Tasso's Dialogues


Book Description




Speaking of Love: The Love Dialogue in Italian and French Renaissance Literature


Book Description

Re-evaluating the dialogue’s place in the literary landscape of the Italian and French Renaissance, Speaking of Love presents the love dialogue at the intersection of a revival of the form and the period’s philosophies of love and desire. Between 1540 and 1580, authors such as Speroni, Tullia d’Aragona, the Venetian poligrafi, Tyard, Le Caron, Pasquier, Taillemont, Marguerite de Navarre, and Louise Labé, feature interlocutors not only deliberating on love but imitating the experience of love in their dynamics of speaking. These love dialogues allow early modern ideologies and discourses of love to be imitated by the reader and rival lyric poetry in conveying amorous experience, validating dialogue as an authentic literary form rather than a tool of philosophical thinking.




Torquato Tasso


Book Description

This 1965 volume was a comprehensive study in English of the life and work of Torquato Tasso. Dr Brand here reassesses his writings to illustrate the essential qualities of his poetry and estimates his contribution to English literature on which, particularly on Spenser and Milton, his influence was profound.




Writing the Scene of Speaking


Book Description

The 'rediscovery' in sixteenth-century Italy of Aristotle's Poetics marks a crucial moment in the development of Western thought about literature, for the flood of new and controversial works that accompanied this event laid the foundations of modern literary criticism and theory. This is a study of the main literary theories of the late Italian Renaissance that seek to define a poetics of dialogue. The author contends that dialogue - among the most popular of all prose forms in Italy to develop a new theory of literature, because it seems to subvert the conventional Renaissance understanding of what is 'literary' and what is not. With its close ties to dialectic and to Platonic philosophy on the one hand, and its equally vital links to imaginative fiction on the other, dialogue in the Renaissance stands at the crossroads of the discourses of cognition and fiction. Writing the Scene of Speaking examines the different solutions offered by sixteenth-century Italian theorists to the problem posed by the hybrid textuality of dialogue, and sets them in the context of a culture in a dramatic state of transition.




Reformation Fictions


Book Description

Reformation Fictions rehabilitates some twenty polemical dialogues published in Elizabethan England, for the first time giving them a literary, historicist and, to a lesser extent, theological reading. By juxtaposing these Elizabethan publications with key Lutheran and Calvinist dialogues, theological tracts, catechisms, sermons, and dramatic interludes, Antoinina Bevan Zlatar explores how individual dialogists exploit the fictionality of their chosen genre. Writers like John Véron, Anthony Gilby, George Gifford, John Nicholls, Job Throckmorton, and Arthur Dent, to name the most prolific, not only understood the dialogue's didactic advantages over other genres, they also valued it as a strategic defence against the censor. They were convinced, as Erasmus had been before them, that a cast of lively characters presented antithetically, often with a liberal dose of Lucianic humour, worked wonders with carnal readers. Here was an exemplary way to make doctrine entertaining and memorable, here was the honey to make the medicine go down. They knew too that these dialogues, particularly their use of manifestly imaginary interlocutors and a plot of conversion, licensed the delivery of singularly radical messages. What comes to light is a body of literature, often scurrilous, always serious, that gives us access to early modern concepts of fiction, rhetoric, and satire. It showcases the imagery of Protestant polemic against Catholicism, and puritan invective against the established Elizabethan Church, all the while triggering the frisson that comes from the illusion of eavesdropping on early modern conversations.




Forms in Early Modern Utopia


Book Description

Though much has been written about connections between early modern utopia and nascent European imperialism, the author brings a fresh perspective to the topic by exploring it through some of the sub-genres that comprise early modern utopia, identifying and discussing each specific form in the cultural and historical contexts that render it suitable for the creation and promulgation of utopian programs, whether imaginary or intended for actual implementation. This study transforms scholarly understanding of early modern utopia by first complicating our notion of it as a single genre, and secondly by fusing our paradoxically fragmented view of it as alternately a literary or social phenomenon. Her analysis shows early modern utopia to be not a single genre, but rather a conglomeration of many forms or sub-genres, including travel writing, ethnography, dialogue, pastoral, and the sermon, each with its own relationship to nascent imperialism. These sub-genres bring to utopian writing a variety of discourses - anthropological, theological, philosophical, legal, and more - not usually considered fictional; presented in a humanist guise, these discourses lend to early modern utopia an authority that serves to counteract the general contemporary distrust of fiction. The author shows how early modern utopia, in conjunction with the authoritative forms of its sub-genres, is not only able to impose its fictions upon the material world but in doing so contributes to the imperialistic agendas of its day. This volume contains a bibliographical essay as well as a chronology of utopian publications and projects, in Europe and the New World.




The Poems of Shelley: Volume Two


Book Description

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the second volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. This volume makes extensive use of the Shelley manuscripts in the Bodleian Library and draws on the substantial recent research which has appeared on Shelley's text and contexts, and on members of his circle such as Mary Shelley, Byron, Godwin and others. It offers significant new datings and contextual exposition of major works including Prometheus Unbound, Laon and Cythna, 'Julian and Maddalo', The Cenci, and Shelley's translations from the Greek, notably his highly original translation of Euripides' The Cyclops. There are also comprehensive treatments of some of Shelley's best known shorter poems, such as 'Lines written among the Euganean Hills' and 'Ozymandias'. The annotation demonstrates the extraordinary range and richness of Shelley's literary intelligence, and situates his work in the revolutionary politics and social upheavals of the early nineteenth century. The text and annotation are supported by an extensive bibliography, a chronology, indexes, and appendices which include a detailed examination of the history of the Cenci story. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.




Pastoral Drama in Early Modern Italy


Book Description

"Emerging in Italy in the mid-sixteenth century, pastoral drama is one of the most characteristic genres of its time. Sampson traces its uneven development into the following century by exploring masterpieces by Tasso and Guarini, and many lesser known works, some by women writers. She examines the treatment of key themes of love, the Golden Age, and Nature and Art against the background of the textual and stage production of the plays. An investigation of critical writings associated with the genre further reveals its significance to the contemporary literary scene, by stimulating 'modernizing' attitudes towards the canon, as well as new enquiries into the function and possibilities of art."




The Renaissance Dialogue


Book Description

A study of the use of dialogue form as a vehicle for polemic in Renaissance Italy.




Beyond "The Spanish Tragedy"


Book Description

This is the first book in more than thirty years on the playwright who is arguably Shakespeare's most important tragic predecessor. In Lukas Erne's book, The Spanish Tragedy - the most popular of all plays on the English Renaissance stage - receives the extensive scholarly and criticaltreatment it deserves, including a full reception and modern stage history. Yet as Erne shows, Thomas Kyd is much more than the author of a single masterpiece. Don Horatio (partly extant in The First Part of Hieronimo), the lost early Hamlet, Soliman and Perseda, and Cornelia all belong to whatemerges in this study for the first time as a coherent dramatic oeuvre.