The Albert Memmi Reader


Book Description

Born in 1920 on the edge of Tunis's Jewish quarter, the French-Jewish-Tunisian sociologist, philosopher, and novelist Albert Memmi has been a central figure in colonial and postcolonial studies. Often associated with the anticolonial struggles of the 1950s and 1960s, Memmi's career has spanned fifty years, more than twenty book-length publications, and hundreds of articles that are distilled in this collection. The Albert Memmi Reader presents Memmi's insights on the legacies of the colonial era, critical theories of race, and his distinctive story. Memmi's novels and essays feature not only decolonial struggles but also commentary on race, the psychology of dependence, and what it means to be Jewish. This reader includes selections from his classic works, such as The Pillar of Salt and The Colonizer and the Colonized, as well as previously untranslated pieces that punctuate Memmi's literary life and career, and illuminate the full arc of the life of one of the great thinkers of the twentieth century. Selections from his later works speak directly to contemporary issues in European, African, and Middle Eastern studies, such as racism, immigration and European identity, and the struggles of postcolonial states, including Israel/Palestine.




The Albert Memmi Reader


Book Description

This anthology presents Albert Memmi’s insights on the legacies of the colonial era, critical theories of race, and his own story as a French writer of Tunisian and Jewish descent, allowing readers to appreciate the full arc of one of the great thinkers of the twentieth century.




Pillar of Salt


Book Description

The renowned writer describes coming of age during the violent Mexican Revolution and living as an openly homosexual man in a brutally machista society. Salvador Novo (1904–1974) was a provocative and prolific cultural presence in Mexico City through much of the twentieth century. With his friend and fellow poet Xavier Villaurrutia, he cofounded Ulises and Contemporáneos, landmark avant-garde journals of the late 1920s and 1930s. At once “outsider” and “insider,” Novo held high posts at the Ministries of Culture and Public Education and wrote volumes about Mexican history, politics, literature, and culture. The author of numerous collections of poems, including XX poemas, Nuevo amor, Espejo, Dueño mío, and Poesía1915–1955, Novo is also considered one of the finest, most original prose stylists of his generation. Pillar of Salt is Novo’s incomparable memoir of growing up during and after the Mexican Revolution; shuttling north to escape the Zapatistas, only to see his uncle murdered at home by the troops of Pancho Villa; and his initiations into literature and love with colorful, poignant, complicated men of usually mutually exclusive social classes. Pillar of Salt portrays the codes, intrigues, and dynamics of what, decades later, would be called “a gay ghetto.” But in Novo’s Mexico City, there was no name for this parallel universe, as full of fear as it was canny and vibrant. Novo’s memoir plumbs the intricate subtleties of this world with startling frankness, sensitivity, and potential for hilarity. Also included in this volume are nineteen erotic sonnets, one of which was long thought to have been lost.




The Albert Memmi Reader


Book Description

This anthology presents Albert Memmi’s insights on the legacies of the colonial era, critical theories of race, and his own story as a French writer of Tunisian and Jewish descent, allowing readers to appreciate the full arc of one of the great thinkers of the twentieth century.




Decolonization and the Decolonized


Book Description

Memmi examines the manifold causes of the failure of decolonization efforts throughout the world. As outspoken and controversial as ever, he initiates a much-needed discussion of the ex-colonized and refuses to idealize those who are too often painted as hapless victims.




The Liberation of the Jew


Book Description

In this book, written after The Colonizer and the Colonized and Portrait of a Jew, Albert Memmi writes, “It is true that all oppression has a strong tendency to become a total oppression, but it is a question of degree and nuance, of generalities and accent. The specific conditions of each oppression consists precisely of such degrees and particular intonations. The Jew is not oppressed as a member of a class, which distinguishes him from the proletariat, for example. Nor is he oppressed as a member of a biological group, which distinguishes him from Negroes or women. He is affected as a member of a total, social, cultural, political and historical group. In other words, the Jew is oppressed as a member of a people, a minor people, a dispersed people, a people always and everywhere in the minority (which distinguished him from the colonized, also oppressed as a people, but a people in the majority). [...] The Jew must be liberated from oppression, and Jewish culture must be liberated from religion. This double liberation can be found in the same course of action — the fight for [the State of] Israel.” Portrait of a Jew and The Liberation of the Jew “form a whole: the beginning and the outcome of a passionate quest. The first offers a diagnosis, the second a remedy. [...] Both are written with moving sincerity [...] As a personal document, Memmi’s introspective study is valuable. Thought-provoking and disturbing in the best sense of the word, it allows us to look into the tormented mind and soul of a distinguished Jewish writer who aspires to live honestly while belonging simultaneously to two worlds. His doubts and affirmations carry the weight of testimony.” — Elie Wiesel, The New York Times “Portrait of a Jew and The Liberation of the Jew [are] filled with a Jewish existentialism marked by quest for identity and self-affirmation far more psychological and sociological than traditionally religious.” — Richard Locke, The New York Times “[The Liberation of the Jew] is in large measure a personal record. It is a moving record [...] The poignancy of this unique work stems from its being a courageous self-analysis by a highly sensitive artist. Its confessional honesty is complete.” — Louis Schwartzman, Journal of Jewish Education




Dominated Man


Book Description

Collection of 14 essays by the authors translated from the French.




Modern French Jewish Thought


Book Description

"Modern Jewish thought" is often defined as a German affair, with interventions from Eastern European, American, and Israeli philosophers. The story of France's development of its own schools of thought has not been substantially treated outside the French milieu. This anthology of modern French Jewish writing offers the first look at how this significant and diverse body of work developed within the historical and intellectual contexts of France and Europe. Translated into English, these documents speak to two critical axes--the first between Jewish universalism and particularism, and the second between the identification and disidentification of French Jews with France as a nation. Offering key works from Simone Weil, Vladimir JankŽlŽvitch, Emmanuel Levinas, Albert Memmi, HŽlne Cixous, Jacques Derrida, and many others, this volume is organized in roughly chronological order, to highlight the connections linking religion, politics, and history, as they coalesce around a Judaism that is unique to France.




Colonizer and the Colonized


Book Description

Written in 1957, when North African independence movements were gaining momentum, Memmi depicts colonialism as a disease of the European but crucially he demonstrates that colonialism destroys both the colonizer and the colonized. Memmiâ__s penetrating insights into the colonial inheritance, and attempts to resist colonisation, remain as relevant today.




Portrait of a Jew


Book Description

In this memoir and extended meditation on Jewish identity and anti-Semitic stereotypes written in France in the early 1960s, Albert Memmi paints a portrait of himself as a secular Jew. The book has been compared to Rousseau’s Confessionsbecause of its meticulous self-examination. Written only 15 years after the end of the Nazi occupation and just over a decade after the establishment of the State of Israel,Portrait of a Jew is a snapshot in time as well as a work of psychology and sociology. It both questions prevailing myths about the Jews of his time and describes the reality Memmi sees. Its sequel is The Liberation of the Jew. Portrait of a Jew and The Liberation of the Jew “form a whole: the beginning and the outcome of a passionate quest. The first offers a diagnosis, the second a remedy. [...] Both are written with moving sincerity [...] As a personal document, Memmi’s introspective study is valuable. Thought-provoking and disturbing in the best sense of the word, it allows us to look into the tormented mind and soul of a distinguished Jewish writer who aspires to live honestly while belonging simultaneously to two worlds. His doubts and affirmations carry the weight of testimony.” — Elie Wiesel, The New York Times “Portrait of a Jew and The Liberation of the Jew [are] filled with a Jewish existentialism marked by quest for identity and self-affirmation far more psychological and sociological than traditionally religious.” — Richard Locke, The New York Times “A bitter, plangent autobiography written in dark colors and minor chords. It is purgative and painful reading, for it angers, outrages, and reduces the reader to lonely verbal combats. But when the din and dust has died away, the questions and statements are still there asserting themselves.” — Henrietta Buckmaster, The Christian Science Monitor




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