Book Collecting


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White Spines


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A mix of memoir and narrative non-fiction. White Lines is about a Nicholas Royle's passion for Picador's fiction publishing from the 1970s to the end of the 1990s. It explores the bookshops and charity shops, the books themselves and the way a unique collection grew and became a literary obsession.




The Book of Extraordinary Amateur Sleuth and Private Eye Stories


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A cornucopia of the best new whodunits, collected by one of the mystery scene’s eminent editors, “a giant of the genre” (Lee Childs). One of the best mystery books of the 21st century, this volume features outstanding new stories of crime, derring-do, fast-paced adventures, and puzzles, featuring hardy amateur detectives ranging from young to old and grizzled private eyes whose patches cover the city streets, all in the hallowed tradition of Sherlock Holmes, Miss Marple, Hercule Poirot, and Philip Marlowe. Jakubowski’s many anthologies, like The Book of Extraordinary Historical Mystery Stories, have attracted plenty of attention and awards. His newest collection, The Book of Extraordinary Amateur Sleuths and Private Eye Stories, features never-before-seen short fiction by some of the most renowned American and British crime and thriller authors of today. Whether the victim was done in at the party uptown or discovered in the other room of a particularly difficult woman or man, these mysteries will have you reading at the edge of your seat. Praise for Maxim Jakubowski and His Books “I have been a fan of Maxim Jakubowski for years. There just is no finer mystery writer and editor anywhere. Find a comfortable chair and a strong drink and prepare to be enthralled.” —Alexander Algren, author of Out in a Flash: Murder Mystery Flash Fiction “Maxim Jakubowski is deeply experienced in the field . . . Sometimes a brief zap of great writing is just what you’re in the mood for or have time for. That’s when anthologies like his are ideal . . . intellectually outstanding.” —New York Journal of Books




Drinking Mare's Milk on the Roof of the World


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“I am inordinately proud of my travels and at the same time embarrassed by my pride in them. I feel alternately overflowing and empty, replete with gratitude for my good fortune, and abashed at the overentitled, obsessive nature of my need to continue. I feel sometimes like the most interesting man in the world, sometimes like the most obtuse. I am driven onward and yet, even as I chart my next adventure, I remain unsure why I should want to, unclear why I need to. And I do need to. The road beckons me, and always has. But am I running toward something? Running away? Is there a difference?” —from the foreword Tom Lutz is addicted to journeying. Sometimes he stops at the end of the road, sometimes he travels further. In this richly packed portmanteau of traveler’s tales, we accompany him as he drives beyond the blacktop in Morocco, to the Saharan dunes on the Algerian border, and east of Ankara into the Hittite ruins of Boğazkale. We ride alongside as he hitches across Uzbekistan and the high mountain passes of Kyrgyzstan into western China. We catch up with him as he traverses the shores of a lake in Malawi, and disappear with him into the disputed areas of the Ukraine and Moldova. We follow his footsteps through the swamps of Sri Lanka, the wilds of Azerbaijan, the plains of Tibet, the casinos of Tanzania, the peasant hinterlands of Romania and Albania, and the center of Swaziland, where we join him in watching the king pick his next wife. All along the way, we witness his perplexity in trying to understand a compulsion to keep moving, ever onward, to the ends of the earth.




The Amateurs


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In the style of Margaret Atwood's The Year of the Flood, Dave Eggers' The Circle: a post-apocalyptic examination of nostalgia, loss and the possibility of starting over. Allow us to introduce you to the newest product from PINA, the world's largest tech company. "Port" is a curiously irresistible device that offers the impossible: space-time travel mysteriously powered by nostalgia and longing. Step inside a Port and find yourself transported to wherever and whenever your heart desires: a bygone youth, a dreamed-of future, the fabled past. In the near-future world of Liz Harmer's extraordinary novel, Port becomes a phenomenon, but soon it is clear that many who pass through its portal won't be coming back—either unwilling to return or, more ominously, unable to do so. After a few short years, the population plummets. The grid goes down. Among those who remain is Marie, a thirtysomething artist living in a small community of Port-resistors camping out in the abandoned mansions of a former steel town. As winter approaches the group considers heading south, but Marie clings to the hope that her long lost lover will one day return to the spot where he disappeared. Meanwhile, PINA's corporate campus in California has become a cultish enclave of survivors. Brandon, the right-hand man to the mad genius who invented Port, decides to get out. He steals a car and drives north-east, where he hopes to find his missing mother. And there he meets Marie. The Amateurs is a story of rapture and romance, and an astoundingly powerful tale about what happens when technology meets desire.




The Amateur Cracksman


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Book Collecting


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.