneutics.
Author : Edward Moore
Publisher :
Page : 424 pages
File Size : 48,55 MB
Release : 1903
Category :
ISBN :
Author : Robert M. Durling
Publisher : Univ of California Press
Page : 500 pages
File Size : 30,22 MB
Release : 1990-01-01
Category : Literary Criticism
ISBN : 9780520064881
"A brilliant achievement. The range of learning is enormous, both in medieval scientific, philosophical lore and poetry and in the vast secondary literature on Dante. The authors bring the best traditions of Anglo-American formal analysis to bear upon the petrose, and produce powerful and original interpretations. . . . This will be a book that all serious readers of Dante's poetry--both of the petrose and the Comedy--will want to read."--David Quint, author of Origin and Originality in Renaissance Literature
Author : Amilcare A. Iannucci
Publisher : University of Toronto Press
Page : 268 pages
File Size : 35,71 MB
Release : 2004-01-01
Category : Performing Arts
ISBN : 9780802088277
The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
Author : Paget Jackson Toynbee
Publisher :
Page : 410 pages
File Size : 41,80 MB
Release : 1902
Category :
ISBN :
Author : Giulia Gaimari
Publisher : UCL Press
Page : 194 pages
File Size : 16,75 MB
Release : 2019-06-27
Category : Literary Criticism
ISBN : 1787352277
Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.
Author : Vittorio Montemaggi
Publisher : University of Notre Dame Pess
Page : 400 pages
File Size : 15,35 MB
Release : 2010-03-15
Category : Poetry
ISBN : 026816200X
In Dante's Commedia: Theology as Poetry, an international group of theologians and Dante scholars provide a uniquely rich set of perspectives focused on the relationship between theology and poetry in the Commedia. Examining Dante's treatment of questions of language, personhood, and the body; his engagement with the theological tradition he inherited; and the implications of his work for contemporary theology, the contributors argue for the close intersection of theology and poetry in the text as well as the importance of theology for Dante studies. Through discussion of issues ranging from Dante's use of imagery of the Church to the significance of the smile for his poetic project, the essayists offer convincing evidence that his theology is not what underlies his narrative poem, nor what is contained within it: it is instead fully integrated with its poetic and narrative texture. As the essays demonstrate, the Commedia is firmly rooted in the medieval tradition of reflection on the nature of theological language, while simultaneously presenting its readers with unprecedented, sustained poetic experimentation. Understood in this way, Dante emerges as one of the most original theological voices of the Middle Ages. Contributors: Piero Boitani, Oliver Davies, Theresa Federici, David F. Ford, Peter S. Hawkins, Douglas Hedley, Robin Kirkpatrick, Christian Moevs, Vittorio Montemaggi, Paola Nasti, John Took, Matthew Treherne, and Denys Turner.
