The American Enemy


Book Description

Georges-Louis Buffon, an eighteenth-century French scientist, was the first to promote the widespread idea that nature in the New World was deficient; in America, which he had never visited, dogs don't bark, birds don't sing, and—by extension—humans are weaker, less intelligent, and less potent. Thomas Jefferson, infuriated by these claims, brought a seven-foot-tall carcass of a moose from America to the entry hall of his Parisian hotel, but the five-foot-tall Buffon remained unimpressed and refused to change his views on America's inferiority. Buffon, as Philippe Roger demonstrates here, was just one of the first in a long line of Frenchmen who have built a history of anti-Americanism in that country, a progressive history that is alternately ludicrous and trenchant. The American Enemy is Roger's bestselling and widely acclaimed history of French anti-Americanism, presented here in English translation for the first time. With elegance and good humor, Roger goes back 200 years to unearth the deep roots of this anti-Americanism and trace its changing nature, from the belittling, as Buffon did, of the "savage American" to France's resigned dependency on America for goods and commerce and finally to the fear of America's global domination in light of France's thwarted imperial ambitions. Roger sees French anti-Americanism as barely acquainted with actual fact; rather, anti-Americanism is a cultural pillar for the French, America an idea that the country and its culture have long defined themselves against. Sharon Bowman's fine translation of this magisterial work brings French anti-Americanism into the broad light of day, offering fascinating reading for Americans who care about our image abroad and how it came about. “Mr. Roger almost single-handedly creates a new field of study, tracing the nuances and imagery of anti-Americanism in France over 250 years. He shows that far from being a specific reaction to recent American policies, it has been knit into the very substance of French intellectual and cultural life. . . . His book stuns with its accumulated detail and analysis.”—Edward Rothstein, New York Times “A brilliant and exhaustive guide to the history of French Ameriphobia.”—Simon Schama, New Yorker




Enemy Images in American History


Book Description

It seems to be a tenet of the human condition to perceive “others” as “different” and potentially hostile. In nearly all societies stereotypes are developed to stigmatize suspected enemies within and without. The American case is particularly interesting in this respect because American society consists of nothing but “others”; to be open to “others” and welcome those who are “different” is one of the basic tenets of the country. However, this principle often conflicts with the need to integrate all these “strangers” into a homogeneous, governable society, which causes the formation of hostile stereotypes of certain ethnic groups that do not “fit in.” The authors in this volume look at the development of these “enemy images,” which form a fairly consistent pattern, from the period of the American Revolution to the post–World War II era. In doing so, they focus on the question of to what extent these enemy images influence the formulation and outcome of foreign, domestic, and immigration policies.




They Called Us Enemy - Expanded Edition


Book Description

The New York Times bestselling graphic memoir from actor/author/activist George Takei returns in a deluxe edition with 16 pages of bonus material! Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love. George Takei has captured hearts and minds worldwide with his magnetic performances, sharp wit, and outspoken commitment to equal rights. But long before he braved new frontiers in STAR TREK, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future. In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard. THEY CALLED US ENEMY is Takei's firsthand account of those years behind barbed wire, the terrors and small joys of childhood in the shadow of legalized racism, his mother's hard choices, his father's tested faith in democracy, and the way those experiences planted the seeds for his astonishing future. What does it mean to be American? Who gets to decide? George Takei joins cowriters Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.




Our Oldest Enemy


Book Description

Sample Text




The Enemy Within


Book Description

“The Enemy Within is a book for all patriots who understand that our country is in a fight for its life.”—MARK LEVIN America on the Brink A questionable election. The president of the United States illegally impeached—twice—and silenced. The First Amendment hanging by a thread. The national heritage under attack. Mob violence. America is on the brink of becoming a one-party dictatorship. How did this happen? The Enemy Within: How a Totalitarian Movement Is Destroying America provides the answer. David Horowitz has been the bête noire of the Left for decades on account of his courageous revelations of their aims and tactics, and now he sounds the alarm: the barbarians are already inside the gates. Horowitz lays out how we have ended up in the worst national crisis since the Civil War. He details: • The Left’s embrace of Critical Race Theory and Cultural Marxism—the underpinnings of their totalitarian ideology • The decades-long infiltration of our education system by ideologies hostile to America, our institutions, and our freedom • Why the Obama administration marked a point of no return in the division of America into two irreconcilable political factions • The Democrats’ unprincipled campaign to destroy a duly elected U.S. president • Their political exploitation of the coronavirus pandemic • Their complicity in the riots of the summer of 2020, which left twenty-five dead, injured two thousand police officers, caused billions of dollars in property damage, and revealed the fragility of our civic order As Abraham Lincoln so presciently warned on the eve of America’s last existential crisis, “If destruction be our lot, we must ourselves be its author and finisher. As a nation of freemen, we must live for all time, or die by suicide.” In The Enemy Within, David Horowitz provides a spot-on assessment of the threat to the American Republic and points to an escape route—while there’s still time.




Meeting the Enemy


Book Description

Since its founding, the United States has defined itself as the supreme protector of freedom throughout the world, pointing to its Constitution as the model of law to ensure democracy at home and to protect human rights internationally. Although the United States has consistently emphasized the importance of the international legal system, it has simultaneously distanced itself from many established principles of international law and the institutions that implement them. In fact, the American government has attempted to unilaterally reshape certain doctrines of international law while disregarding others, such as provisions of the Geneva Conventions and the prohibition on torture. America’s selective self-exemption, Natsu Taylor Saito argues, undermines not only specific legal institutions and norms, but leads to a decreased effectiveness of the global rule of law. Meeting the Enemy is a pointed look at why the United States’ frequent—if selective—disregard of international law and institutions is met with such high levels of approval, or at least complacency, by the American public.




A Generous and Merciful Enemy


Book Description

Some 37,000 soldiers from six German principalities, collectively remembered as Hessians, entered service as British auxiliaries in the American War of Independence. At times, they constituted a third of the British army in North America, and thousands of them were imprisoned by the Americans. Despite the importance of Germans in the British war effort, historians have largely overlooked these men. Drawing on research in German military records and common soldiers’ letters and diaries, Daniel Krebs places the prisoners on center stage in A Generous and Merciful Enemy, portraying them as individuals rather than simply as numbers in casualty lists. Setting his account in the context of British and European politics and warfare, Krebs explains the motivations of the German states that provided contract soldiers for the British army. We think of the Hessians as mercenaries, but, as he shows, many were conscripts. Some were new recruits; others, veterans. Some wanted to stay in the New World after the war. Krebs further describes how the Germans were made prisoners, either through capture or surrender, and brings to life their experiences in captivity from New England to Havana, Cuba. Krebs discusses prison conditions in detail, addressing both the American approach to war prisoners and the prisoners’ responses to their experience. He assesses American efforts as a “generous and merciful enemy” to use the prisoners as economic, military, and propagandistic assets. In the process, he never loses sight of the impact of imprisonment on the POWs themselves. Adding new dimensions to an important but often neglected topic in military history, Krebs probes the origins of the modern treatment of POWs. An epilogue describes an almost-forgotten 1785 treaty between the United States and Prussia, the first in western legal history to regulate the treatment of prisoners of war.




Defending My Enemy


Book Description

Originally published: New York: Dutton, c1979. With new foreword.




Tracking the Axis Enemy


Book Description

Former US naval intelligence officer Bath describes how his own area (before he was in it) was as responsible as Allied warships in the successful 1942-43 campaign against German U-boats known as the Battle of the Atlantic. He describes the cooperation at all levels, in all theaters of war, and at all points in the cycle from gathering through analysis to dissemination. He also considers the naval intelligence in the South Pacific, throughout highlighting the contributions of Britain and other Commonwealth states. Annotation copyrighted by Book News, Inc., Portland, OR




Carrying the War to the Enemy


Book Description

Military commanders turn tactics into strategic victory by means of "operational art," the knowledge and creative imagination commanders and staff employ in designing, synchronizing, and conducting battles and major operations to achieve strategic goals. Until now, historians of military theory have generally agreed that modern operational art developed between the first and second world wars, not in the United States but in Germany and the Soviet Union, whose armies were supposedly the innovators and greatest practitioners of operational art. Some have even claimed that U.S. forces struggled in World War II because their commanders had no systematic understanding of operational art. Michael R. Matheny believes previous studies have not appreciated the evolution of U.S. military thinking at the operational level. Although they may rightly point to the U.S. Army's failure to modernize or develop a sophisticated combined arms doctrine during the interwar years, they focus too much on technology or tactical doctrine. In his revealing account, Matheny shows that it was at the operational level, particularly in mounting joint and combined operations, that senior American commanders excelled—and laid a foundation for their country's victory in World War II. Matheny draws on archival materials from military educational institutions, planning documents, and operational records of World War II campaigns. Examining in detail the development of American operational art as land, sea, and air power matured in the twentieth century, he shows that, contrary to conventional wisdom, U.S. war colleges educated and trained commanders during the interwar years specifically for the operational art they employed in World War II. After 1945, in the face of nuclear warfare, the American military largely abandoned operational art. But since the Vietnam War, U.S. commanders have found operational art increasingly important as they pursue modern global and expeditionary warfare requiring coordination among multiple service branches and the forces of allied countries.