Survey of Public Participation in the Arts, 1992


Book Description

This data collection offers information on Americans' participation in the arts, such as ballet, opera, plays, museums, and concerts, during 1992. Sponsored by the National Endowment for the Arts, and conducted by the United States Department of Commerce, Bureau of the Census, this survey was a supplement to a larger national survey, the National Crime Survey (NCS). Data are provided for all household members aged 12 and older (excluding crew members of merchant vessels, armed forces personnel living in military barracks, and institutionalized persons) in sampled households. Respondents were asked about their past-year participation in, and frequency of attending, art performances and events in the following categories : jazz music, classical music, opera, musicals, plays (nonmusical), ballet, other dance, art museums, arts-crafts fairs, and historical park/design sites. Reasons for nonparticipation were also collected. Additionally, demographic information including age, sex, race, marital status and education level is available. New questions added in the 1992 survey concerned the use of video cassette recorders (VCRs), various dance forms other than ballet, and different types of popular music. In general, the 1992 survey asked more varied and detailed questions about arts participation ... Cf. : http://webapp.icpsr.umich.edu/cocoon/ICPSR-STUDY/06443.xml.







Turning on and Tuning in


Book Description

Data gleaned from the 1982, 1985, and 1992 Surveys of Public Participation in the Arts (SPPAs) were used in this analysis of participation in the arts via television, radio, and sound recordings. The arts examined were jazz, classical music, opera, musicals and operettas, plays, dance, and the visual arts. Selected findings are as follows: (1) Arts participation increases with age. (2) An aging population will increase arts participation. (3) Arts participation increases with education. (4) Arts participation rises with income. (5) Income plays a lesser role in participation via the broadcast media than that of live performance participation. (6) Urban residents are more likely to participate in the arts than are rural residents. (7) Urban residence is not as important a determinant of participation via the broadcast media and recordings as it is for live performance participation. (8) Men are less likely to participate in the arts than are women. (9) Whites are more likely to participate in the arts than are other racial groups. Policy implications supported by the findings include: (1) some television channels can be dedicated to arts programming; (2) arts organizations may explore greater use of videotapes and music videos for the cultures; and (3) educators can further enhance exposure to the arts at all levels. Tables and appendices are provided. (MM)




Survey of Public Participation in the Arts, 1997


Book Description

This data collection offers information on Americans' participation in the arts, such as ballet, opera, plays, museums, concerts, and literature, during 1997. Sponsored by the National Endowment for the Arts, and conducted by Westat Corporation of Rockville, Maryland, this survey is the fourth edition of the Survey of Public Participation in the Arts (SPPA), with prior SPPA surveys having been conducted in 1982, 1985, and 1992. Respondents were asked about their past-year participation in, and frequency of attending, art performances and events in the following categories : jazz music, classical music, opera, musicals, plays (nonmusical), ballet, other dance, art museums, arts fairs, and historical parks. Participation was tabulated for : (1) live arts events attendance, such as visiting an art museum, (2) participation in arts through broadcast and records media, such as using a personal computer (PC) to listen to/see art, and (3) personal performance or creation of art, such as composing music. Reasons for nonparticipation were also collected. Survey questions also asked about socialization in the arts, as well as about respondents' rates of participation in leisure activities other than the arts. New questions in the 1997 SPPA concerned, for example, respondents' use of a home computer in the creation of and interaction with art. New questions also asked about subscribing to series of performances and about membership at art museums. Due to the considerable differences in survey methodologies, this 1997 survey produced results that are not comparable to the 1982, 1985, 1992, or 2002 SPPA surveys. Background information includes age, sex, race, marital status, language of interview, country of birth, age when first moved to the United States, country of ancestry, education level, education level of parents, income, and general health status ... Cf. : http://webapp.icpsr.umich.edu/cocoon/ICPSR-STUDY/04205.xml.







Geography and Public Participation in the Arts


Book Description

This report examines arts engagement in ten key states in the U.S. by analyzing data from the 2002 Survey of Public Participation in the Arts (SPPA). It is organized into ten state profiles that summarize key demographic characteristics, the arts landscape, and public participation in the arts. Because the regions profiled here are not a random sample of U.S. states the purpose of this document is to examine arts participation within rather than across regions. While it is tempting to make comparisons across regions, preliminary analysis revealed that, with only a handful of exceptions, arts participation rates across the ten states tend to be more similar than different. This report was contracted by the National Endowment for the Arts (CO-97) to assess participation in the arts by geographic region using the 1982, 1992, and 2002 Surveys of Public Participation in the Arts. This report is the second of three in a series that describe geography and arts participation by census region, by state, and by metropolitan area. The findings of all three reports should prove useful to researchers, regional arts organizations, policy makers, and citizens interested in arts engagement in their communities. Appended are: (1) Description of Data Used in Analysis; (2) Methodologies; (3) Summary Tables; and (4) SPPA Survey Questions. (Contains 79 tables, 55 footnotes, and a bibliography.).










Summary Report


Book Description