Superman (2018-) #32


Book Description

The end of “The One Who Fell”! Superman and Superboy were duped by the old divide-and-conquer routine, which is especially dangerous on a faraway planet where you can’t tell who your enemy is. As the Shadowbreed makes their big move, Superman discovers what happened to the friend who originally sent the distress beacon that lured him and his son across the galaxy. Let’s just hope it’s not an answer that came too late! Elsewhere, back home on Earth, Jimmy Olsen leads his misfit team on the hunt for the sinister Projectress.




Action Comics (1938-2011) #32


Book Description

“THE PRESTON GAMBLING RACKET.” Superman investigates the mysterious Preston Club, after a suicide jumper he saves tells him he had lost his entire life’s savings there!




Superman (2016-) #1


Book Description

"THE SON OF SUPERMAN" part one. The Last Son of Krypton must decide whether to help his young son use his new and rapidly increasing abilities, or hide them from the world. THE CREATORS: The team supreme that brought fans the adventures of Damian Wayne in BATMAN AND ROBIN returns for the adventures of Superman and his offspring.




Superman: The Men of Tomorrow


Book Description

Comics legend John Romita Jr. (THE AMAZING SPIDER-MAN) makes his DC Comics debut, teaming up with superstar writer Geoff Johns (JUSTICE LEAGUE) and inker Klaus Janson (BATMAN: THE DARK KNIGHT RETURNS) in SUPERMAN: THE MEN OF TOMORROW!The powerful super-being Ulysses is the last son of a doomed planet. Our planet. Thinking Earth’s destruction was at hand, his parents used experimental science to send their son to another dimension. Now he has returned, and Superman has finally found a peer. But will Ulysses become the hero and partner that Superman wants him to be?







Red Hood: Outlaw (2016-) #32


Book Description

ÒPrince of GothamÓ part one! After months on the road, Jason Todd has returned to Gotham City! But where the Red Hood once operated as an underground criminal mastermind, Jason Todd is a businessman. Unfortunately for the Penguin, his first order of business is a hostile takeover of the Iceberg Lounge and Casino! A bold new era for Jason Todd begins, and Batman is going to be so pissed off when he finds out about it.




A Companion to the Action Film


Book Description

An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.




Working-Class Comic Book Heroes


Book Description

Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.




Superman


Book Description

After debuting in 1938, Superman soon became an American icon. But why has he maintained his iconic status for nearly 80 years? And how can he still be an American icon when the country itself has undergone so much change? Superman: Persistence of an American Icon examines the many iterations of the character in comic books, comic strips, radio series, movie serials, feature films, television shows, animation, toys, and collectibles over the past eight decades. Demonstrating how Superman’s iconic popularity cannot be attributed to any single creator or text, comics expert Ian Gordon embarks on a deeper consideration of cultural mythmaking as a collective and dynamic process. He also outlines the often contentious relationships between the various parties who have contributed to the Superman mythos, including corporate executives, comics writers, artists, nostalgic commentators, and collectors. Armed with an encyclopedic knowledge of Superman’s appearances in comics and other media, Gordon also digs into comics archives to reveal the prominent role that fans have played in remembering, interpreting, and reimagining Superman’s iconography. Gordon considers how comics, film, and TV producers have taken advantage of fan engagement and nostalgia when selling Superman products. Investigating a character who is equally an icon of American culture, fan culture, and consumer culture, Superman thus offers a provocative analysis of mythmaking in the modern era.




Theology and the DC Universe


Book Description

Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative—the DC superhero universe—that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.