Victoria's Year


Book Description

Although 150 years have passed since Princess Victoria became Queen, the first twelve months of her reign remain relatively unexplored. In the first literary history to focus specifically on the year 1837-1838, Richard L. Stein examines a wide variety of cultural products--in visual art and architecture, statistics and maps, scientific writing and popular journalism, and literature itself--to reconstruct the thought and experience of England in "Victoria's Year." Surveying such figures as Carlyle, Cruikshank, Darwin, Dickens, Martineau, Ruskin, Tennyson, and Turner, this wide-ranging volume examines the connections and discontinuities within the values, beliefs, and modes of representation of this brief cultural moment, describing how various arts struggled to produce new, legible, and stable signs to reflect unprecedented modes of experience in a rapidly changing culture. Stein shows how this quest for legibility and certainty was often undermined from inside and out, and the ways in which "the order of things," in Foucault's sense of the phrase, was constantly being reasserted or broken down. Revealing how this particular historical moment was understood by those who lived it, and how an array of cultural products served to mediate the most radically new and unfamiliar aspects of the age, Victoria's Year offers new insights into the process that created the myth of Victorianism.




Peripheries


Book Description

Peripheries, No. 6, spans the senses with music, choreography, painting, sculpture, archival material, short stories, and poetry by Victoria Chang, Angie Estes, Aracelis Girmay, Joanna Klink, Alice Oswald, Rowan Ricardo Philips, Tracy K. Smith, and many more. The journal also includes a special folio, “Anti-Letters,” which comprises the “personal” writings—ephemera, letters, lists, notes, recordings, etc.—of poets such as Cody-Rose Clevidence, Jill Magi, and Jane Miller, among others. The issue also features a review by Tawanda Mulalu, creative nonfiction from Jackie Wang, a mixed media collaboration between Sharon Olds and Sam Messer, a David Grubbs composition with an accompaniment by Susan Howe, and an excerpt from a book-length poem by Geoffrey Nutter.




Photography and Australia


Book Description

'Photography and Australia' focuses on those aspects of photographic practice that can be considered distinctively Australian. It argues that the colonial experience has been crucial in shaping photographers' concerns.




Challenges of Translation in French Literature


Book Description

In celebrating the academic career and practice of a distinguished scholar of French literature, this volume concentrates on one of Peter Broome's major preoccupations and attainments: translation. Eschewing a dogmatic, theoretical approach, the contributors (former colleagues and students) tackle four rich areas of study: modern anglophone poets' reactions to, and translations of, authors with whom they have closely identified (Racine, the Symbolists, Saint-John Perse, Valéry); problematics of translating specific poets of recent centuries (Rimbaud, Mallarmé, Valéry, Césaire, some contemporary poets); reception and interaction in two foreign countries (Australia, Spain); and a more fluid interpretation of translation, moving the notion across into wider realms of literary expression (Mallarmé, Proust, Assia Djebar). A focalising feature, punctuating the volume, are Peter Broome's own translations of hitherto unpublished poems by five major contemporary French writers: Jean-Paul Auxeméry, Marie-Claire Bancquart, Louise Herlin, Vénus Khoury-Ghata and Jean-Charles Vegliante. The book thus intertwines theory and practice in a non-prescriptive manner which invites further elaboration and analysis.




Encyclopedia of Nineteenth-Century Photography


Book Description

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.




Calling the shots


Book Description

Historically, photographs of Indigenous Australians were produced in unequal and exploitative circumstances. Today, however, such images represent a rich cultural heritage for descendants, who see them in distinctive and positive ways. Calling the shots brings together researchers who are using this rich archive to explore Aboriginal history, to identify relatives, and to reclaim culture. It reverses the colonial gaze to focus on the interactions between photographer and Indigenous people — and the living meanings the photos have today. The result is a fresh perspective on Australia’s past, and on present-day Indigenous identities. Innovative in three ways, Calling the shots incorporates Indigenous perspectives on the photographic process and especially the meaning of the photographic archive. It also explores the history of photography in each colony, thus providing a rich and varied series of historical social landscapes. Lastly, it examines the active role played by Indigenous people in photography as a process of encounter and exchange. Contributors include Julie Gough, Jane Lydon, Sari Braithwaite, Shauna Bostock-Smith, Lawrence Bamblett, Michael Aird, Karen Hughes and Aunty Ellen Trevorrow, Donna Oxenham, Laurie Baymarrwangga and Bentley James.




BUCKLEY, BATMAN & MYNDIE: Echoes of the Victorian culture-clash frontier


Book Description

SOUNDING 3 begins with Echo 34: DERRIMUTT THE GO-BETWEEN. This clan head of the Bunurong people was the traditional ‘owner’ of the town site that became Melbourne’s CBD on the western side of the river. Bible-bashing Protector Thomas’s journals of camping with the natives at what is now the Botanic Gardens is eye-opening and reveals mind-bending mysteries and misery with grog and gun-control issues that resonate on up to today. This Sounding personalises many local Kulin identities such as Polierong aka Billy Lonsdale and Yabbee aka Billy Hamilton who name-swapped with the early leading townsmen and squatters on their ‘country’. Next follow snippets from Mick Woiwod’s fictional but faithful novel The Last Cry, along with his Yarra Valley anthropology and reconciliatory vision. Surveying and selling off the Yarra and Diamond Valley ‘badlands’ stringybark forest leads into discussions on sorcery, smallpox and culture-collapse into fringe-dwelling. The frontier moves on north, west and east and the tone changes to academic, political and biographic studies of Aboriginal workers and surviving kooris including the life and times of Wurundjeri clan heads Billibellary, Simon Wonga and William Barak. In the decades after World War 2, academic historical analysis led to the politicized ‘history wars’ as reaction to the racist colonial ‘white Australia policy’ lies, fears and distortions cloaked by denial and patriotism. Echo 49: THE NATIVE POLICE – Turncoats or adaptation [?] is the largest echo in this Sounding and the question is posed in five parts, the last being Irish observer Claire Dunne on applying the bloody colonial lessons of Port Phillip to frontier Queensland and beyond to Central Australia’s mass-murderer Constable Willshire and the cultural logic of settler nationalism. Echoes follow on re-visioning Aboriginal / white history and historical geography research of ‘high country’ clans and language groups in my unsatisfied search of a supposed ‘superior tribe’ in the Alps who reportedly ‘dwelt in stone houses all year round’. Sounding 3 ends with echoes titled COLONIAL OBSERVATIONS OF HIGH SOCIETY EMIGRANTS containing Georgina and her son George McCrae’s journals of Yarra-side and pioneering the Mornington peninsula in the 1840s along with early 1860s photographs of native people collected by gentleman squatter John Hunter Kerr.







Gold


Book Description

Throughout history, gold has been the stuff of legends, fortunes, conflict and change. The discovery of gold in Australia150 years ago precipitated enormous developments in the newly settled land. The population and economy boomed in spontaneous cities. The effects on both the environment and indigenous Aboriginal peoples have been profound and lasting. In this book, a team of prominent historians and curators have collaborated to produce an innovative cultural history of gold and its impact on the development of Australian society.