Television Series of the 1980s


Book Description

Television screens in the 1980s reflected some of the most memorable programs of all time. In that decade, such critically acclaimed shows as Cheers, The Golden Girls, Hill Street Blues, Newhart, and St. Elsewhere debuted. In that same decade, iconic shows like The A-Team, Baywatch, Cagney & Lacey, Knight Rider, MacGyver,Miami Vice, and Roseanne appealed to millions of viewers. Even after these shows departed the airwaves, they live on in syndication and on DVDs, entertaining many generations of viewers. In Television Series of the 1980s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about more than seventy programs from the decade. For example, did you know that Sam Malone had an ex-wife named Deborah? Or that MacGyver’s alias was Dexter Fillmore? Or Dan Fielding’s license plate on Night Court read “Hot to Trot”? These are just a handful of hundreds of fun and intriguing specifics found inside this volume. Programs from all four major networks (ABC, CBS, FOX, and NBC)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of facts associated with each show. Fromthe name of Roseanne’s diner to the title of Jessica Fletcher’s first novel, readers will discover a wealth of fascinating information that, for the most part, cannot be found elsewhere. In some cases, the factual data detailed herein is the only such documentation that currently exists on bygone shows of the era. Television Series of the 1980s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.




Single Season Sitcoms of the 1980s


Book Description

As the cable TV industry exploded in the 1980s, offering viewers dozens of channels, an unprecedented number of series were produced. For every successful sitcom--The Golden Girls, Family Ties, Newhart--there were flops such as Take Five with George Segal, Annie McGuire with Mary Tyler Moore, One Big Family with Danny Thomas and Life with Lucy starring Lucille Ball, proving that a big name does not a hit show make. Other short-lived series were springboards for future stars, like Day by Day (Julia Louis-Dreyfus), The Duck Factory (Jim Carrey), Raising Miranda (Bryan Cranston) and Square Pegs (Sarah Jessica Parker). This book unearths many single-season sitcoms of the '80s, providing behind-the-scenes stories from cast members, guest stars, writers, producers and directors.




British Television Drama in the 1980s


Book Description

On British television drama in the 1980's




American TV Comic Books (1940s-1980s)


Book Description

AMERICAN TV COMIC BOOKS (1940s-1980s) takes you from the small screen to the printed page, offering a fascinating and detailed year-by-year history of over 300 television shows and their 2000+ comic book adaptations across five decades. Author PETER BOSCH has spent years researching and documenting this amazing area of comics history, tracking down the well-known series (Star Trek, The Munsters) and the lesser-known shows (Captain Gallant, Pinky Lee) to present the finest look ever taken at this unique genre of comic books. Included are hundreds of full-color covers and images, plus profiles of the artists who drew TV comics: GENE COLAN, ALEX TOTH, DAN SPIEGLE, RUSS MANNING, JOHN BUSCEMA, RUSS HEATH, and many more giants of the comic book world. Whether you loved watching The Lone Ranger, Rawhide, and Zorro from the 1950s--The Andy Griffith Show, The Monkees, and The Mod Squad in the 1960s--Adam-12, Battlestar Galactica, and The Bionic Woman in the 1970s--or Alf, Fraggle Rock, and "V" in the 1980s--there's something here for fans of TV and comics alike.




Quinn Martin, Producer


Book Description

"Quinn Martin was the most innovative and most creative of his kind. He was a man in touch with the future, far more than the times. His characters were not stereotypical characters. His production methods were not stereotypical either. He was unique in a number of ways. That's why his shows did so well"--Lynda Day George, guest star on QM's The Fugitive, The FBI, and other shows. Producer of such television shows as The Invaders, Barnaby Jones, The Untouchables, The Streets of San Francisco, Cannon and 12 O'Clock High, Quinn Martin was widely admired for his devotion to his shows, his hands-on approach to the writing, casting and editing of each episode, his interactions with network executives, and the high standards he set for his crew and actors. This detailed study of Martin and his company examines each of his series in detail, from development through cancellation.







Television Series of the 1970s


Book Description

Television of the 1970s reflected the shifting attitudes of the nation, as more shows attempted to represent social changes across the country. Edgier programs like All in the Family and M*A*S*H pushed the boundaries of popular programming to become standards of quality viewing. At the same time, the small screen began to acknowledge that viewers were open to more diverse programming, resulting in hit shows like Sanford and Son and Good Times. Some of the most beloved shows of all time originally aired during the 1970s, including Columbo, Happy Days, Little House on the Prairie,and The Mary Tyler Moore Show. Even after these shows departed the airwaves, they live on in syndication and on DVDs, entertaining many generations of viewers. In Television Series of the 1970s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about more than seventy programs from the decade. For example, did you know that Jim Ignatowski on Taxi attended Harvard? Or that John-Boy Walton was a reporter for the Jefferson County Times? Or that Lieutenant Columbo’s favorite sandwich was peanut butter and raisins? These are just a handful of hundreds of fun and intriguing specifics found inside this volume. Programs from all three major networks (ABC, CBS, and NBC)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of facts associated with each show. FromOscar Madison’s middle name on The Odd Couple to Jim Rockford’s license plate number, readers will discover a wealth of fascinating information that, for the most part, cannot be found elsewhere. In some cases, the factual data detailed herein is the only such documentation that currently exists on bygone shows of the era. Television Series of the 1970s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.







Creating Australian Television Drama


Book Description

Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. ‘For years, Susan Lever has been talking to Australia’s best television writers about their work, their craft and their industry. Now it’s all here in this book; a toast to a vital part of Australian culture.’ – Geoffrey Atherden ‘This is a wonderful book. Meticulously researched and engagingly written, it tells in fascinating detail, from the writers’ points of view, the story of Australian scripted television from its beginnings in the 1950’s, to the present. Better yet, Susan Lever has allowed the writers themselves to speak about the work, about their visions and processes, their joys and frustrations. I am delighted to see television drama, docudrama and comedy acknowledged so generously for their role in Australian culture.’ – Sue Smith ‘Brilliantly researched, lucid, comprehensive … the big picture on writers for the small screen in Australia.’ – Ian David




TV Family Values


Book Description

During the 1980s, U.S. television experienced a reinvigoration of the family sitcom genre. In TV Family Values, Alice Leppert focuses on the impact the decade's television shows had on middle class family structure. These sitcoms sought to appeal to upwardly mobile “career women” and were often structured around non-nuclear families and the reorganization of housework. Drawing on Foucauldian and feminist theories, Leppert examines the nature of sitcoms such as Full House, Family Ties, Growing Pains, The Cosby Show, and Who's the Boss? against the backdrop of a time period generally remembered as socially conservative and obsessed with traditional family values.