Tennyson's The Coming of Arthur
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 244 pages
File Size : 31,98 MB
Release : 1913
Category : Arthurian romances
ISBN :
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 244 pages
File Size : 31,98 MB
Release : 1913
Category : Arthurian romances
ISBN :
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 184 pages
File Size : 45,76 MB
Release : 1904
Category : Arthurian romances
ISBN :
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 322 pages
File Size : 48,93 MB
Release : 1905
Category : Arthurian romances
ISBN :
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 44 pages
File Size : 50,59 MB
Release : 1884
Category :
ISBN :
Author : Baron Alfred Tennyson Tennyson
Publisher : Good Press
Page : 38 pages
File Size : 28,93 MB
Release : 2020-03-16
Category : Poetry
ISBN :
Baron Alfred Tennyson Tennyson's 'The Last Tournament' is a poetic narrative that delves into the Arthurian legend, focusing on the final jousting tournament held by King Arthur. The book is written in Tennyson's signature lyrical style, filled with rich imagery and emotional depth, capturing the essence of chivalry and honor prevalent in the medieval era. Tennyson's portrayal of characters like Sir Lancelot and Queen Guinevere adds a layer of complexity to the story, exploring themes of betrayal and redemption within the legendary Camelot. 'The Last Tournament' stands out as a significant work in Tennyson's larger body of Arthurian literature, showcasing his mastery of narrative poetry and his ability to evoke a sense of nostalgia for a bygone era. Readers will be captivated by the evocative language and the timeless themes presented in this classic tale of love and loyalty.
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 338 pages
File Size : 47,13 MB
Release : 1884
Category : 1884
ISBN :
Author : David Staines
Publisher : Wilfrid Laurier Univ. Press
Page : 294 pages
File Size : 27,57 MB
Release : 2010-10-30
Category : Literary Criticism
ISBN : 1554587948
As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 96 pages
File Size : 26,50 MB
Release : 1881
Category : Arthurian romances
ISBN :
A narrative poem about the death of Elaine, "the lily maid of Astolat".
Author : Alfred Tennyson Baron Tennyson
Publisher :
Page : 134 pages
File Size : 48,47 MB
Release : 1896
Category :
ISBN :
Author : Christopher Baswell
Publisher : Routledge
Page : 171 pages
File Size : 20,32 MB
Release : 2014-08-13
Category : Literary Criticism
ISBN : 1317656911
Originally published in 1988, this volume contains papers from, and commissioned after, "The Passing of Arthur", a conference on Medieval and Renaissance Studies in November 1986. No Arthurian story is experienced without some foreknowledge of its end, which the text acknowledges through a complex range of methods. This collection takes this as its point of origin, suggesting that all such narratives concern the passing of Arthur, even indirectly, so the chapters not only look at the death of Arthur but the passing on and development of the Arthurian literature. The figure of Arthur and the Round Table continues to fascinate contemporary readers. This interesting collection presents a wide range of Arthurian studies approaches representing some of the vast scholarship on the genre.