Tales of the German Imagination from the Brothers Grimm to Ingeborg Bachmann


Book Description

'It was a very momentous day, the day on which I was to be slaughtered' Bringing together tales of melancholy and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Ranging from the Romantics of the early nineteenth century to works of contemporary fiction, it includes Hoffmann's hallucinatory portrait of terror and insanity 'The Sandman'; Chamisso's influential black masterpiece 'Peter Schlemiel', where a man barters his own shadow; Kafka's chilling, disturbing satire 'In the Penal Colony'; the Dadaist surrealism of Kurt Schwitters' 'The Onion'; and Bachmann's modern fairy tale 'The Secrets of the Princess of Kagran'. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition. Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history. Translated, selected and edited with an introduction by Peter Wortsman




Tales of the German Imagination from the Brothers Grimm to Ingeborg Bachmann


Book Description

Spanning the Brothers Grimm to Kafka and beyond, a new collection of the most strange and fantastical German stories from the past 200 years Franz Kafka posthumously cornered the nightmare market in the twentieth century. Yet in our adulation of Kafka's wonderfully bizarre prose, English-language readers tend to overlook the fact that he was not spawned Athena-like from the cranium of German literature. Kafka had his precursors among the German Romantics, as well as his contemporaries working in kindred veins and his heirs in post–World War II Germany, Austria, and Switzerland. This rich and varied anthology gathers together many haunting stories, from the dark fairy tales of the Brothers Grimm, to Kafka's own chilling satire "In the Penal Colony," to the surreal fantasies of Kurt Schwitter in "The Onion." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




Selected Tales of the Brothers Grimm


Book Description

This new edition of the beloved tales of the Brothers Grimm – selected, translated and edited by Peter Wortsman - is drawn from the 1857 edition of the German original, the last edition reviewed and approved by the Brothers in their lifetime. Over the years, the Brothers' enigmatic narratives have been sanitized by Disney and children's book editors for modern consumption; this indispensable edition restores their sting and vigor to the original prose. In Wortsman’s words, his translation is a return to "a tincture of concentrated man-eating ogre and ground hag tooth, diluted in blood, sweat and tears, as a potent vaccine against the crippling effects of fear and fury." These fortifying imaginative vaccines are accompanied by twenty-four full-color illustrations by Haitian artists, including Edouard Duval-Carrié, Pascale Monnin, and Frankétienne. Edwidge Danticat observes that many Haitian painters bring "forth another canvas beneath the one we see." These works’ imaginative scope, vitality, and evocation of the unconscious open deep channels between the two traditions, shedding new light and shadow on the classic tales.




Posthumous Papers of a Living Author


Book Description

This collection of exploratory pieces, short stories, and reflections was originally published in Zurich in 1936. It was the last volume Robert Musil published before his sudden death in 1942. Musil had begun to fathom the impossibility of com- pleting his monumental masterpiece The Man Without Qualities and this volume reveals a radically different aspect of his work. Musil observes a fly’s tragic struggle with flypaper, the laughter of a horse; he peers through microscopes and telescopes, dissecting both large and small. Musil’s quest for the essential is a voyage into the minute.




Alfred Schnittke's Concerto Grosso no. 1


Book Description

Concerto Grosso no. 1 is one of Alfred Schnittke's best-known and most compelling works, sounding the surface of late Soviet life while resonating with contemporary compositional currents around the world such as postmodernism. It marked a decisive point in Schnittke's development of the approach he called polystylism, which aimed to contain in a single composition the wide range of contemporary musical styles, including "jazz, pop, rock, or serial music." Thanks to it and his other similar compositions, Schnittke became one of the most-performed and most-recorded living composers at the end of the twentieth century. Peter J. Schmelz's Alfred Schnittke's Concerto Grosso no. 1 represents the first accessible and comprehensive study of this composition. The novel structure of the book engages with the piece conceptually, historically, musically, and phenomenologically, with the six movements of the composition framing the six chapters. Augmenting and complicating the insights of existing English, Russian, and German publications on the Concerto Grosso no. 1, the book adds new information from underused primary sources, including Schnittke's unpublished correspondence and his many published interviews. It engages further with his sketches for the piece, and with contemporary Soviet musical criticism, resulting in a more objective, historical account of this rich, multifaceted composition, its influences, and its impact on music making in the USSR and worldwide.




A Modern Way to Die


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Pictures of Travel


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Recommendation Whether to Confiscate, Destroy, and Burn All Jewish Books


Book Description

While he was condemned himself for his stand, the book opened the eyes of scholars and political leaders to the need to understand and appreciate the wealth of religious truth and insight in the Talmud and other works. Reuchlin did not stop anti-Semitism in the Reformation by either Catholics or Protestants, but he stemmed the advance of those vowed to wipe Judaism out in Europe and began the long, slow movement in the West to appreciate and learn what Judaism really was."--BOOK JACKET.




The Turnip Princess and Other Newly Discovered Fairy Tales


Book Description

A rare discovery in the world of fairy tales—now for the first time in English Move over, Cinderella: Make way for the Turnip Princess! And for the “Cinderfellas” in these stories, which turn our understanding of gender in fairy tales on its head. With this volume, the holy trinity of fairy tales—the Brothers Grimm, Charles Perrault, and Hans Christian Andersen—becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost—until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive. Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




Ghost Dance in Berlin


Book Description

Every great city is a restless work in progress, but nowhere is the urban impulse more in flux than in Berlin, that sprawling metropolis located on the fault line of history. A short-lived fever-dream of modernity in the Roaring Twenties, redubbed Germania and primped up into the megalomaniac fantasy of a Thousand-Year Reichstadt in the Thirties, reduced in 1945 to a divided rubble heap, subsequently revived in a schizoid state of post-World War II duality, and reunited in 1989 when the wall came tumbling down — Berlin has since been reborn yet again as the hipster hub of the 21st century. This book is a hopscotch tour in time and space. Part memoir, part travelogue, Ghost Dance in Berlin is an unlikely declaration of love, as much to a place as to a state of mind, by the American-born son of German-speaking Jewish refugees. Peter Wortsman imagines the parallel celebratory haunting of two sets of ghosts, those of the exiled erstwhile owners, a Jewish banker and his family, and those of the Führer’s Minister of Finance and his entourage, who took over title, while in another villa across the lake another gaggle of ghosts is busy planning the Final Solution.