The Art of Mary Beth Edelson


Book Description

From 70s ritural performances to the post-feminism of a new century, Mary Beth Edelson has been destabilizing preexisting representations of women. Whether in her version of the Last Supper, in which Georgia O'Keeffe plays Christ to disciples Lee Krasner, Nancy Graves, Louise Bourgeois, and Yoko Ono; or in her isolation and re-narrativization of stereotypical images of Hollywood femmes fatales, Edelson never loses sight of what is at stake in her work: the construction, representation, and consumption of images of women. This book, a virtual scrapbook of the feminism movement, includes coversations between Edelson and such seminal feminist figures as Carolee Schneemann, Nancy Spero, and Miriam Schapiro. Designed by the artist and full of 30 years worth of her multidisciplinary feminist and community-based work, The Art of Mary Beth Edelson offers Edelson the ultimate control over the construction of her own image in the present and the opportunity to recontextualize her past.




Seven Cycles


Book Description




WACK!


Book Description

Written entries on each artist offer key biographical and descriptive information and accompanying essays by leading critics, art historians, and scholars offer new perspectives on feminist art practice. The topics provide a broad social context for the artworks themselves.




Feminist Avant-Garde


Book Description

Now available again in an expanded edition and featuring a variety of work from artists both well-known and under the radar, this volume explores the pioneering achievements of the Feminist Avant-Garde. For art history, the 1970s represent the beginning of women subverting culturally and socially established constructions and traditional norms. Second-wave feminism, with its slogan "The personal is political", challenged the one-dimensional roles assigned to women--mother, housewife, and spouse. During this period, women artists radically questioned their duties and created a plurality of self-determined representations of themselves. Rejecting traditional male-dominated techniques, such as painting, these artists made use of new media, such as photography, film, video, and performance. The outcome was artwork which was radical, poetic, ironic, bitter, cynical, and heartfelt. This book features more than seventy international female artists, including works by Martha Rosler, Mary Beth Edelson, Ana Mendieta, Nil Yalter, and Ulrike Rosenbach. Editor Gabriele Schor used the term Feminist Avant-Garde in order to emphasize the role that these artists played in the last four decades. This new edition has been enriched with twenty-five new artists--Emma Amos, Dara Birnbaum, Rose English, Natalia LL, among others--as well as up-to-date research on feminist exhibitions, catalogues, and periodicals. Each artist is introduced by an essay and the book also includes fascinating texts by leading scholars.




Modern Women: Women Artists at The Museum of Modern Art


Book Description

This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.




Overlay


Book Description

The author reveals a continuum in materials, forms, symbols and imagery artists have employed over 1000s of years. She shows how contemporary art and prehistoric images are linked, with images of past times being 'overlaid' onto works of today's artists.




Reckoning


Book Description

History of the struggle leading up to #MeToo and beyond: from the first tales of workplace harassment percolating to the surface in the 1970s, to the Clinton/Lewinsky scandal, when liberal women largely forgave Clinton, giving men a free pass for two decades. Many liberals even resisted the movement to end rape on campus.




Shape Shifter


Book Description




Picturing the Modern Amazon


Book Description

Pictured in two centuries of images, the hypermuscular and physically strong woman is studied here for the first time as a major player in popular culture and contemporary art. Using the bodybuilder as prototype, a rich variety of authors engage with her particular physicality, and how it resonates with social issues such as female pleasure and gender stereotypes. From the sublime to the gritty, this volume presents modern amazons as a culture with a history, a dazzling and transgressive current phenomenon, and avatars of the future. Packed with illustrations, "Picturing the Modern Amazon" investigates the representation of hypermuscular women in a range of visual sources. Historical images and archival materials dating from the late 1700s through the present century illustrate older notions of female strength, providing a solid base of comparison for the modern materials. Contemporary art explores a diversity of issues surrounding the physically strong woman; artists represented include Matthew Barney, Louise Bourgeois, Nicole Eisenman, Annie Leibovitz, Alison Saar, Andre Serrano, Cindy Sherman, and Nancy Spero. Comic artists address the amazon through comic strips, comic books, and unique art works that focus on muscular female characters and superheros; artists include Robert Crumb, Diane DiMassa, Roberta Gregory, John Howard, and Turtel Onli. Photographs of some of today's top bodybuilding competitors capture the stunning strength and definition of the hypermuscular woman. Co-edited by Joanna Frueh, Laurie Fierstein, and Judith Stein, the volume's contributors are Michael Cunningham, Nathalie Gassel, Leslie Heywood, Irving Lavin, Maxine Sheets-Johnstone, Al Thomas, Jan Todd, Steve Wennerstrom, and Carla Williams. Interviews with noted bodybuilders-both the sport's pioneers and today's top competitors-provide a personal perspective.




It's Time for Action (There's No Option)


Book Description

Edited by Heike Munder. Text by Amelia Jones, Mercedes Bunz, Maria Elena Buszek, Katy Deepwell.




Recent Books