Stufish


Book Description

This issue of AD looks at the work of STUFISH Entertainment Architects. Founded by the late Mark Fisher, the legendary British architect known for his rock music stage sets for bands including the Rolling Stones, U2 and Pink Floyd, the studio is a recognised leader in entertainment architecture. The STUFISH team of architects, designers, visualisers, production managers, technical specialists and producers creates ambitious and pioneering work, exploring new ways to inspire audiences and visitors, from musical experiences to theatrical shows, exhibitions and buildings. Its work has been synonymous with the key theatrical, musical and monumental events embodied in the collective memory of generations across the globe since the mid-1990s. Entertainment architecture is a highly innovative, creative endeavour, producing ever-more elaborate, architectural spectacles. This issue visits the many facets of STUFISH – its history and design process, audience memory and experience –exploring the story behind and evolution of this particular brand of popular culture and its spatial manifestations, and touching on what the future may hold for it. Contributors include: Leonard Auerbach, Victoria Broackes, Peter Cook, Adam Davis, Haidy Geismar, Robert Kronenburg, Theo Lorenz, Ash Nehru, Aubrey Powell, Neil Thomas, Willie Williams, Patrick Woodroffe and Maciej Woroniecki.




Dream Worlds


Book Description

Dream Worlds traces the idea of architecture as entertainment from its early incarnations to the late twentieth century and architainment's dramatic expansion. It examines our desire for escapism and explores places like Las Vegas, Disney World, and the Mall of America that reflect our hopes and dreams for a better life. Architecture built for pure pleasure develops at a breathtaking pace-and there seems to be no end to this trend. Book jacket.




Cowboys Stadium


Book Description

Statement of responsibility from jacket flap.




The Architecture of Happiness


Book Description

Bestselling author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this witty, erudite look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks provocatively. With his trademark lucidity and humour, de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates with great wisdom how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life. The Architecture of Happiness marks a return to what Alain does best — taking on a subject whose allure is at once tantalizing and a little forbidding and offering to readers a completely beguiling and original exploration of the subject. As he did with Proust, philosophy, and travel, now he does with architecture.




Terror and Wonder


Book Description

Collects the best of Kamin's writings for the Chicago Tribune from the past decade.




Design on the High Seas


Book Description

- Over 250 full-color images of the defining works Joseph Farcus carried out for Carnival Cruise Lines and Costa Cruises, as well as theaters, interiors, and other projects, which have inspired his liner designs - His works have been described as "floating theatres that travel the high seas" - Provides an insight into the philosophy driving Farcus' work, setting the scene in his childhood in Miami, with a fascinating look at his promising first sketches and models he made as a boy - Offers an in-depth account of the cruise ship industry, and how Farcus and Carnival Cruise Lines have worked hand in hand to develop the industry Design on the High Seas is an autobiographical account of the architectural design work of Joseph Farcus, which charts his career as an architect who eventually found his way into the cruise-ship industry, in the early days of what is now a truly global business in more ways than one. His works reflects a hard-earned disciplined practice that has helped to foster sophisticated designs for the billion-dollar cruise-ship industry. Many of the projects featured in the pages of this book reflect the beautiful ships of Carnival Cruise Lines, the world's leading cruise-ship company, as well as those of the celebrated Costa Cruises. The volume combines spectacular full-color photography, original sketches, and a compelling, first-person narrative to showcase Farcus's spectacular journey. The author shares anecdotes from his childhood, his university days and his early career, giving an insight into what inspired the architect he was to become - and explaining how the astronomical success of the Carnival Cruise Lines is due in no small way to his product-defining designs. Indeed, millions of passengers have enjoyed memorable and meaningful experiences aboard his works. This is a fascinating and unique account of an architectural designer's journey, and it will appeal to a broad readership: those who love to sail, those with a passion for boat design, as well as businesspeople of all backgrounds who wish to learn the story behind a leisure industry powerhouse.




Architecture of Being


Book Description

Authored during the height of the pandemic amidst a period of self-reflection, culture and style impresario Alan Faena conceives a deeply personal framework of attributes to liberate the self in this highly personal manifesto exploring the constructs of human potential. To build my dreams, I first had to build myself. In this book I share the secrets of that Architecture. — Alan Faena As a creative with a highly personal vision of design, Alan Faena has produced some of the most extraordinary spaces in the recent past — from his ingenious reconstruction of an abandoned neighborhood in Buenos Aires to the heights of luxury in Miami Beach. Faena now presents the guiding principles that have helped him produce these urban marvels. Authored during the height of the pandemic, Faena conceived a deeply personal framework of tenets that guided his journey of self-discovery and creativity. Composed of eight thematic pillars — Creation, Vision, Weakness, Silence, Path, Present, Love and Architecture — these chapters explore the inspired source from which all creativity emanates, from the personal battles to the deliberate decisions that ultimately define Faena’s vision and infuse his imaginative vision.




Theme Park Design & the Art of Themed Entertainment


Book Description

Theme Park Design & The Art of Themed Entertainment aims to be the most in-depth book on theme park design ever written, documenting for professional designers, theme park design students, and curious theme park fans, the fascinating processes and techniques that go into creating the amazing worlds of theme park design.




The Strip


Book Description

The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.




Great Moments in Architecture


Book Description

Humorous architectural sketches of known monuments and objects.




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